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Carlos Foglia

The 36th season premiere of "Doctor Who" treated viewers to something they had never seen before in the show's 54-year history.

Photo courtesy of BBC Worldwide Limited.

The Doctor's newest companion and co-star is Bill Potts, an openly gay woman.

The Doctor (who has been played by 13 different actors over the years) always has a traveling companion to keep him grounded on his adventures throughout time and space. His companions are almost always female, often young, and conventionally attractive. Their relationships are not always romantic, but as is the case in many shows featuring male and female leads, the romantic and sexual tension is always there, hovering in the subtext.


New companion Bill Potts (Pearl Mackie) is different. She's gay, a fact that she mentions nonchalantly during her first conversation with the Doctor, seconds after appearing on screen.

Photo courtesy of BBC Worldwide Limited.

Bill's sexual orientation is not the most interesting thing about her character. That's a good thing.

Viewers see her inquisitive nature, her determination as she audits classes at the university she can't afford to attend, and her sense of adventure before the first act is over. Her positive demeanor and radiant attitude draw viewers in instantly. The fact that she happens to be gay is just another facet of her character. It doesn't define her.

The Doctor doesn't bat an eye in reaction to the news, and Mackie hopes the response will be the same in real life. "It shouldn't be a big deal in the 21st century. It's about time, isn't it?" she told the BBC.

Showrunner and writer Steven Moffat had a more "Moffatesque" response to the overwhelming attention given to this plot point:

"So just to be clear, we are not expecting any kind of round of applause or pat on the back for [introducing a gay companion]. That is the minimum level of representation you should have on television, and the correct response should be, 'What took you so long?'” he answered when asked about it at the premiere.

Photo by Tabatha Fireman/Getty Images.

In 54 years, the Doctor's companions have all looked and acted pretty similarly.

Depending on who you ask and how they count repeat appearances, anywhere between 30 and 40 companions have taken adventures with the Doctor (and yes, I do count James Corden as one of them).

Looking at the companions featured before Bill Potts since "Doctor Who" was rebooted in 2005, all of the Doctor's long-term female companions have been young and straight. Almost all of them have been white, with big eyes and pouty lips. Other characters often assume they are romantically involved with the Doctor even if they aren't, a pattern that has led to Moffat getting grilled for creating companions who are just there to flirt with the Doctor.

All photos by BBC/Everett Collection.

We have yet to see how Bill Potts will develop over the series — or whether she'll fall victim to one of the most common endings for queer characters: the "bury your gays" trope. GLAAD's annual report on LGBTQ inclusion found that almost 10% of the LGBTQ characters on the shows they analyzed died or were killed.

From the pilot alone, however, Mackie's Bill is a welcome breath of fresh air and representation that "Doctor Who" has sorely needed.

LGBTQ lead roles in television are on the rise, but there is still much work to do.

In the seasons of "Doctor Who" that have aired since 2005, just 3% of its characters have been LGBTQ. That's not great, considering the show has an incredibly large universe to play around in and explore.

Broadcast television as a whole fares slightly better, but not by much: In 2017, just 4.8% of characters on broadcast series (not including Netflix other streaming services) identify as LGBTQ, according to GLAAD. That's the highest percentage GLAAD has ever seen, according to the report.

Photo by Tim P. Whitby/Tim P. Whitby/Getty Images.

The TARDIS — the name of the Doctor's blue police call box spaceship — comes with the familiar phrase, "It's bigger on the inside." With the introduction of the first openly gay lead character on the show, audience members are finally seeing the inclusiveness exhibited across all dimensions and time in the Who-verse.  

The BBC has mandated that by 2020 at least 8% of all on-screen characters must be LGBTQ. Whether Moffat's creation of Bill Potts came about organically or because of this mandate, it shows us what this world can look like if we let everyone play. When writers create characters out of their established comfort zones, it reinforces that good things can happen on screen and in real life.

This era of "Doctor Who" — and our TV media landscape — is finally catching up with universes thousands of years in the future. It's about damn time.

Sometimes, nothing is more terrifying than seeing a "hey" followed by a period.

Call me paranoid, but it tends to be one of the first things someone says to you when you're about to receive some unpleasant news. For someone in a long distance relationship, getting a text like that could be the beginning of the end.

When comic artist SisiwAko and her boyfriend broke up, she wanted to deal with the heartache in the only way she knew.


"I was happy the whole time I was with that person, so I wanted to draw them so I wouldn't forget."

In the words of Carrie Fisher, shared recently by Meryl Streep: "Take your broken heart, make it into art." That's exactly what SisiwAko is doing in this powerful comic.

Comic by SisiwAko, where it originally appeared. Used here with permission.

Sharing our experiences is a valuable way to encourage empathy, even across the longest of distances.

Art has always been a conduit for expression and therapy. From the masters of painting, to kids with their journals, to professional art therapy, web comics, and even socially conscious media companies. We should all have a medium to express our feelings and to accept the experiences of those around us.

The reaction to the piece has been overwhelmingly positive, "People who have had similar experiences have messaged me ... from around the globe and it's been wonderful to hear the words of support and encouragement," she says.

Because of the demand, SisiwAko has started creating a follow-up comic while continuing her studies in game art. Her global fanbase is excited for the next chapter and we're all rooting for her — no matter how far away we may be from her.

​SisiwAko is a comic artist living in the Philippines. You can find her stories and illustrations here.

Pedro Almodóvar is a legend.

He was born in Spain three years after the first Cannes Film Festival. In the subsequent 67 years of his life, he has pushed the creative envelope of screenwriting and filmmaking. His influence is truly global, and his films consistently have echoed social themes for over 30 years.

Almodóvar being selected as the president of the jury for the 2017 Cannes Film Festival is significant for many reasons.

Photo by Pascal Guyot/AFP/Getty Images.


1. He is the first Spaniard to earn the honor.

In the festival's illustrious 70-year existence, presidents of the jury have hailed from many countries: France, USA, U.K., Belgium, Japan, Austria, Germany, Italy, Guatemala, Sweden, Czechoslovakia, Poland, Serbia and Montenegro, Hong Kong, Australia, New Zealand, and Canada.

Now, Spain finally gets to join that company. And Almodóvar is taking it very seriously.

"I am very happy to be able to celebrate the Festival de Cannes 70th anniversary from such a privileged position. I am grateful, honoured and a bit overwhelmed. I am aware of the responsibility that entails being the president of the jury and I hope to be up to the job. I can only tell that I’ll devote myself, body and soul, to this task, that it is both a privilege and a pleasure."

2. It's rarified company.

Some of the past presidents include Francis Ford Coppola, Martin Scorsese, Jeanne Morneau, Luc Besson, Kirk Douglas, Milos Forman, Louis Malle, Ingrid Bergman, and Tennessee Williams.

3. His work has been a staple at Cannes for 30 years.

His movies don't just "get in to Cannes." They are consistently in the running for the Palme d'Or, the highest prize at the festival. -

"La Mala Educatión." Photo by AFP/Getty Images.

4. His work has been cutting-edge since day one.

Black comedy/drama is an understatement when it comes to Almodóvar's work. He draws you in with luscious colors, framing, and scenery while shaking you awake with themes of identity, political freedom, and passion. His new film "Julieta" has received mass critical acclaim.

"All About My Mother." Photo by Dreamworks.

5. His mantel is overflowing with awards.

He is considered one of — if not the most — successful Spanish filmmakers of all time. He has won two Oscars, three Goya Awards, seven European Film Awards, four BAFTAs, four Cannes prizes, one Italian Golden Globe, and many more.

But that's not all. Other highlights include: the French Legion of Honor, a Gold Medal for Merit in Fine Arts from the Spanish Ministry of Culture, selection as a foreign honorary member of the American Academy of Arts & Sciences, and honorary doctoral degrees from HarvardandOxford universities. And many more.

It's a really, really big fireplace.

6. He's a president the world is actually excited about!

With all the news inundating us, we get to celebrate a universally liked celebrity getting the recognition he deserves.

Photo by Kena Betancur/AFP/Getty Images.

7. Diversity is (finally) getting more recognition this year.

A Spaniard finally being recognized as president of the jury and the Oscars making history this year with a black actor nominated in every major acting category are just two signs of progress for diversity in the arts.

In the scheme of the recent barrage of events that we've been subjected to as new subjects this pales in comparison. A judge at a posh film festival in an overpriced tourist town in France wouldn't normally make for breaking news. But I'll take the smallest of victories wherever I can to try to find some true escapism, in real life and on the silver screen.

84 Lumber may have made Super Bowl commercials great again.

Powerful political messages were embedded in the commercials that aired during the big game on Feb. 5, 2017. We've talked about Audi and Budweiser, but a lesser-known company called 84 Lumber had a resonant message about immigration.

It was a message so compelling that the Fox network actually banned part of it.


The aired version of the ad documents the start of the journey of a mother and daughter searching for a better life in America.

It touches on the challenges crossing the border may bring for those who can't afford the requirements of legal entry.

It shows crossing the border is definitely no stroll through the park.

The TV version ended with a hopeful scene in front of a fire. But this is only half the story.

The original edit, posted on 84 Lumber's website paints the rest of the somber picture.

In the final moments of the commercial, the mother and daughter face the final hurdle of entering America: a great, expansive wall.

Fox told Amy Smiley, 84 Lumber's marketing director, that they had "concerns about some of the elements" of the original version.

"FOX rejected our original commercial because they determined that some of the imagery, including 'the wall' would be too controversial," read the official statement from Michael Brunner, CEO of Brunner, the ad agency that produced the television spot.

But they also built a door.

In the statement, Brunner said 84 Lumber felt too strongly about the ad's message to leave it on the editing room floor. So they made the story available in full online — which caused the site to crash during the game.

The company's belief is that all people, if they have the will and determination — no matter where they are from — deserve their chance at the American dream.

There was some backlash against 84 Lumber for the ad, but refreshingly, they answered criticism succinctly and flawlessly.

84 Lumber is a company many of us had never heard of before the Super Bowl, but we won't forget this message anytime soon.

That message is simple: Compassion and opportunity still exist in America.

It doesn't matter what edicts are handed down from above, but rather what foundation we build from below. It's the American way, and we're all part of this American story.

Watch the full version here: