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The Onion filed a Supreme Court brief. It's both hilariously serious and seriously hilarious.

Who else could call the judiciary 'total Latin dorks' while making a legitimate point?

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The Onion's Supreme Court brief uses parody to defend parody.

Political satire and parody have been around for at least 2,400 years, as ancient Greek playwright Aristophanes satirized the way Athenian leaders conducted the Peloponnesian War and parodied the dramatic styles of his contemporaries, Aeschylus and Euripides.

Satire and parody are used to poke fun and highlight issues, using mimicry and sarcasm to create comedic biting commentary. No modern outlet has been more prolific on this front than The Onion, and the popular satirical news site is defending parody as a vital free speech issue in a legal filing with the U.S. Supreme Court.

The filing is, as one might expect from The Onion, as brilliantly hilarious as it is serious, using the same satirical style it's defending in the crafting of the brief itself.


The Onion filed its amicus brief in support of Anthony Novak, a man who was arrested for and prosecuted for parodying the Parma, Ohio, police department on Facebook. Citing a law against disrupting police operations, the police searched Novak's apartment, seized his electronics and put him in jail, where he spent four days before making bail. After a jury acquitted him of all criminal charges, he subsequently filed a civil lawsuit against the police for violating his First and Fourth Amendment rights. However, a federal appeals court threw out the lawsuit, ruling that the officers had "qualified immunity," which protects government officials from being sued for unconstitutional infringements.

The Onion is petitioning for a writ of certiorari, asking the Supreme Court to review the Sixth Circuit Court of Appeals' decision to toss out Novak's civil rights suit. As NPR points out, one primary question in this case is whether people reasonably believed Novak's Facebook page, which used the department's real name and photo but had a satirical slogan ("We no crime."), to be the department's real page.

The Onion argues that such ambiguity and potential confusion is exactly the point of parody. But the way the argument is made—using satire and parody to defend satire and parody—is making headlines.

The 23-page amicus brief can be read in full here, but let's look at some of the highlights:

First, the description of The Onion itself:

"The Onion is the world’s leading news publication, offering highly acclaimed, universally revered coverage of breaking national, international, and local news events. Rising from its humble beginnings as a print newspaper in 1756, The Onion now enjoys a daily readership of 4.3 trillion and has grown into the single most powerful and influential organization in human history.

"In addition to maintaining a towering standard of excellence to which the rest of the industry aspires, The Onion supports more than 350,000 full- and parttime journalism jobs in its numerous news bureaus and manual labor camps stationed around the world, and members of its editorial board have served with distinction in an advisory capacity for such nations as China, Syria, Somalia, and the former Soviet Union. On top of its journalistic pursuits, The Onion also owns and operates the majority of the world’s transoceanic shipping lanes, stands on the nation’s leading edge on matters of deforestation and strip mining, and proudly conducts tests on millions of animals daily."

It's clear to a reasonable mind that they're not being serious here. And yet, this description is being filed in a real Supreme Court filing, setting the stage for the entire argument of how parody works.

"Put simply, for parody to work, it has to plausibly mimic the original," the brief states. "The Sixth Circuit’s decision in this case would condition the First Amendment’s protection for parody upon a requirement that parodists explicitly say, up-front, that their work is nothing more than an elaborate fiction. But that would strip parody of the very thing that makes it function. The Onion cannot stand idly by in the face of a ruling that threatens to disembowel a form of rhetoric that has existed for millennia, that is particularly potent in the realm of political debate, and that, purely incidentally, forms the basis of The Onion’s writers’ paychecks."

The writer of the brief clearly wasn't going to let the opportunity to demonstrate the comedic nature of satire to pass simply because this was an actual legal document being filed before the highest court in the land, nor was he going to spare the judiciary from being the object of said comedy.

It took some gumption to write this paragraph, but oh gracious is it perfection. While arguing that parody functions by tricking people into thinking it's real, the brief states:

"Tu stultus es. You are dumb. These three Latin words have been The Onion’s motto and guiding light since it was founded in 1988 as America’s Finest News Source, leading its writers toward the paper’s singular purpose of pointing out that its readers are deeply gullible people. The Onion’s motto is central to this brief for two important reasons. First, it’s Latin. And The Onion knows that the federal judiciary is staffed entirely by total Latin dorks: They quote Catullus in the original Latin in chambers. They sweetly whisper 'stare decisis' into their spouses’ ears. They mutter 'cui bono' under their breath while picking up after their neighbors’ dogs. So The Onion knew that, unless it pointed to a suitably Latin rallying cry, its brief would be operating far outside the Court’s vernacular."

Just jaw-droppingly irreverent, and yet immediately following is a totally cogent and reasoned argument about the nature of parody, complete with citations and footnotes:

"The second reason—perhaps mildly more important—is that the phrase 'you are dumb' captures the very heart of parody: tricking readers into believing that they’re seeing a serious rendering of some specific form—a pop song lyric, a newspaper article, a police beat—and then allowing them to laugh at their own gullibility when they realize that they’ve fallen victim to one of the oldest tricks in the history of rhetoric. See San Francisco Bay Guardian, Inc. v. Super. Ct., 21 Cal. Rptr. 2d 464, 466 (Ct. App. 1993) ('[T]he very nature of parody . . . is to catch the reader off guard at first glance, after which the ‘victim’ recognizes that the joke is on him to the extent that it caught him unaware.').

"It really is an old trick. The word 'parody' stretches back to the Hellenic world. It originates in the prefix para, meaning an alteration, and the suffix ode, referring to the poetry form known as an ode.3 One of its earliest practitioners was the first-century B.C. poet Horace, whose Satires would replicate the exact form known as an ode—mimicking its meter, its subject matter, even its self-serious tone—but tweaking it ever so slightly so that the form was able to mock its own idiocies."

The brief is a brilliant defense of parody wrapped up in perfect parodic packaging, which is even pointed out in the arguments to drive home the point, as on page 15:

"This is the fifteenth page of a convoluted legal filing intended to deconstruct the societal implications of parody, so the reader’s attention is almost certainly wandering. That’s understandable. So here is a paragraph of gripping legal analysis to ensure that every jurist who reads this brief is appropriately impressed by the logic of its argument and the lucidity of its prose: Bona vacantia. De bonis asportatis. Writ of certiorari. De minimis. Jus accrescendi. Forum non conveniens. Corpus juris. Ad hominem tu quoque. Post hoc ergo propter hoc. Quod est demonstrandum. Actus reus. Scandalum magnatum. Pactum reservati dominii.

"See what happened? This brief itself went from a discussion of parody’s function—and the quite serious historical and legal arguments in favor of strong protections for parodic speech—to a curveball mocking the way legalese can be both impenetrably boring and belie the hollowness of a legal position. That’s the setup and punchline idea again. It would not have worked quite as well if this brief had said the following: 'Hello there, reader, we are about to write an amicus brief about the value of parody. Buckle up, because we’re going to be doing some fairly outré things, including commenting on this text’s form itself!' Taking the latter route would have spoiled the joke and come off as more than a bit stodgy. But more importantly, it would have disarmed the power that comes with a form devouring itself. For millennia, this has been the rhythm of parody: The author convinces the readers that they’re reading the real thing, then pulls the rug out from under them with the joke. The heart of this form lies in that give and take between the serious setup and the ridiculous punchline."

The Onion has outdone itself many times, but this amicus brief may be its best work yet right up to the end.

"The Onion intends to continue its socially valuable role bringing the disinfectant of sunlight into the halls of power…," the argument section concludes. "And it would vastly prefer that sunlight not to be measured out to its writers in 15- minute increments in an exercise yard."

Definitely give the full brief a read. You'll certainly never read another Supreme Court filing like it.

A dad got a sweet note from a fellow father after camping with his kids.

One of the hardest parts of being a parent is never being sure whether you're doing a good job or totally bombing it. If you're conscientious enough to even wonder if you're a good parent, you probably are, but parenting entails a million little choices and interactions, and there's always a lingering voice in your head saying, "What if you're really screwing this whole thing up?"

Reassurance and encouragement are always appreciated by parents, but not always received, which is why a note from one camping dad to another has people celebrating the kindness of anonymous strangers.

"You are killing it as a dad."

Someone on Yosemite Reddit thread shared a photo of a handwritten note with the caption, "To the man who left this thoughtful note on my windshield at Lower Pines Campground this weekend, I extend my heartfelt gratitude; your acknowledgment of my efforts to be a good father means a great deal to me."



The note reads:

"Bro,

I camped in the spot behind you last night. Let me just say, you are killing it as a dad. First off, I watched your wife guide you in as you backed up your trailer and nailed it on the first try without any yelling. Then your kids unloaded from the truck and were mild-mannered and well behaved. You told stories around the campfire and I had the pleasure of listening to the sounds of giggles and laughter.

From one dad to another, you are killing it. Keep it up.

P.S. Whatever you cooked for dinner smelled delicious!"

How often do we share these thoughts with strangers, even if we have them? And who wouldn't love to get a surprise bit of praise with specific examples of things we did right?

Everyone needs to hear a compliment once in a while.

So many people found the note to be a breath of fresh air and a good reminder to compliment people when we feel the urge:

"That would make any daddy's eyes water."

"It’s always nice, as a guy, to get a compliment."

"I complimented a guy's glasses at work (I'm also a guy, and btw they were really cool glasses, I wasn't just being nice) and now he keeps trying to tell me where he got his glasses and how I should get some. But I'm just having to be polite because I already have glasses and I'm not in the market. I finally had to tell him I'm not going to buy them lmao I just like them on him.

Made me feel like that's the first compliment he's had in years because he can't stop talking about it. Also I mainly liked the glasses because I think he's cute but he really thinks it's just the glasses haha jokes on him that cute bastard."

"I was in the store with my wife and one of our 'adopted nephews' yesterday (we’re close friends with his parents and we’ve known him and his brother since they were newborns and 2yo, respectively). A woman came up to me at checkout while my wife was running out to the car and said 'I’m not sure what your family relationship is here, but I just have to tell you how nice and refreshing it is to hear all the laughter and joy from the 3 of you. You both seem like such a good influence on him and it warms my heart.' It’s such a small thing but as a dude, I can’t remember the last time someone gave me a compliment in public and it made my freaking day."

"10/10 letter. The and not yelling part gave me a good chuckle lol."

"We need so much more of men getting such heartfelt and sincere compliments. Thanks for sharing. ❤️"

"I’ve never considered leaving a note, but when I see a harmonious family with good parenting, it’s healing for me. My childhood was awful."

"Such an awesome compliment! Even though I don't have children myself, I like to remind my friends too that they're doing great & it brings them happy tears."

"This made me cry. I love that you are getting your 'flowers.' My dad sucked, I’m so glad you are one of the good ones."

"This made me cry too. It’s so hard to be a human. Let alone a parent. Getting a good job sticker every now and then really means a lot these days."

"I'm a big bearded guy and I would cry if I got this note. More people like this, please."

The best part of this story is that no one knows who the dad who wrote the note is, not even the dad who shared it. It wasn't written for clout or notoriety, it wasn't to get attention or make himself look good. No name or signature, just an anonymous act of kindness to uplift a stranger whether he needed it or not.

We all need to hear or read kind things said about us, and sometimes it means even more coming from an anonymous stranger who has nothing to gain by sharing. A good reminder to share it when you feel it—you never know how many people you may move and inspire.

This article originally appeared last year.

LGBTQ parishioners and Richard Hays.

Richard Hays, an ordained Methodist minister and the 27-year dean of the Duke Divinity School, passed away on January 4, 2025, from pancreatic cancer. Hays was known for his 1996 book, “The Moral Vision of the New Testament,” which was taught in seminary schools and embraced by conservative evangelical Christians for its repudiation of same-sex marriage. “Homosexuality is one among many tragic signs that we are a broken people, alienated from God’s loving purpose,” Hays asserted in his book.

However, in his final months, Hays dramatically shifted his public views about LGBTQ people and their place in the Christian faith. In September 2024, Hays and his son, Chris, released their book “The Widening of God’s Mercy,” which claims God continually extends his mercy to those who are outcasts in the Bible and that LGBTQ people should be accepted in the church.

“The biblical narratives throughout the Old Testament and the New trace a trajectory of mercy that leads us to welcome sexual minorities no longer as ‘strangers and aliens’ but as ‘fellow citizens with the saints and also members of the household of God,’” the authors wrote, quoting the Book of Ephesians.

Hays’ theological change of heart was controversial in some evangelical circles.


3 Reasons Why Richard Hays believes the church should accept same-sex marriages

In a speech given at CenterPeace Conference 2 months before his death, Hays shared 3 reasons why he believes the church should accept LGBTQ people and that same-sex marriage should be blessed.

1. His experience with LGBTQ Christians

Hays argues that we don’t know what the word of God means until we see it “embodied” by others, and he saw terrific examples of LGBTQ Christians with his students and at a Methodist church in Durham, North Carolina. “I was, of course, encountering students both from my time teaching at Yale and time at Duke students who were of alternative sexualities minority sexualities who were there to learn and to seek to serve in the church they were smart, they were committed, and they were gay and lesbian,” Hays said in his speech.

- YouTubeyoutu.be

2. Reading books

Hays read accounts of life as an LGBTQ Christian by Wesley Hill (“Washed and Waiting”) and “Scripture and Ethics” by Karen R. Keen. “That book led to a series of extended conversations between Karen and me. We would go get coffee and sit and talk for a long time about what both what Karen had written and about her own experience, and it just helped me to move off the place where I had been stuck,” Hays said. He also read theological books that defended traditional Christian marriage and found their positions “unconvincing.”

rainbow book art Photo by Edson Rosas on Unsplash

3. His mother’s death

Hays says that the tipping point was “nearly 5 years ago” when his mother died, and his family wanted to have her funeral at a Methodist church where she was the organist. However, the church was a reconciling congregation accepting of LGBTQ people and flew a rainbow Pride banner out front. Hays’ brother refused to attend a service in the church, so the family decided to move the funeral elsewhere. The family disagreement made Hays wonder why LGBTQ issues, which aren’t central to Christian doctrine, held such a firm grip on believers’ hearts. “I thought, why is this such an issue, you know? This is not about a dispute about the doctrine of the Trinity. It's not about justification by faith,” Hays said. “This is not a matter that stands at the heart of Christian doctrine. Why can't we agree to disagree about something like this? But [his brother] couldn't; he felt it would compromise his principles. So for me, that was the personal tipping point where I said damn, I've got to write something to set the record straight.”

Ultimately, Hays’ dramatic final proclamation was a brave act that will be a big part of his legacy. The man who justified antigay policies in the church later came to believe that LGBTQ people deserve to be accepted and their marriages blessed. Let’s hope his change inspires others to rethink their anti-LGBTQ views and create real change within the church.

woman holding baby Photo by Margaux Bellott on Unsplash

There's a big change at the 98th meridian.

Have you ever wondered why the eastern half of the United States is densely populated while everything west of Omaha, save for a few metro areas, is no man’s land?

Most people would assume that it’s because people first settled in the east and moved west. Or, they may believe it’s because of the vast desert that takes up most of the southwest. Those are some decent reasons, but it’s a much more complicated issue than you'd imagine.

A 20-minute video by RealLifeLore explains how topography and rainfall have created what appears to be a straight line down the middle of the country on the 98th meridian that dictates population density. Eighty percent of Americans live on the east side of the line and just twenty percent to the west.

RealLifeLore is a YouTube channel that focuses on geography and topography created by Joseph Pisenti.

In the video, we see that several large cities border the American frontier—San Antonio, Austin, Fort Worth, Oklahoma City, Wichita, Omaha, Lincoln, Sioux Falls, and Fargo, as well as Winnipeg up in Canada. To the west of those cities? Not much until you reach western California and the Pacific Northwest.

Why? Watch:

The major reason why the population drastically changes is rainfall. It rains much more on the east side of the line versus the west. The reason for the drastic change in rainfall is that the Rocky Mountains create a colossal wall known as a rain shadow that prevents moisture from passing from the Pacific Ocean. This has created a large swath of dry land that’s not conducive to larger populations.

Though the eastern U.S. is more densely populated, it doesn't mean the west doesn't sometimes feel crowded, especially if you live in Los Angeles County. What side of the line are you on?

This article originally appeared three years ago.

'Total Eclipse of the Heart' music video (left) Robert Eggers' Nosferatu (right)

Bonnie Tyler’s epic power ballad “Total Eclipse of the Heart” is a staple of rock n’ roll, but not many know that its actual origin stems from musical theatre. Vampire-centric musical theatre, no less. The year was 1982. Tyler had only recently acquired her distinctive rasp as a result of nodule removal surgery, and was looking to put the voice to good use by signing with record label Sony and aiming to transition from country rock to rock.

In a 2023 interview with The Guardian, Tyler shared how she had been inspired to work with composer and lyricist Jim Steinman after seeing Meat Loaf perform ‘Bat Out of Hell,’ which Steinman wrote and produced, on the BBC. Her reps looked at her like she was crazy (or “barmy,” as the Welsh singer put it in the interview) but nonetheless, the meeting was eventually arranged.

And Steinman, who was unsurprisingly won over by Tyler's raw and gritty voice after she sang a couple tunes for him, had just the song to bestow upon his new collaborator—a little ditty inspired by the lunar eclipse he had started writing for a prospective musical version of the 1922 vampire film Nosferatu, titled The Dream Engine, years prior, but never finished. It had originally been intended for Meatloaf, who had lost his voice (something he would famously lament for years to come) and was aptly titled Vampires In Love.


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"If anyone listens to the lyrics, they're really like vampire lines. It's all about the darkness, the power of darkness and love's place in [the] dark. And so I figured 'Who's ever going to know; it's Vienna!' And then it was just hard to take it out,” Steinman would reveal in an interview with Playbill.

I mean, not much argument here. “Once upon a time, there was light in my life/now there's only love in the dark.” C’mon. Plus, there are apparent vampiric themes in the song’s dazzling melodramatic music video. “We shot the video in a frightening gothic former asylum in Surrey. The guard dogs wouldn’t set foot in the rooms downstairs where they used to give people electric shock treatment,” Tyler shared.

- YouTubewww.youtube.com

Thanks in no small part to Tyler’s unforgettable vocal performance necessary of a song like that, “Total Eclipse of the Heart” went on to be a No. 1 hit and sit at the top of the Billboard Hot 100 for four weeks in 1983, in addition to earning a Grammy nomination for best pop vocal performance, solidifying its rightful place as an iconic 80s power ballad.

Plus, Total Eclipse of the Heart did eventually end up in a vampire musical in the late ‘90s and 2000s, when Steinman debuted Dance of the Vampires, a stage adaptation of the 1967 Roman Polanski film The Fearless Vampire Killers.

Musical theatre tends to be fairly alienating. Not everybody can get behind the overly pronounced articulation and "nasal" tone placement that is often associated with the genre. But in actuality, it encompasses a wide range of vocal styles. Plus, it’s all about emotional builds and epic storytelling, which lends itself nicely to virtually any genre, but particularly rock. I mean, just look at Queen’s discography. So it seems very appropriate that “Total Eclipse of the Heart,” which incorporates a variety of both elements—theatricality, grit, shamelessness, romance, an oh-so satisfying key change—would go on to be so timeless. In many ways, the best art is an amalgamation of many different sources of inspirations, formed to create something new. This is a great example of that.

Three government agencies are ensuring that veterans have a home to go to.

A new report from the U.S. Department of Veteran Affairs (VA), the U.S. Department of Housing and Urban Development (HUD), and the U.S. Interagency Council on Homelessness (USICH) is showing promising news. Due to hard work and investing in housing initiatives, the number of unhoused veterans has decreased by 7.5% since 2023 and 55.6% overall since 2010!

Veteran homelessness has been a growing concern for decades. Since 2009, the three agencies have been monitoring the situation using an annual Point-In-Time (PIT) count to gauge the issue. The PIT Count is a yearly count of the sheltered and unsheltered people who are unhoused within a single night in January. The data collected in 2024 showed that 32,882 veterans experienced homelessness, of which 13,851 were completely unsheltered. These results are lower from 2023’s data, in which 35,574 veterans were unhoused in total and 15,507 were without any shelter period.

An unhoused veteran sitting with a sign asking for changeThe number of unhoused veterans has lowered by 55.6% since 2010.Photo credit: Canva

The VA credits the Biden-Harris Administration’s investment in specific “Housing First” programs aimed toward unhoused veterans along with HUD and USICH initiatives to combat homelessness in general. Some of these initiatives include $800 million worth of grants given to unhoused and at-risk veterans and policy changes within HUD that allowed veterans easier, less expensive access to housing.

“This data shows that with the right investments in housing and health care, and with strong leadership and coordination across government, homelessness is solvable,” said USICH Director Jeff Olivet in a press release.

“Today, thanks to interagency efforts by the entire Biden-Harris Administration and our partners on the ground, we are proud to announce a significant decline in Veteran homelessness this year,” said HUD Deputy Secretary Adrianne Todman.

A veteran sitting down as a woman in a white coat talks to himThe VA, USICH, and HUD are helping more veterans gain access to housing.Photo credit: Canva

While this is certainly great news of progress, homelessness is still an issue in the United States. While there were only 32,882 unhoused veterans recorded in 2024, that is still a large number of human beings that require homes. And that’s just unhoused veterans, not the entire homeless population.

According to a report by the National Alliance to End Homelessness, there is still a lot of work to be done. From 2019-2023, the number of people who entered an emergency shelter for the first time increased more than 23 percent. A vast number of factors create unhoused people, from economic hardship to drug addiction to mental illness. There are also incidents and natural disasters that make a person unhoused overnight such as a wild fire or a hurricane.

So what is the solution? Well, to Thomas Byrne, a professor of social work at Boson University, the answer is simple. To quote a phrase he heard from a head of a homeless services agency, “The solution to the problem is in the name of the problem.” In other words, to help the homeless, we have to just provide them homes.

A hand holding house keys in front of a homeThe key to solving homelessness is literally house keys.Photo credit: Canva

It’s a simple solution that has complex political issues and red tape all around it. But it’s a solution. We only have to work on the “how” now. Fortunately, based on what’s being done for the veterans in this country, the “how” appears to be more and more doable as time, effort, and work is put into it.