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the beatles

Phil Collins and George Harrison

Beatle George Harrison was pigeon-holed as the "Quiet Beatle," but the youngest member of the Fab Four had an acerbic, dry sense of humor that was as sharp as the rest of his bandmates.

He gave great performances in the musical comedy classics, "A Hard Days Night" and "Help!" while holding his own during The Beatles' notoriously anarchic press conferences. After he left the band in 1970, in addition to his musical career, he would produce the 1979 Monty Python classic, The Life of Brian.

Harrison clearly didn't lose his sense of humor for the rest of his life. Shortly before his death in 2001, he played an elaborate prank on Phil Collins that shows how the "Here Comes the Sun" singer would go the extra mile for a laugh.

gif of George Harrison making facesThe Beatles Love GIF - Find & Share on GIPHYGiphy

In 1970, Harrison was recording his first solo record (and arguably the best by a Beatle), All things Must Pass. The session for the song, "The Art of Dying," featured former Beatle Ringo Starr on drums, keyboard legend Billy Preston on keys, the famed Eric Clapton on guitar, and was produced by the notorious Phil Spector.

Harrison wanted a conga player for the session, so Ringo's chauffeur reached out to Phil Collins' manager. At the time, Collins was a relative unknown who was about to join Genesis, a band that would bring him worldwide stardom.

The 18-year-old Collins was starstruck playing on a session with two former Beatles, so he played extra hard in rehearsals, resulting in blood blisters on both hands.

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"Anyway, after about two hours of this, Phil Spector says, 'Okay congas, you play this time.' And I'd had my mic off, so everybody laughed, but my hands were shot," Collins told Express.

"And just after that they all disappeared—someone said they were watching TV or something—and I was told I could go." After that, Collins was relieved of his duties and told to go home. A few months later, Collins bought the massive triple album in the record shop and was devastated to learn he'd been edited out of the song.

"There must be some mistake! Collins thought. "But it's a different version of the song, and I'm not on it."

Some thirty years later, Collins bought the home of Formula One driver Jackie Stewart, a close friend of Harrison. Stewart mentioned to Collins that Harrison was remixing "All Things Must Pass" for a rerelease.

"And he said, 'You were on it, weren't you?' And I said, 'Well I was there,"' Collins recalled.

gif of George Harrison album coverGeorge Harrison Animated Album Cover GIF by uDiscoverMusic - Find & Share on GIPHYGiphy

Two days later, a tape was delivered from Harrison to Collins with a note that read: "Could this be you?" Collins continued: "I rush off and listen to it, and straight away I recognize it." It was a recording of "The Art of Dying."

"Suddenly the congas come in— too loud and just awful," said Collins. Then at the end of the take, Harrison can be heard saying, "Hey, Phil, can we try another without the conga player?" Collins was devastated, to say the least.

A while later, Stewart calls Collins and puts Harrison on the line. "'Did you get the tape?' Harrison asked. "I now realize I was fired by a Beatle," Collins sighed. The two changed the subject, but a few minutes later, Harrison couldn't stop laughing.

"Don't worry, it was a piss-take. I got Ray Cooper to play really badly and we dubbed it on," Harrison admitted. "Thought you'd like it!" So, Harrison had an entire recording session with a conga player who he asked to play poorly, just to pull one over on Collins.

gif of George Harrison smilingThe Beatles Smile GIF - Find & Share on GIPHYGiphy

If you're in the mood for another of rock's greatest pranks. The story of "The Ring" told by Beastie Boys' Adam "Ad-Rock" Horovitz shared in Beastie Boys Story is another great example of someone going to incredible lengths just for a laugh.

The story revolves around the late Beasties' rapper Adam "MCA" Yach, his bandmate Horovitz, and a very creepy ring given to him by a fan backstage at a concert. Check it out below:

Ahh, rock stars.


This article originally appeared four years ago.

Pop Culture

Inside the Beatles’ messy breakup, 53 years ago

More than 50 years later, there's still more to learn about the world's greatest band.

via TM on music / Twitter

Fifty years ago, when Paul McCartney announced he had left the Beatles, the news dashed the hopes of millions of fans, while fueling false reunion rumors that persisted well into the new decade.

In a press release on April 10, 1970 for his first solo album, "McCartney," he leaked his intention to leave. In doing so, he shocked his three bandmates.

The Beatles had symbolized the great communal spirit of the era. How could they possibly come apart?



Few at the time were aware of the underlying fissures. The power struggles in the group had been mounting at least since their manager, Brian Epstein, died in August of 1967.

'Paul Quits the Beatles'

Was McCartney's "announcement" official? His album appeared on April 17, and its press packet included a mock interview. In it, McCartney is asked, "Are you planning a new album or single with the Beatles?"

His response? "No."

But he didn't say whether the separation might prove permanent. The Daily Mirror nonetheless framed its headline conclusively: "Paul Quits the Beatles."

The others worried this could hurt sales and sent Ringo as a peacemaker to McCartney's London home to talk him down from releasing his solo album ahead of the band's "Let It Be" album and film, which were slated to come out in May. Without any press present, McCartney shouted Ringo off his front stoop.

Lennon had kept quiet

Lennon, who had been active outside the band for months, felt particularly betrayed.

The previous September, soon after the band released "Abbey Road," he had asked his bandmates for a "divorce." But the others convinced him not to go public to prevent disrupting some delicate contract negotiations.

Still, Lennon's departure seemed imminent: He had played the Toronto Rock 'n' Roll Festival with his Plastic Ono Band in September 1969, and on Feb. 11, 1970, he performed a new solo track, "Instant Karma," on the popular British TV show "Top of the Pops." Yoko Ono sat behind him, knitting while blindfolded by a sanitary napkin.

In fact, Lennon behaved more and more like a solo artist, until McCartney countered with his own eponymous album. He wanted Apple to release this solo debut alongside the group's new album, "Let It Be," to dramatize the split.

By beating Lennon to the announcement, McCartney controlled the story and its timing, and undercut the other three's interest in keeping it under wraps as new product hit stores.

Ray Connolly, a reporter at the Daily Mail, knew Lennon well enough to ring him up for comment. When I interviewed Connolly in 2008, he told me about their conversation.

Lennon was dumbfounded and enraged by the news. He had let Connolly in on his secret about leaving the band at his Montreal Bed-In in December 1969, but asked him to keep it quiet. Now he lambasted Connolly for not leaking it sooner.

"Why didn't you write it when I told you in Canada at Christmas!" he exclaimed to Connolly, who reminded him that the conversation had been off the record. "You're the f–king journalist, Connolly, not me," snorted Lennon.

"We were all hurt [McCartney] didn't tell us what he was going to do," Lennon later told Rolling Stone. "Jesus Christ! He gets all the credit for it! I was a fool not to do what Paul did, which was use it to sell a record…"

It all falls apart

This public fracas had been bubbling under the band's cheery surface for years. Timing and sales concealed deeper arguments about creative control and the return to live touring.

In January 1969, the group had started a roots project tentatively titled "Get Back." It was supposed to be a back-to-the-basics recording without the artifice of studio trickery. But the whole venture was shelved as a new recording, "Abbey Road," took shape.

When "Get Back" was eventually revived, Lennon – behind McCartney's back – brought in American producer Phil Spector, best known for girl group hits like "Be My Baby," to salvage the project. But this album was supposed to be band only – not embroidered with added strings and voices – and McCartney fumed when Spector added a female choir to his song "The Long and Winding Road."

"Get Back" – which was renamed "Let it Be" – nonetheless moved forward. Spector mixed the album, and a cut of the feature film was readied for summer.

McCartney's announcement and release of his solo album effectively short-circuited the plan. By announcing the breakup, he launched his solo career in advance of "Let It Be," and nobody knew how it might disrupt the official Beatles' project.

Throughout the remainder of 1970, fans watched in disbelief as the "Let It Be" movie portrayed the hallowed Beatles circling musical doldrums, bickering about arrangements and killing time running through oldies. The film finished with an ironic triumph – the famous live set on the roof of their Apple headquarters during which the band played "Get Back," "Don't Let Me Down" and a joyous "One After 909."

The album, released on May 8, performed well and spawned two hit singles – the title track and "The Long and Winding Road" – but the group never recorded together again.

Their fans hoped against hope that four solo Beatles might someday find their way back to the thrills that had enchanted audiences for seven years. These rumors seemed most promising when McCartney joined Lennon for a Los Angeles recording session in 1974 with Stevie Wonder. But while they all played on one another's solo efforts, the four never played a session together again.

At the beginning of 1970, autumn's "Come Together"/"Something" single from "Abbey Road" still floated in the Billboard top 20; the "Let It Be" album and film helped extend fervor beyond what the papers reported. For a long time, the myth of the band endured on radio playlists and across several greatest hits compilations, but when John Lennon sang "The dream is over…" at the end of his own 1970 solo debut, "John Lennon/Plastic Ono Band," few grasped the lyrics' implacable truth.

Fans and critics chased every sliver of hope for the "next" Beatles, but few came close to recreating the band's magic. There were prospects – first bands like Three Dog Night, the Flaming Groovies, Big Star and the Raspberries; later, Cheap Trick, the Romantics and the Knack – but these groups only aimed at the same heights the Beatles had conquered, and none sported the range, songwriting ability or ineffable chemistry of the Liverpool quartet.

We've been living in the world without Beatles ever since.

Tim Riley is Associate Professor and Graduate Program Director for Journalism, Emerson College

This article was originally published by The Conversation on 4.10.20. You can read it here.

Pop Culture

The Beatles return with their 'last' song, John Lennon's gorgeous 'Now and Then'

All 4 Beatles appear together on a song 6 decades in the making.

The Beatles in 1967.

April 24, 1976, was the last time former Beatles, John Lennon and Paul McCartney, saw each other. McCartney would later recall that the last words Lennon ever spoke to him were, “Think of me now and then, old friend.”

Lennon would be gunned down in front of his apartment on December 8, 1980.

It feels somewhat prophetic that the final Beatles song featuring all four members, released on Thursday, November 2, is called “Now and Then.” The song was built from a demo that Lennon recorded at his Manhattan apartment in 1978. Although no one knows if it was written about McCartney, it’s a redemptive ballad about how Lennon found the strength to overcome hardships through a loved one.

I know it's true

It's all because of you

And, if I make it through

It's all because of you


The song was written at a time when the pair had gotten past years of hard feelings and legal battles after the Beatles’ breakup and had considered recording together again. Of course, the song could also have been about his wife and creative partner, Yoko Ono, who was the subject of some of Lennon’s most heartfelt ballads.

“Now and Then” has one of the most prolonged gestation periods of any piece of modern music. The Lennon demo was already about 16 years old when it was handed to the surviving Beatles by Ono as part of the Beatles ' Anthology project in 1994. Although the surviving Beatles would complete Lennon’s “Real Love” and “Free as a Bird,” the band did work on “Now and Then” but never finished the song.

McCartney says the band “ran out of steam and time,” and, in the past, he’s claimed that Harrison didn’t like the song. Harrison would die in 2001 from lung cancer.

But thanks to an AI program developed by filmmaker Peter Jackson that was used to make The Beatles' “Get Back” documentary, the band was able to complete the song. "Since Peter took John off [the cassette] and gave him his own track, it's like John's there. It's far out," Ringo Starr said in a BBC documentary.

While some feared that McCartney and Starr were using AI to resurrect Lennon from the grave, their use of AI is tasteful because it doesn’t create anything new. It just bring’s Lennons voice to the forefront.

“My dad would have loved that because he was never shy to experiment with recording technology. I think it’s really beautiful,” Lennon’s son, Sean Ono Lennon, told the BBC.

The performances by all four Beatles over 6 decades were augmented by sweeping orchestrations composed by McCartney and producer Giles Martin, son of legendary Beatles producer George Martin.

Although there are sure to be more projects involving the surviving Beatles and the band's legacy as recording artists, this is the last time we will ever get to hear a new song from the group. “Now and Then” is a fine curtain call that sits nicely along with their incredible catalog of music. It’s a song about perseverance through the power of love and friendship, a theme that’s prevalent in the band's most important songs, from “Help!” to “All You Need is Love” to “Hey Jude.”




via YouTube/ClubRandom

Bill Maher and Julian Lennon discuss The Beatles on the "Club Random" podcast.

Julian Lennon, son of Beatle John Lennon and his first wife, Cynthia, had a candid, two-hour conversation with Bill Maher on a recent episode of his “Club Random” podcast. During their intimate talk, Julian discussed his complicated feelings about being the subject of one of The Beatles' most famous songs, “Hey Jude.”

“Hey Jude” was written by Paul McCartney while driving to the Lennons’ house to comfort them after John Lennon left Cynthia for Yoko Ono in 1968. The song is credited to the Lennon-McCartney songwriting partnership, which by ‘68 mainly had splintered.


The song was initially called “Hey Jules,” but McCartney changed the name to Jude because he thought it was “a bit less specific."

When asked about being the subject of such a popular song, Julian Lennon had his reservations.

“I'm thankful for the song without question. The other real thing is that people don't really understand that that's a stark and dark reminder of actually what happened with the fact that dad walked out, walked away, left mum and I,” Lennon told Maher.

“You know, that was a point of complete change and complete disruption and complete darkness and sadness. I mean, I was only 3, but I recognized something was up, you know,” Lennon continued. “Yeah, it was heartbreaking, heartbreaking. So, it's a reminder of that time and that place. So, I get both sides of it, but a lot of people don't necessarily understand there's a dark, you know, the yin and the yang of that song.”

As a massive Beatles fan, Maher failed to realize the song's impact on Lennon’s life. “I feel stupid not seeing that before you had to explain it to me, but I get it,” Maher said.