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The Monkees' 1967 acapella Christmas song shows they were incredible singers not just funny

The Monkees have a complicated place in the history of rock music.

via The Monkees/YouTube

The Monkees singing "Riu Chiu."

The Monkees have a complicated place in the history of rock music. On the one hand, they scored some of the biggest hits of the ‘60s with “I’m a Believer,” “Last Train to Clarksville,” and “Daydream Believer.” On the other, they were a band manufactured in 1967 for a TV show that did little more than sing on their earlier records.

All that changed in 1967 when they wrestled control over their musical careers from the executives who kept them out of the studio and began recording their music with the “Headquarters” album. But even though they proved to be talented musicians, The Monkees were still branded as a prefabricated band whose success was owed more to session musicians and top-tier songwriters.

Anyone who doubts the talent of Mickey Dolenz, Michael Nesmith, Davy Jones and Peter Tork, look no further than a performance on The Monkees’ 1967 “Christmas Show” episode. Like every episode of The Monkees' TV show, this one featured a musical number. But this time, instead of a rock tune with a pre-MTV video of the band monkeying around, this featured the band singing an acapella version of “Riu Chiu,” a Spanish villancico that has attained some contemporary fame as a Christmas carol. The song is attributed to Mateo Flecha the Elder, who died in 1553.

The performance highlights the band’s unique vocal abilities that stem from different musical traditions. Before The Monkees, Dolenz was a rock singer, Nesmith was a country singer-songwriter from Texas, Tork was a folk musician and Jones was an English theatrical performer best known for his performance as the Artful Dodger in “Oliver!” But in this performance, their vocals blend perfectly.

- YouTubewww.youtube.com

The “Christmas Show” episode was memorable for the band’s outstanding vocal performance but also stands as one of the more memorable Christmas specials in TV history. Coming on the heels of the “Summer of Love,” the story is about The Monkees babysitting Melvin Vandersnoot, the hard-hearted child of an affluent family. After numerous attempts to get him into the Christmas spirit, the Monkees warm up his icy heart after showing him love, something all the money in the world can’t buy.

Vandersnoot, was played with incredible maturity by Butch Patrick, best known as Eddie on “The Munsters.”

- YouTubewww.youtube.com

The Monkees' television show would be canceled in 1968 and the band’s original run wouldn’t last much longer. But all four band members would remain in the music business. The Monkees would reunite in the late ‘80s after the show became popular in reruns and would continue to tour over the next four decades, although most of the time, it was without Nesmith. Nesmith would pursue a country career in the ‘70s, and even though his work received a lukewarm reception at the time, his innovative mixture of country music, humor and psychedelia has made him a pioneer in the alt-country genre. Nesmith died in 2021, shortly after touring with Dolenz.

Outside his work as the mainstay in Monkee reunions, Dolenz has starred in numerous theatrical productions and recently released an EP of R.E.M covers. He still tours as a solo act.

Davy Jones went on to perform in Monkee reunions and guest star on several TV shows, most notably on an episode of “The Brady Bunch,” where he was the target of Marcia Brady’s affection. He passed away in 2012.

Peter Tork was a mainstay of The Monkees’ live performances through numerous reunions and played in a band called Shoe Suede Blues. Tork died in 2019 after a long battle with cancer.

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Star-studded music video for George Harrison's 'My Sweet Lord' explores the song's meaning

Maybe what we’re searching for has been right in front of us the whole time.

George Harrison/YouTube

George Harrison's "My Sweet Lord" has been a beloved pop hymn for 50 years.

If someone were to ask which member of the Beatles was first to chart a No. 1 hit on the charts after the band's break-up, would you guess George Harrison? He was, with his song "My Sweet Lord" from his 1970 album "All Things Must Pass." It would be his biggest hit as a solo artist.

The song is a pop hymn of sorts, with two mantras from different religious traditions—"Hallelujah" from Christianity and "Hare Krishna" from Hinduism—alternating throughout. According to songfacts.com, Harrison wanted to convey that the two phrases were essentially the same, both calling out to God.

As Harrison explained in the documentary "The Material World": "First, it's simple. The thing about a mantra, you see... mantras are, well, they call it a mystical sound vibration encased in a syllable. It has this power within it. It's just hypnotic."

The song is simple, sweet and spiritual, hitting on some of the most fundamental elements of being human, which may explain its popularity. In 2022, a star-studded music video for the song prompted a newfound reflection about the song's meaning.

Directed by Lance Bangs and executive produced by Dhani Harrison and David Zonshine, the video stars Fred Armisen and Vanessa Bayer as agents who have been asked by their superior, played by Mark Hamill, to “search for that which can’t be seen.” Patton Oswalt, Taika Waititi, "Weird Al" Yankovic, Rosanna Arquette, Jon Hamm and others—including Ringo Starr—make cameo appearances in the video.

Harrison’s wife, Olivia, and son, Dhani, also appear in the video, according to The Hollywood Reporter.

Watch:

People are loving the video, both for the reminder of what a good song it is and for the interpretation of how we can find what we're seeking—God or truth or enlightenment—in the simple things that are right in front of us.

"The search never ends," wrote one commenter. "Sometimes we look but we never see. Sometimes we see but we don't understand. We hear, but do we listen? Life is up for grabs."

"I think the spirit in which the video is made is George's philosphy," wrote another. "People with high tech looking for answers. But they're constantly in the dark. The answer is not in a book. Turn on the light. Stop wandering around the world. The answers are in front of you but you're not paying attention. You just need to tune in the message."

"George has been gone 20 years, this song is 50 years old, and yet here we are watching a new music video for it featuring a ton of people famous actors and musicians," wrote one person. "It just goes to show you the power of George’s music and the depth to which it is a part of us."

Thousands of comments have poured in from people who are moved by "My Sweet Lord" and the message of the video five decades after the song was released, showing the true timelessness of Harrison's mark on the world.


This article originally appeared two years ago.


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'Don't follow your passion': Self-made millionaire says you should do this instead

There's something more profound than passion.

via Vice and Andrea Piacquadio/Pexels

A woman painting and Scott Galloway.

“Follow your passion” is a cliche you will hear in almost every graduation commencement speech. But we all accept it as a golden rule for life because we hear it so often and it feels right.

We tell ourselves that if we are passionate about something, we will be good at it and it will sustain us throughout our lives. However, Scott Galloway, a self-made millionaire and marketing professor at New York University Stern School of Business, thinks that telling people to follow their passions is bad advice.

In 2005, Galloway founded the digital intelligence firm L2 Inc., a venture that would go on to be acquired by Gartner for a staggering $155 million in March 2017.

″[Return on investment] and sex appeal are inversely correlated. What do we mean about that? Simply put: Don’t follow your passion,” Galloway told CNBC Make It. Instead, Galloway proposes a more practical approach. “Find out what you’re good at and then invest 10,000 hours in it — and become great at it,” Galloway says.

Im Not Giving It Away Malcolm Gladwell GIFfrom Im Not Giving It Away GIFs

The 10,000-hour theory Malcolm Gladwell explains in his book “Outliers,” states that to become exceptionally good at something, you need about 10,000 hours of practice. In his book, he emphasizes that it's not just talent that matters; putting in the time and effort is key to mastering any skill or profession.

In “Outliers,” Gladwell notes that highly successful people, including Bill Gates, The Beatles, and Robert Oppenheimer, all put 10,000 hours into their particular skill sets before reaching incredible heights of success.

“People often come to NYU and say, ‘Follow your passion’ — which is total bulls***, especially because the individual telling you to follow your passion usually became magnificently wealthy selling software as a service for the scheduling of health care maintenance workers. And I refuse to believe that that was his or her passion,” Calloway continues.

Calloway adds that one of the benefits of focusing on our natural gifts is that it will eventually inspire passion. “What they were passionate about was being great at something, and then the accouterments of being great at something — the recognition from colleagues, the money, the status will make you passionate about whatever it is,” Galloway said.

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A 2018 report by Stanford researchers came to a similar conclusion. The researchers believe that following one’s passions isn’t a clear road to success for numerous reasons. The maxim assumes that we have only one passion in life and that it will not change over time. It also gives the impression that when we follow our passions, we’ll always magically fall into our dream jobs and become successful.

Finally, just because one is passionate about something doesn’t necessarily mean they are good at it.

While some may think Calloway’s advice is cynical and heartless, there's something extraordinary about nurturing our natural gifts and using them to achieve success in life. In a world where our talents and passions may not always align, embracing what makes you unique and sharing it with the world in your own special way is a beautiful gift that you can offer.

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Inside the Beatles’ messy breakup, 53 years ago

More than 50 years later, there's still more to learn about the world's greatest band.

via TM on music / Twitter

Fifty years ago, when Paul McCartney announced he had left the Beatles, the news dashed the hopes of millions of fans, while fueling false reunion rumors that persisted well into the new decade.

In a press release on April 10, 1970 for his first solo album, "McCartney," he leaked his intention to leave. In doing so, he shocked his three bandmates.

The Beatles had symbolized the great communal spirit of the era. How could they possibly come apart?


Few at the time were aware of the underlying fissures. The power struggles in the group had been mounting at least since their manager, Brian Epstein, died in August of 1967.

'Paul Quits the Beatles'

Was McCartney's "announcement" official? His album appeared on April 17, and its press packet included a mock interview. In it, McCartney is asked, "Are you planning a new album or single with the Beatles?"

His response? "No."

via The Daily Mirror

But he didn't say whether the separation might prove permanent. The Daily Mirror nonetheless framed its headline conclusively: "Paul Quits the Beatles."

The others worried this could hurt sales and sent Ringo as a peacemaker to McCartney's London home to talk him down from releasing his solo album ahead of the band's "Let It Be" album and film, which were slated to come out in May. Without any press present, McCartney shouted Ringo off his front stoop.

Lennon had kept quiet

Lennon, who had been active outside the band for months, felt particularly betrayed.

The previous September, soon after the band released "Abbey Road," he had asked his bandmates for a "divorce." But the others convinced him not to go public to prevent disrupting some delicate contract negotiations.

Still, Lennon's departure seemed imminent: He had played the Toronto Rock 'n' Roll Festival with his Plastic Ono Band in September 1969, and on Feb. 11, 1970, he performed a new solo track, "Instant Karma," on the popular British TV show "Top of the Pops." Yoko Ono sat behind him, knitting while blindfolded by a sanitary napkin.

In fact, Lennon behaved more and more like a solo artist, until McCartney countered with his own eponymous album. He wanted Apple to release this solo debut alongside the group's new album, "Let It Be," to dramatize the split.

By beating Lennon to the announcement, McCartney controlled the story and its timing, and undercut the other three's interest in keeping it under wraps as new product hit stores.

Ray Connolly, a reporter at the Daily Mail, knew Lennon well enough to ring him up for comment. When I interviewed Connolly in 2008, he told me about their conversation.

Lennon was dumbfounded and enraged by the news. He had let Connolly in on his secret about leaving the band at his Montreal Bed-In in December 1969, but asked him to keep it quiet. Now he lambasted Connolly for not leaking it sooner.

"Why didn't you write it when I told you in Canada at Christmas!" he exclaimed to Connolly, who reminded him that the conversation had been off the record. "You're the f–king journalist, Connolly, not me," snorted Lennon.

"We were all hurt [McCartney] didn't tell us what he was going to do," Lennon later told Rolling Stone. "Jesus Christ! He gets all the credit for it! I was a fool not to do what Paul did, which was use it to sell a record…"

It all falls apart

This public fracas had been bubbling under the band's cheery surface for years. Timing and sales concealed deeper arguments about creative control and the return to live touring.

In January 1969, the group had started a roots project tentatively titled "Get Back." It was supposed to be a back-to-the-basics recording without the artifice of studio trickery. But the whole venture was shelved as a new recording, "Abbey Road," took shape.

When "Get Back" was eventually revived, Lennon – behind McCartney's back – brought in American producer Phil Spector, best known for girl group hits like "Be My Baby," to salvage the project. But this album was supposed to be band only – not embroidered with added strings and voices – and McCartney fumed when Spector added a female choir to his song "The Long and Winding Road."

"Get Back" – which was renamed "Let it Be" – nonetheless moved forward. Spector mixed the album, and a cut of the feature film was readied for summer.

McCartney's announcement and release of his solo album effectively short-circuited the plan. By announcing the breakup, he launched his solo career in advance of "Let It Be," and nobody knew how it might disrupt the official Beatles' project.

Throughout the remainder of 1970, fans watched in disbelief as the "Let It Be" movie portrayed the hallowed Beatles circling musical doldrums, bickering about arrangements and killing time running through oldies. The film finished with an ironic triumph – the famous live set on the roof of their Apple headquarters during which the band played "Get Back," "Don't Let Me Down" and a joyous "One After 909."

The album, released on May 8, performed well and spawned two hit singles – the title track and "The Long and Winding Road" – but the group never recorded together again.

Their fans hoped against hope that four solo Beatles might someday find their way back to the thrills that had enchanted audiences for seven years. These rumors seemed most promising when McCartney joined Lennon for a Los Angeles recording session in 1974 with Stevie Wonder. But while they all played on one another's solo efforts, the four never played a session together again.

At the beginning of 1970, autumn's "Come Together"/"Something" single from "Abbey Road" still floated in the Billboard top 20; the "Let It Be" album and film helped extend fervor beyond what the papers reported. For a long time, the myth of the band endured on radio playlists and across several greatest hits compilations, but when John Lennon sang "The dream is over…" at the end of his own 1970 solo debut, "John Lennon/Plastic Ono Band," few grasped the lyrics' implacable truth.

Fans and critics chased every sliver of hope for the "next" Beatles, but few came close to recreating the band's magic. There were prospects – first bands like Three Dog Night, the Flaming Groovies, Big Star and the Raspberries; later, Cheap Trick, the Romantics and the Knack – but these groups only aimed at the same heights the Beatles had conquered, and none sported the range, songwriting ability or ineffable chemistry of the Liverpool quartet.

We've been living in the world without Beatles ever since.

Tim Riley is Associate Professor and Graduate Program Director for Journalism, Emerson College

This article was originally published by The Conversation on 4.10.20. You can read it here.

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