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Man breaks down 50 Cent's '21 Questions revealing 21 red flags

Have you ever actually listened to the lyrics of some of your favorite club hits? Not the songs you can recite by heart because they're constantly in your playlist rotation, but the ones you were dropping it like it was hot to in your early 20s before your knees started to sound like someone poured milk on Rice Krispies.

Yeah, those songs. The ones you know the chorus to but you only really heard them played in the club or on the radio weekend mix on your way to said club. Well someone decided they were going to have another listen to 50 Cent's "21 Questions" and it left him with a list of questions of his own. Andrew, who goes by Andrew the Hedgehog on social media surmised that the rappers song should've been named "21 Red Flags" given the question 50 was asking.

"Am I the only one who thinks that 50 Cent was being pretty unreasonable on '21 Questions?,'" Andrew starts to explain. "Like it starts off innocent enough, 'if I fell off tomorrow would you still love me? If I didn't smell so good would you still hug me?' You know, like cute valid questions about whether she just likes him for his fame and his nice cologne or she's really in it for the long haul."

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That's when Andrew notes that it starts taking a pretty drastic turn that has him questioning what exactly the famous rapper is trying to get his love interest to commit to. The line where 50 Cent asks if he got sentenced to a quarter century if his girlfriend would still stick around is where Andrew pauses for reflection.

"Like, I don't know 50 that's a pretty big ask. If you get convicted by a jury of your peers of a crime that carries a 25 year sentence, you must've done something pretty heinous. Like, the worst of the worst white collar crimes get like 10 years," Andrew surmises before adding that in order to receive such a long sentence someone would've had to commit a violent assault or possibly manslaughter.

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Honestly, he's got a really good point. Now we all have questions, Mr. Cent, why exactly are you going to jail for a quarter of a century? That's a long time to ask someone to hold out hope for reunification without knowing the details. But Andrew wasn't done with his own set of questions for the hit-maker.

There's a line in the song where 50 Cent asks if he went from driving a Mercedes to a hoopty if the girl would still stay with him. Andrew raised some financial concerns that might constitute a reason for someone to leave over the vehicle downgrade.

"If you drove a Mercedes Benz and had to return to driving a hoopty, you didn't just fall off, you were extremely irresponsible with your money over a period of time. Which again, I think is a very valid deal breaker. Like, my wife doesn't even drive a hoopty. She makes a teacher's salary, she can still afford a Volkswagen Tiguan. I mean, like 50 Cent be more responsible with your finances, this is ridiculous," the man says.

Andrew's randomly concerned video about a song older than most Gen Zers has other people agreeing with his cautious analysis of the fictional relationship. One person demanded that Andrew make his own version of the song, writing "Now you need to make a remix, 21 reasonable questions."

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Another says, "This relationship sounds draining."

Someone thought it was a good idea to remind Andrew about 50 Cent's propensity to hold grudges, saying, "Sir 50 cent holds the craziest grudges and you felt confident enough to dissect his lyrics from the early 2000’s???"

One person writes, "I agree with you sir… 21 Red flags 🚩 🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩Run ladies!"

"13 year old me sung that song at the top of my lungs to my crush. 34 year old me realizing that song is the epitome of toxic relationships. 😂" someone else shares and they just may have a point.

Who knows if the actual 50 Cent will ever see this logical adult breakdown of his early 2000s hit. But if he doesn't, Andrew has made us all take a step back to evaluate the song that's embedded into the soundtrack of the lives of Millennials and we're all better for it.

In the summer of 2007, Paramore unleashed a pop-punk anthem on the world with "Misery Business."

The song — the first single from the band's second album "Riot!" — details a true story about singer Hayley Williams (who was 17 at the time) feeling betrayed and backstabbed by another girl. It was 100% undiluted high school drama. It was also catchy as all hell.

While the song is still a banger a decade later, a few of the lyrics haven't exactly weathered the test of time. Specifically, the line "Second chances, they don't ever matter / People never change / Once a whore, you're nothing more / I'm sorry, that'll never change."


Williams sings the infamous line at iHeartRadio's 2013 Jingle Ball concert. GIF via iHeartRadio/YouTube.

People have been criticizing Williams for that particular lyric for a while now, calling it "anti-feminist." So she's addressing it head on.

In a recent interview with Track7, Williams acknowledged the backlash, saying that she was a bit annoyed because she "had already done so much soul-searching about it, years before anyone else had decided there was an issue."

"When the article began circulating, I sort of had to go and rehash everything in front of everybody," she said. "It was important, however, for me to show humility in that moment. I was a 17 year old kid when I wrote the lyrics in question and if I can somehow exemplify what it means to grow up, get information, and become any shade of 'woke,' then that’s a-okay with me."

She recognizes now how she was unwittingly "feeding into a lie that [she'd] bought into, just like so many other teenagers — and many adults — before [her]," about being a "cool girl" and tearing other women down. In other words, she's a more mature person at 28 than she was at 17.

In May 2015, she addressed the lyric in a Tumblr post, saying that she's not ashamed of her mistakes because they've helped shape her into the person she went on to become.

Williams with bandmates Taylor York (left) and Jeremy Davis (right) in February 2014. Photo by Rob Kim/Getty Images for DirecTV.

Williams was a little more self-aware at the time than even she gives herself credit for.

David Bendeth, who produced the "Riot!" album, opened up about the process in an interview with Billboard to mark the record's 10th anniversary, touching on Williams' reluctance to sing the infamous lyric.

"Hayley was upset about that girl [who was the subject of 'Misery Business']. In fact, in the lyrics she wrote, 'Once a whore, you’re nothing more' — and I remember at the time, she looked at me and said, 'I don’t think I can sing this. I don’t think I can say this. This just isn’t me,' and I said, 'Hayley, it is you and you wrote it. You have to sing it,' and she says, 'I just don’t think it’s right. I think morally it’s wrong to call somebody that.' I said, 'You’re not [calling somebody that]. You’re explaining the situation,' and she said, 'Okay, I’m going to sing it. I’m not going to like it, but I’m going to sing it.'"

We can all relate to regretting things we said or did when we were younger. It's how we react when those things resurface that says the most about who we are as people.

Learning to admit our mistakes and grow from them is part of being human.

In a world where kids are growing up online, posting to social media sites at younger ages, these mistakes are more likely to be the type that are not only public now, but will be public 10 years from now. The type of scrutiny previously reserved for rock stars, politicians, and public figures will increasingly seep into the lives of everyone.

While there are things people can do to keep their information private to avoid embarrassing revelations years down the line (always check your privacy settings), there's also a lot we can do as individuals in society to create a more empathetic culture that allows people to evolve beyond past mistakes and grow into their best selves — or not make those embarrassing mistakes in the first place.

In the years since the release of "Riot!" Williams has done advocacy work in support of LGBTQ people, the environment, survivors of sexual assault, music education, and the fight against breast cancer. One way to start creating a more empathetic society is by accepting and acknowledging Williams' statement at face value, bolstered by her actions, as a sign of her growth, humility, and most of all, her humanity.