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short film

Image credits: SNL + Wikicommons

Lady Gaga's surprisingly touching "Pip" song is a massive hit with fans

Leave it to Lady Gaga to record a song about an animated mouse for a comedy sketch on Saturday Night Live,, and have it, arguably, be one of the best songs ever—at least according to her fans.

Gaga was both host and musical guest on the show this past week to great reviews. Vulture writer Ben Rosenstock wrote, Gaga's "easy charm and commitment make for one of the most animated episodes of season 50." Adding, "What comes across here, even more than Gaga's talent, is her sincerity—an idea tonal match for a series of pretty strange (complimentary) sketches."

In one such sketch (actually a short by Dan Bulla), Gaga stars as a high school student who urges a tiny mouse named Pip to enter a weightlifting contest. It begins with a teacher (played by James Austin Johnson) asking students to get their parents to vote yes on the referendum to get the roof fixed. He then reminds them about the school's weightlifting competition and urges everyone, no matter their gender or size, to participate.

saturday night live snl GIF by Lady GagaGiphy


But when a bully (played by Marcello Hernandez) says, "Yeah, except Pip," the camera pans over to an adorably sad mouse at a nearby desk. Everyone laughs—except Gaga, who sighs heavily.

But it gets even more delightfully absurd. It then segues into a music video wherein she sings Pip a song about how, if he sets his mind to it, he can achieve anything he wants in life. At one point, Pip walks on a moving globe, while Gaga sings, "The other kids may laugh at you, and treat you like a fool. But I believe you can win the weightlifting contest at our school."

As Pip looks up at her with soulful eyes, Gaga belts, "Pip, don't cry. All you have to do is try." This leads to a Rocky-inspired training montage, underscored by Gaga's very specific lyrics: "You've gotta start out small, Pip. With just a little bit of weight. Push yourself to the limit. That's how you get from good to great. Hit a heavy bag, that's just an old hotdog. Don't use steroids, because that would be wrong."

A chyron appears: "One week later," and Pip gives it his all. Check out the video for the rest, but disclaimer: The video contains some comical violence at the end and may not be suitable for children.

- YouTubewww.youtube.com

Immediately, people went online clamoring for more. On the r/LadyGaga subreddit page, an eager fan posted the thread, "Petition to make Pip the next non-single album."

Most of the comments under the official Saturday Night Live channel on YouTube agreed, with one exclaiming, "Now let's make that song number 1 on the Billboard 100." Another shared they were truly moved: "This is so funny and sweet at the same time; it brought a tear to my eye."

Another common theme among commenters? They can't get enough. "Pip needs a movie." Someone else joked, "So what's your favorite Lady Gaga song?" "It's... well, complicated."

One of the most upvoted comments sums up the communal reaction: "MOTHER GAGA serving us VOCALS."

From students with dreadlocks being denied the right to walk in their own graduations to news anchors being fired from their jobs for the way their hair grows naturally out of their heads, black hair has long been treated as controversial. That's one reason why Hair Love, the 6-minute short film from written and directed by Matthew A. Cherry, has captivated audiences since its release last August.


But unnecessary controversy and injustice surrounding black people's hair isn't the only reason this film has gotten so much attention.

On the surface,Hair Love is a story about styling black hair, but it's also about so much more than that. It's a beautiful story of family, of determination on the part of a young girl and her father, of love and caregiving and hope—a story vividly and powerfully told without any of the main characters directly speaking a word. After watching it, it's clear why it won the Oscar for Best Animated Short Film. It's a brilliant and moving piece of storytelling, totally deserving of all the accolades.

(Seriously with the tissue, though. You'll start off laughing at the cat's side-eye, but you'll want a hanky handy at the end.)

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On Aug. 21, 2013, filmmaker Humam Husari woke up to one of the most horrific attacks of the Syrian civil war.

The rebel-held region of Ghouta outside Damascus, Syria, was hit by rockets containing sarin gas, a deadly chemical generally considered to be a weapon of mass destruction.

The number of casualties is still uncertain according to the United Nations, but estimates range from 281 to around 1,400 casualties with 3,000 wounded.


Syrian director Humam Husari (right) and cameraman Sami al-Shami (center) film a scene. Photo by Bassam Khabieh/Reuters.

"Survivors reported that following an attack with shelling, they quickly experienced a range of symptoms, including shortness of breath, disorientation, eye irritation, blurred vision, nausea, vomiting and general weakness," reported UN Secretary-General Ban Ki-moon.

Husari told Al Jazeera he heard car horns and ambulances that morning and saw on Facebook that the attacks happened just a few miles from his home.

He grabbed his video camera and started filming wounded victims in a nearby field hospital.

"I wasn't filming because I am a cameraman, I was filming because this is the only thing I could do for the victims," he told Reuters in 2016.

Journalists rushed to the scene to document the attack. Many of them did not survive because of exposure to the deadly gas. Husari was fortunate enough to survive.

"You don't have the chance to grieve. You don't have the chance to be sad," Husari told Al Jazeera in 2013. "You can just be panicked or worried, and feel helpless."

After the attacks, Husari continued to work as a journalist covering the war. "I feel I have a responsibility in the future to tell this story, these stories, through cinema and drama. That's usually what happens after every war," he told Reuters.

Husari (center left) and al-Shami (center right) operate a camera for a scene in Zamalka, in the Damascus suburbs. Photo by Bassam Khabieh/Reuters.

In 2016, Husari began production on a short film based on real events during the attacks.

The film was shot in Zamalka, a suburb where several rockets struck during the attack. He used local people who survived the attacks, all of whom were either witnesses or victims.

The self-financed film follows a man who loses his wife and child in the attacks and was denied time to bury them. He is then called up to take up arms to defend their region.

Making the film is a necessary experience for Husari.

It offers him an opportunity to process what he went through and also show the world as well.

Actors perform in the Husari-directed film. Photo by Bassam Khabieh/Reuters.

It was an emotional experience making the film. "I was amazed with how much those people were able to express their tragedy and to cooperate with me on this movie,"he told Reuters.

People re-enact the attack in a scene from the film. Photo by Bassam Khabieh/Reuters.

Despite all they’ve been through, they were willing to re-enact these terrible events to give voice to those who perished.

Husari told Reuters, "A 70-year-old man said to me: 'I want to be part of this movie because I lost 13 of my family ... I want the world to know what we've been through.'"

The short film involved local people who witnessed the attack. Photo by Bassam Khabieh/Reuters.

The film's star Mohamed Demashki, a former business student and bodybuilder, told Reuters, "It tries to convey to the world that the people who live here are not just fighters, they are not terrorists. They are people with a life. The war conditions them to become fighters," he said.

The Syrian government still denies responsibility for the Ghouta chemical attack.

The film will hopefully help the world understand the plight of everyday people in Syria.