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This song is melting hearts everywhere.

It began in Australia. Producer Karina Holden, alongside director Cian O'Clery, had seen many dating shows and wanted to make something unique and heartfelt, geared entirely toward men and women on the autism spectrum.

O'Clery got the idea after working on a documentary about people with disabilities seeking employment. Screen Rant writer Christine Persaud shares, "After working on the Australian documentary series Employable Me, which shed light on how having a disability should not make someone unemployable, he came across an interesting and unexpected piece of information."

Holden tells Forbes Australia, "It took a long time to convince a public broadcaster [ABC] that this dating show would be done in a unique and authentic way and that there was a real public service value to the series because it spoke about people who are often marginalized and misunderstood."

But they, with Northern Pictures Productions, persevered, and the show was so well-received that it got a second season. Netflix picked it up to share with other countries around the world. From there, a U.S. version was born, airing its first season in 2022 and its most recent season just last week.

In their quest to cast vulnerable and lovable people—truly opening their lives to the examination of love and even heartbreak—the co-creators and producers exceeded expectations. Each season, the cast members (often recurring) allow cameras to follow them, their families, their dates, laughter, and tears. They're also assigned dating coaches/therapists to tenderly address some of the specific issues that come with being on the spectrum in terms of communication, perception, and processing.

It's a learning experience for the daters, their families, and the audience. And more than that, it's a downright joy. We get the honor of watching people express their purest desire—the one most every single person has on earth: to find love.

We watch two of the daters, Abbey and David, go from shy introductions all the way to traveling the world together. And this season, Abbey treats us to a song she wrote specifically for him. With lyrics like "You're the lion to my lioness" (Abbey loves lions!), "The milk to my chardonnay. My Prince Charming doesn't bring me flowers; he knows I'd rather have Gummy Bears any day," David, and their respective families, gasp, as they're so deeply overjoyed.

- YouTubewww.youtube.com

And the fans are too. It's posted on X with the caption: "You're not emotionally prepared for Abbey's song to David." A commenter replies, "Heart just turned into a puddle and stayed there." They're not wrong. It's climbing quickly in likes on TikTok, with fans feeling emotional. One points out, "Hard to believe she was once nonverbal. Sweetest thing I've ever seen." Over on YouTube, the comment section is also filled with people sharing that they were moved to tears. One writes, "Can’t lie, this made me cry like a baby, and I absolutely did not expect that to happen."

One person has compliments for their families: "Can we just say that the parents who have raised these amazing kids into young adults are beyond amazing, and we are inspired by their journeys." Another shares a common thread: "It is SO special witnessing Abbey and David's most beautiful love for one another. A true-life princess and prince fairytale!"

Pop Culture

Man's epic rant about streaming services is so relatable people are applauding

"Everything was faster and easier and worked better 20 years ago and we ruined it. We were all scammed."

Representative Photo credit: Canva

Man's epic rant about streaming platforms has people applauding.

Something happened nearly two decades ago. There was a shift where video rental stores were shutting down because Netflix (who used to deliver literal DVDs) and Redbox were causing a significant decline in customers. Then Netflix became a streaming service, making it even easier for you to get access to the movies you would normally rent for a flat fee and reducing the stress of losing or damaging a DVD.

This jump into streaming created the demand for more streaming services at a time when cable rates were skyrocketing. It made practical financial sense to move over to a couple of streaming services and let go of cable. That is until the streaming services became obnoxiously plentiful.

Anthony Robustiano recently went on an epic rant about his frustration with streaming services after he tried to find a movie to watch. He explains that in order to even know which streaming platform to watch the movie on he first had to Google the movie. That's when the rant turns up a notch.


"To then finally finding the movie on a streaming service that you own and you get excited and you go to the movie and then Prime Video is like, 'well we're going to need an additional $3.99 from you.' Why? I'm already paying you a monthly fee what are you talking about? And they're like 'well you can rent it or buy it for seven grand.'"

You know someone's a peak frustration when they're making up ridiculous numbers to express how expensive something is. But Rubstiano wasn't alone in his irritation with the high price of multiple streaming platforms. Commenters joined in and agreed that maybe cable was actually superior to streaming services after all.



"Also? The entire appeal of Netflix was ‘no ads.’ As a single person I relented and subscribed to Netflix sometime after COVID screwed the world, when tired of having to put up with ads while watching ‘free’ movies on cable or YouTube or a few other free show sources online. Now, they want me to choose between paying a lot more, which I cannot do, or…. Putting up with ADS. Good-bye, Netflix," one person writes.

"THIS!!!! It’s awful. There’s nothing to watch. Mostly because I can’t find it and get overwhelmed," another says.

"Everything was faster and easier and worked better 20 years ago and we ruined it. We were all scammed," someone complains.

"ALL WE EVER WANTED WAS CAFETERIA STYLE CABLE. Let us pick what we're paying $70/mo for. GOSH," another person shouts.

The consensus seems to be that since the streaming services now all come with ads and additional fees, bringing back Blockbuster or cable would be preferable. Although some people shared that they kept their old DVD/Blu Ray players so they could physically own a copy of what they purchased, pointing out that when a streaming platform loses rights to a movie or show, you no longer have access even though you may have purchased it.

In a perfect world, a cable company could strike a deal with the streaming services giving you access to all of the platforms for one price along with basic cable. Until then, stores still sell DVD players.

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"This will go down in the history of costume design."

When it comes to period pieces, the look is crucial. It requires skilled craftspeople with both meticulous attention to detail and enough creative vision to bring characters to life in a way that’s captivating and believable all at the same time. One hair out of place, one wonky blouse…and suddenly the entire story feels cheapened.

Netflix’s hit series “Bridgerton” is a brilliant example of this. The creators behind the hair, makeup and costumes have pulled off one ambitious look after another—all of which nail the story’s unique blend of lavish period romance with innovative modern sensibilities. Honestly, even if period pieces aren’t your thing, you gotta marvel at what they’ve accomplished aesthetically.

One particularly talked about costume piece came from the show’s latest season: Queen Charlotte (played by Golda Resheuvel)’s jaw-dropping swan wig, which is a bona fide masterpiece that has actual moving glass swans.

If you have seen it—do not fret, dear reader. The official “Bridgerton” Instagram page posted a video starring the signature piece. Check it out below:

What kind of witchcraft is this?!…you might be thinking to yourself. But while this wig is certainly magical, it’s actually the result of smart engineering.

Emma Rigby, the magician behind Queen Charlotte’s wig, gave a little behind-the-scenes look at how it all came to be.

In a video posted to her own Instagram page, Rigby said that she initially felt “panicked” when “Bridgerton”’s hair and makeup designer Erika Okvist shared her concept. Making something that was both mechanically complex and light enough for the actor to be comfortable would be no easy feat.

But in the clip we see how with some hidden wires, a 3D printed carousel, and a hollow cage-like mold to hold everything in place, it’s actually not so impossible.

Watch, and be amazed:

Isn’t that the coolest thing ever? People were so impressed down in the comments.

“This will go down in the history of costume design. Very well done, ingenious actually,” one person wrote.

Another added, “This costume was glorious...if you guys don't get an Emmy nomination it will be a crime 🙌”

“I was left speechless by this one,” said a third.

Of course, this is just one of the many, many extravagant wigs that have graced the show. Check out the video below to see the whole scope of what these folks create, and how they create it. It’s a fun watch whether you’re a diehard "Bridgerton" fan or have never seen a single episode.

Pop Culture

'The Greatest Night in Pop' reveals the making of 'We Are the World,' and it is riveting

From Stevie Wonder reminding Bob Dylan how to be Bob Dylan, to Diana Ross wanting Daryl Hall's autograph, to Waylon Jennings walking out in protest, it's a must-watch.

Dozens of top artists of the 80s joined forces to raise money for famine-stricken Africa in 1985.

Every Gen Xer and baby boomer remembers how big of a deal "We Are the World" was when it came out in 1985. The USA for Africa project brought together dozens of the era's most famous musicians to record the song, which raised millions of dollars in aid for famine-stricken Ethiopia and became an anthem for the global fight against hunger. (A painfully cheesy anthem by modern standards, but this was the 80s, after all. Cheese was the order of the day.)

The music video was filmed during the studio recording of the song, showing superstars like Michael Jackson, Bruce Springsteen, Cindy Lauper, Tina Turner, Stevie Wonder, Kenny Rogers, Kenny Loggins and more. And up until now, that felt like the story—these musicians all got together to record the song, they did, it was epic, the end.

But there is soooo much more to the story than that, as showcased in the Netflix documentary, "The Greatest Night in Pop." And it is absolutely, 100% worth a watch.


Lionel Richie serves as the main storyteller in the documentary, which is fitting since he was one of the main orchestrators of the project. He and Michael Jackson wrote the song—which is an entire story in and of itself. They thought they had plenty of time, and then they learned they needed to have it written and ready to record by the following week. There was a fight at Michael Jackson's house between his dog and his talking bird during the songwriting process. At another one point, MJ's enormous pet snake got lost and scared the bejeezus out of Lionel Richie by knocking over some albums and hissing behind him.

Richie talks glowingly about Jackson's incredible talents, but Richie deserves a shout out as well for his energy and endurance. "We Are the World" was recorded overnight and into the morning after the American Music Awards ended. That night, Richie served as the host of the AMAs, performed two songs there, won multiple awards during the ceremony, and then hightailed it to A&M Studios to record "We Are the World," which he co-wrote. And on top of all of that, he served as a handler of sorts for the multiple personalities who were there in that room, keeping everyone on task and focused without being heavy-handed about it. It's genuinely impressive to witness.

But seeing how these big musicians acted when they were all in a room together is the most delightful part of the documentary. Quincy Jones had put up a handwritten sign telling everyone to "Leave your ego at the door." Easier said than done in a group like that, but at the same time, these huge stars were starstruck themselves. We see it over and over again, these household names giddy over meeting their idols, feeling shy around one another, being nervous about their solos and other evidences of oh-so-obvious humanness.

Huey Lewis describes how his legs shook when it came time to sing his solo part—which was originally supposed to go to Prince, who never showed. Diana Ross went up to Daryl Hall and asked for his autograph, telling him she was his biggest fan, prompting the whole group to start signing one another's music. They all spontaneously sang "Day-O" to Harry Belafonte to celebrate him, as it was his advocacy that had initially prompted the project. Seeing how much these artists admired one another is really sweet.

But there were some snags along the way, too, which are equally interesting to watch play out. At one point, Stevie Wonder tried to insert some lyrics in Swahili into the song, which prompted country singer Waylon Jennings to bail on the whole project, reportedly saying, "No good old boy sings in Swahili.” (The idea was nixed anyway, as Swahili isn't spoken in Ethiopia and, as Bob Geldof pointed out, they weren't singing to the people they were helping, but rather to the people who had the means to give.)

Bob Dylan appears to be completely out of it through much of the night—a fact that has led to plenty of stoner jokes over the years. But by the end, we see that Dylan was just completely out of his element in a room full of genuine singers, and it took Stevie Wonder literally mimicking him to get Dylan to feeling comfortable performing his part in the song.

The whole documentary is worth a watch to witness the creative chaos of the process, the drama that inevitably comes up when big personalities get together and the bonds that were built through this heartfelt project. Leveraging fame and utilizing art to save lives was a beautiful idea, and seeing it all come together is really something.

"The Greatest Night in Pop" can be seen on Netflix. Highly recommend.