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Some forward-thinking artists are making electronic music with, yes, barcode scanners.

You can make music from just about anything. When my youthful exuberance was at its highest and my net worth at its lowest, I once made a beat by recording myself slamming doors and punching tables.

My experiments, admittedly, didn’t sound great. But some forward-thinking musicians have built an entire art form by seeking sounds in unusual places—and in the case of Electronics Fantasticos!, a Japanese project centered around Ei Wada, by transforming "outdated electrical appliances into new electronic instruments." In an incredible viral YouTube video, they demonstrate their most famous piece of gear: the Barcoder, a barcode scanner that generates sound not through a cash register but by "connecting scan-signals of a barcode scanner to a powered speaker directly."

- YouTubewww.youtube.com

In the clip, two "barcodists," Wada and Akira Ataka, appear to be set up in a makeshift performance space, where each scan various blocks of black-and-white patterns. When arranged rhythmically, the synthesizer-like sounds they produce—low, pulsating grunts and high-pitched squeals—wind up resembling intense electronic music. (Bonus points for scanning their own striped shirts, which look like referee outfits.)

The YouTube comments are outstanding. One person (accurately) joked, "This is like the 1990s’ prediction of what 2020s music would be," and someone else chimed in, "When you lost your job as a DJ and ended up becoming a cashier." Also, props to the viewer who suggested they "just need a zebra to complete the band."

Electronics Fantasticos! have filmed a lot of Barcoder demonstrations, and they even took it to another level with the Barcodress. In this experiment, a dancer wears a dress "on which signals are engraved as striped patterns," and sound waves are created as the Barcoder scans their movements. They describe it as an artistic expression "where clothes, dance, and music playing become one." They continue, "It’s just like a dress serves as a record, dance as a turntable, a player as a record player needle, and expands the record and play mechanism to a physical expression. We explore possibility of 'Electromagnetic Dance!'" Mind-bending stuff.

- YouTubewww.youtube.com

The project includes many bizarre instruments beyond the Barcoder. Take the "Hoovahorn, Tofoovahorn, and Vacuumonica," which vibrate reeds "by suction of a vacuum cleaner." There’s also the CRT-TV drums, which "produce sound when a player catches static electricity emitted from CRT-TV screens with bare hands and sends the electric signal to a guitar amplifier through a coil attached to the leg of a player." Other staples include the "Factory Fan Bass," "A/C Harp," and "Electric Fan Harp."

Wada has grown Electronics Fantasticos! into a larger community, establishing six activity bases throughout Japan and creating a "worldwide lab on the Internet" with nearly 100 members. They held the Electro-Magnetic Bon-Dance Festival in 2017 and, two years later, formed a multinational band to perform at Austria's Ars Electronica Festival.

If you're interested in supporting other creative people who make unusual instruments, check out YouTuber Burls Art, who’s built guitars out of 800 pieces of paper, 14 skateboards, 700 sheets of newspaper, 1,600 RadioShack dollar coins, 50 pounds of copper wire, and 1,000 melted cans.

Talk about alternative electronic music!

Singer-songwriter Phoebe Bridgers made waves with her performance on Saturday Night Live for perhaps the most modern-day reason ever.

At the end of her second song, "I Know the End," Bridgers let out a primal scream before smashing her guitar on a monitor. As could be predicted, some people had opinions—including a popular Twitter account "BrooklynDad_Defiant!" who got himself into hot water as a self-described feminist with a rather un-feminist take.

"Why did this woman, Phoebe Bridgers, destroy her guitar on SNL?" he wrote. "I mean, I didn't care much for the song either, but that seemed extra."

Before we get into the whole "policing a female musician for doing something male musicians have done for decades" thing, here's Bridgers' full performance of the song so you can see what leads up to the guitar smashing. "I Know the End" is a ballad that escalates to heavy metal. The lyrics of the song are up for interpretation, but they seem to start with a kind of personal storytelling and gradually lead to an apocalyptic ending.


Phoebe Bridgers: I Know The End (Live) - SNLyoutu.be

For some, the scream and the guitar smashing at the end were cathartic. If you haven't felt like letting out a big, guttural "AAAAAHHHHHHH!!!!!!" and smashing something during the past year, you're definitely living a charmed life.

But even without the pandemic/political dumpster fire of 2020, smashing a guitar during a performance isn't anything unprecedented. Male rock band members have been destroying instruments after playing since at least the 1960s.


Some people poked fun at BrooklynDad for his grandpa-like response (although most grandpas of today were young during the original guitar-smashing era).

Others pointed out the sexist nature of the complaint. (The addition of "this woman" in the original tweet is what really pushes it into this category, on top of the fact that male guitar smashers are viewed as badass rock 'n' roll stars.)



However, some complaints came from people who say they just hate seeing a musical instrument being destroyed no matter who does it. Having a musician with a handmade violin in my household, I understand the visceral response. However, not all instruments are precious works of craftsmanship, and even if you hate to see a perfectly good guitar get smashed, there's the performance art element that goes with the apocalyptic ending of the song to consider.

The same argument about waste could be made with any movie that destroys cars. The question of what is wasteful when it comes to art is totally subjective. But also, that guitar doesn't appear to be some kind of priceless instrument.

In fact, Bridgers says she contacted the guitar company to tell them she was going to do it, and they wished her luck and told her they were hard to break.

They were right. One funny part of all of this is that it doesn't really look like the guitar even broke. Though it may have some damage, it appeared to stay intact throughout the "smashing." Feels like maybe she should have turned it on its side for full smashing effect.

The monitor she smashed the guitar against appeared to take a beating, but Bridgers clarified that it wasn't even a real monitor.

So yeah. Much ado about nothing, and all because people can't stop themselves from voicing an unsolicited opinion any time a woman does anything outside of the prescribed norm.

As far as the "why" question in the original post? Maybe it's because of stuff like this.

Marilyn Manson is a whole other article, but suffice it to say that pretty much every woman on Earth has every justification to scream and smash things, especially in times and places where no one is being harmed by it. Doing so in a performance of a song about the world ending during a time period where we all need to let off some steam feels about right. Carry on, Ms. Bridgers.

Those of us who grew up in the Alanis Morissette angst era and followed her through her transformation into a more enlightened version of herself may be thrilled to know she has a new album out. Such Pretty Forks in the Road is her first album in eight years—and the first since two of her three children were born.

Anyone who's been working from home with kids knows that we're all in the same frequently interrupted boat. Such is the pandemic life. But we've also seen how those very human moments when kids insert themselves into life are some of the most real and precious. And that reality comes shining through in Morissette's Tonight Show Starring Jimmy Fallon performance of her new song, "Ablaze," which is, not so ironically, a song about her children. As she sings, it's clear that she's still got the chops that made her famous. It's also clear that her 4-year-old daughter, Onyx, just sees her mommy as mommy and not as the iconic pop star that she is. The performance is lovely and sweet, and hearing Onyx's little voice and seeing her put her hand over her mom's mouth as she sings is just too adorably real.


Enjoy:

Alanis Morissette: Ablaze (TV Debut)www.youtube.com

As one commenter on Reddit wrote, "Keeping in tune with a baby on your hand while she's talking to you can't be easy. She nailed it." Indeed, she did. Welcome back, Alanis. Thanks for releasing an album right when we need it the most.

My daughter and I watched a documentary about film composers and were stunned by how few women were in it.

Like, seriously stunned.

Of the many composers featured in the film "Score," only two were women. But I suppose we shouldn't have been surprised. If I were to list famous film scorers, I'd offer up names like John Williams, James Horner, Hans Zimmer, and Howard Shore. I don't even know the name of a female film composer off the top of my head.


John Williams received a lifetime achievement award for his film composition work in 2016. Photo by Frazer Harrison/Getty Images.

That's not good news for my daughter, who wants to be a film composer. She'll be studying music composition at university this fall, and while I have no doubt she'll rock it, it's disheartening to find out how male-dominated her chosen field is.

But perhaps change is on the horizon.

Marvel just made superhero movie history by hiring a female film composer.

As a bright spot in the darkness, the Marvel Cinematic Universe has brought on Pinar Toprak to score the much-anticipated "Captain Marvel" film. Toprak, who helped score the popular video game "Fortnite," will be the first female film scorer in a comic superhero movie.

To give you a sense of why this is significant, take a look at this list of DC superhero films and this list of Marvel superhero films. Just scroll through to see the sheer number of films — presumably all of which have included a score of some sort.

It's not that women don't ever score movies. They do — but only 3% of the top 250 films of 2017 included female composers (up from 1-2% a few years before). The industry has long been dominated by men and has been slow to change.

It's not just film scores. The whole music composition world is heavily skewed toward male composers.

In some ways, it's understandable. The most well-known classical music pieces come from the likes of Mozart, Bach, Schubert, Brahms, Vivaldi, and other male composers from generations past. The problem is that as the landscape has changed for women in music, the music that gets played and celebrated hasn't.

The statistics from Drama Musica and the Donne — Women in Music project show that among 1,445 classical concerts performed around the world in a year, only 76 included at least one piece by a woman. That means 95% of classical concerts only include male composers.

[rebelmouse-image 19346633 dam="1" original_size="500x445" caption="Image via Baltimore Symphony Orchestra, used with permission." expand=1]Image via Baltimore Symphony Orchestra, used with permission.

The numbers are not just due to the predominance of famous dead men in the classical music repertoire. In a survey of the 22 largest American orchestras during the 2014-15 symphony season, women only accounted for 14.3% of living composers whose work was performed.

"These numbers are both abysmal and embarrassing, particularly in this day and age," said Kristin Kuster, composer and associate professor of composition at the University of Michigan.

When an industry has been male-dominated for centuries, it takes a concerted, purposeful effort to level the field.

And there are some in the music world — like Washington Metropolitan Philharmonic Music director/conductor Ulysses James — leading the way.

After reading an article about the gender disparities for composers in orchestra performances, James responded with this:

"Washington Metropolitan Philharmonic Association Board members and I saw this article and decided to do something about it. Fourteen of the sixteen works we will be performing in the 2018-19 season will be composed by women. I'll also commit to programming 50% of the following season and beyond to women composers. Thank you for the article."

That's how it's done. It takes a conscious effort to turn the tide, and even just one decision like James' can break a pattern.

Thank you James and others making the effort and giving my daughter hope for a successful career doing what she loves. Let's hope more will follow your lead.