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5-year-old Italian piano prodigy rocks Mozart at international competition and holy cow

Alberto has already won multiple international competitions.

Pianoforte/Facebook

Alberto Cartuccia Cingolani wows audiences with his amazing musical talents.

Mozart was known for his musical talent at a young age, playing the harpsichord at age 4 and writing original compositions at age 5. So perhaps it's fitting that a video of 5-year-old piano prodigy Alberto Cartuccia Cingolani playing Mozart has gone viral as people marvel at his musical abilities.

Alberto's legs couldn't even reach the pedals, but that didn't stop his little hands from flying expertly over the keys as incredible music pours out of the piano at the 10th International Musical Competition "Città di Penne" in Italy in 2022. Even if you've seen young musicians play impressively, it's hard not to have your jaw drop at this one. Sometimes a kid comes along who just clearly has a gift.

Of course, that gift has been helped along by two professional musician parents. But no amount of teaching can create an ability like this.

Alberto first started playing in 2020 in the early months of the COVID-19 pandemic. Italy was one of the first countries to experience a serious lockdown, and Alberto's mother used the opportunity to start teaching her son to play piano. Alessia Cingolani and her husband Simone Cartuccia are both music conservatory graduates, and mom Alessia told Italian entertainment website Contrataque that she and her husband recognized Alberto's talent immediately.

She said that although Alberto spends a lot of time at the piano, he also has plenty of time for school and play and television, like a normal kid.

There's genuinely nothing "normal" about this kid's piano playing, though. Watch:

Wow, right? There are countless adults who took years of piano lessons and never got to that level of playing. It's like he's channeling Amadeus himself.

According to Corriere Adriatico, by the time he was 4 1/2 years old, Alberto had participated in seven national and international online competitions and won first place in all of them. His mother told the outlet that he started out practicing for about 10 minutes a day and gradually increased to three hours.

"He has a remarkable flair for the piano," she said. Um, yeah. Clearly.

Some commenters expressed some concern for the boy based on his seriousness and what looks like dark circles under his eyes in the video, but if you check out other videos of Alberto playing at home, he is more relaxed. Most of his playing and competition entries have been done online, so performing for a crowd is probably new for him. And in interviews, his mother has made it clear that they prioritize normal childhood activities.

Some children are just genuine prodigies, and Alberto certainly seems to fit that bill. Can't wait to see what kind of musical future awaits this kid.


This article originally appeared three years ago.

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Benny Blanco shocks fiancé Selena Gomez when he reveals that he often cries in the shower

He shared the personal detail in their first joint interview.

www.interviewmagazine.com

Roe Ethridge

For fans of Selena Gomez and her fiancé (record producer, songwriter) Benny Blanco, it was a treat that they sat down for their first joint interview with Interview magazine's Mel Ottenberg for the piece, Benny and Selena Against the World.They got as candid as two people can get, but it's not surprising. Their vulnerability as individuals is part of what makes them both such talented artists.

It was their behind-the-scenes TikTok video at the interview that grabbed a lot of people's attention. It was there that Benny admitted he gets "death realizations" in the shower. Let me back up. First, he asks Selena, "Have you ever cried in the shower? It's incredible." After she laughs, he gets more serious. "Sometimes you just have to have a good cry. I always get death realizations in the shower. Like, I realize I'm gonna die, but it's in the shower. And then I cry about it a little bit, and then it goes away. And then I feel great because I'm (he gestures) the warm water."

@interviewmag

We love a good shower cry 🚿 @Selena Gomez and @benny blanco answer a few questions about each other behind the scenes of our March issue cover shoot. #selenagomez #bennyblanco

This leads to Selena reading a prepared question: "Who cries the most?" They both agree that it's Selena. Benny touchingly explains, "She cries if she sees any video early in the morning that's like— a dog, a child." Selena adds, "A grandparent." Benny concurs. "A grandparent. Some hybrid of all three that we've never even seen before. She cries."

The printed interview reveals so much about their relationship.

ON THEIR INITIAL FRIENDSHIP

Benny Blanco and Selena GomezPhoto by: Roe Ethridge www.interviewmagazine.com

They met when Selena was about 16 or 17 and still with Disney Records, after her mom set up a meeting. Benny admits, "That's right when I became big and she wasn't a singer yet."

He was drawn to her music, calling her "the original sad girl." But it was their underlying friendship that sealed their fate. Ottenberg asks when they "knew" they were into each other. Selena confesses, "It was really simple. We got in the studio to work on a song, and we just talked; that’s how easy it was for me. I liked him before he liked me."

Benny had no idea. But on their second hangout, he got it. "Our second date, I was like, 'Wait, does she like me?' I was clueless. From then on, it was easy. You know when you think you met the right person, you’re like, 'Oh my god.' But it feels so different. The second we started hanging out, I was like, 'This is my wife.' I was telling my mom, 'This is the girl I’m going to marry.'"

ON MUTUAL RESPECT

selena gomez GIF by Interscope RecordsGiphy

When it comes to her music, Selena is incredibly humble and admits she has had trouble in the past asking for what she wants on an album. Of Benny, she says, "Sometimes it’s difficult for me to speak up. Most of my anxiety right now is wanting him to speak because I feel like he’s more talented than I am in this field. It’s like working with a great filmmaker. Whether we were together or not, I think he still would’ve listened to everything that I had to say, and he was able to almost transcribe it into music, into what the feeling of what I was talking about should be. And I really found that to be helpful because this album definitely feels just as much mine as I’m sure it does his."

Benny is in awe of Selena's talent. "The thing that Selena does that not a lot of artists do is she’s never afraid to tell the truth, even if it might not be the most popular thing. Sometimes she’s sad, sometimes she hasn’t figured out love, but she always says it in the realest way that so many people can connect with. So many pop stars are unattainable, but somehow she’s the largest person in the room and makes each person feel like she’s exactly like them."

ON HOW TO MAKE IT WORK

Selena Gomez and Benny BlancoPhoto by: Roe Ethridge www.interviewmagazine.com

Benny makes this one simple. "Happy wife, happy life. Shut the f up and listen to your partner." Selena cuts to the chase too. "Find your best friend and don't settle."

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Pop Culture

Comedy rock band use 38 songs to prove how 'every pop song' uses the same four chords

The Beatles, U2, and Maroon 5 are all guilty of the same crime.

random804/YouTube

Australian comedy group Axis Of Awesome.

Singer-songwriter Ed Sheeran was found not liable on April 4, 2023 in a lawsuit where he was accused of stealing elements of the Marvin Gaye classic "Let's Get It On" for his 2014 hit, “Thinking Out Loud."

The case called attention to the fact that there are motifs and musical structures common in pop music that no one owns, and all are free to use. When it comes to chord progressions, the 12-bar blues and basic I, IV, V, I progressions you hear in country and folk have been used and reused since people first picked up the guitar.

In the wrong hands, the progressions can result in music that is boring and formulaic, but in the right hands, they can be a springboard for fresh ideas.

In 2009, Australian comedy group Axis Of Awesome did a funny sketch showing how one four-chord progression, famous for being the basis of Journey’s “Don’t Stop Believing,” has been used countless times by musicians to great effect.

They played a medley of 38 major hits using the same progression to prove their point. For musicians, it’s known as the I–V–vi–IV progression, and when played in the key of C it would be C, G, Am, F.

Warning: Video contains strong language.

Here’s a list of all of the songs in the medley.

Journey - “Don't Stop Believing”

James Blunt - “You're Beautiful”

Alphaville - “Forever Young”

Jason Mraz - “I'm Yours”

Mika - “Happy Ending”

Alex Lloyd - “Amazing”

The Calling - “Wherever You Will Go”

Elton John - “Can You Feel The Love Tonight”

Maroon 5 - “She Will Be Loved”

The Last Goodnight - “Pictures Of You”

U2 - “With Or Without You”

Crowded House - “Fall At Your Feet”

Kasey Chambers - “Not Pretty Enough”

The Beatles - “Let It Be”

Red Hot Chili Peppers - “Under the Bridge”

Daryl Braithwaite - “The Horses”

Bob Marley - “No Woman No Cry”

Marcy Playground - “Sex and Candy”

Men at Work - “Land Down Under”

Banjo Patterson - “Waltzing Matilda”

A-ha - “Take On Me”

Green Day - “When I Come Around”

Eagle Eye Cherry - “Save Tonight”

Toto - “Africa”

Beyonce - “If I Were A Boy”

The Offspring - “Self Esteem”

The Offspring - “You're Gonna Go Far Kid”

Pink - “U + Ur Hand”

Lady Gaga - “Poker Face”

Aqua - “Barbie Girl”

The Fray - “You Found Me”

30h!3 - “Don't Trust Me”

MGMT - “Kids”

Tim Minchin - “Canvas Bags”

Natalie Imbruglia - “Torn”

Five For Fighting - “Superman”

Axis Of Awesome - “Birdplane”

Missy Higgins - “Scar”


While all these songs may use the same four chords, you've got to admit they're all bangers, so we're not mad at it.


This article originally appeared two years ago.

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Pop Culture

19 years after writing ‘Grease,’ the Bee Gees performed it for the first time and it was amazing

The song was a massive hit for Frankie Valli, but Barry Gibb wrote it.

via Bee Gees/YouTube

The Bee Gees performing "Grease" in 1997.

The title track to the 1978 film Grease, starring John Travolta and Olivia Newton-John, brought three generations together and hit number 1 on the Billboard Charts. The song is based on a movie about teenagers in the ‘50s, sung by a legend from the ‘60s and written by one of the biggest hitmakers of the ‘70s.

Grease was written by Barry Gibb of the Bee Gees but sung by doo-wop legend Frankie Valli. Although the Bee Gees toured in the late ‘70s and made a comeback in the '90s, they never played the song live until 1997 when it was part of their “One Night Only” concert and album featuring many of their biggest hits. What’s impressive about the song is that even though Valli does a great job singing it on the original recording, when you hear the Bee Gees sing it, it sounds exactly like something you would have heard them perform in the late ‘70s.

During the performance, Barry Gibb points to Grease star Olivia Newton-John, who’s seen dancing with her daughter, Chloe Lattanzi in the audience. In the third verse, Valli's vocal from the original is played so you can hear the difference.

- YouTubewww.youtube.com

The magic started when producer Robert Stigwood, fresh from the Travolta-starring ‘77 hit Saturday Night Fever, went into production on a film adaptation of the Broadway musical Grease. The film promised a killer soundtrack filled with new versions of the classic show tunes, but it needed a song for the film's opening credits.

So, Stigwood tapped Barry Gibb, lead singer of the Bee Gees, the band that had just launched into the stratosphere after being featured on the Saturday Night Fever soundtrack. Stigwood also happened to be the band’s manager and planned to feature them in a Beatles-based musical, Sgt. Pepper’s Lonely Hearts Club Band.

Barry wrote the song “Grease" in one day. Instead of sounding like a '50s doo-wop or rockabilly track, it was a slick-sounding disco-adjacent number about a feeling of generational confusion. The song was given to Valli, who’d had a recent comeback with the songs “My Eyes Adored You” (1975) and the 1976 nostalgia-dazed Four Seasons doo-wop disco number “December 1963 (Oh, What A Night).”

Valli had the option of recording the song or appearing as the Teen Angel who sings “Beauty School Drop-Out.” The “Walk Like a Man” singer opted to do the theme song and Frankie Avalon was given the Teen Angel role.

“I just remember that it all happened in one afternoon,” Barry Gibb recalled. "I was babysitting and my wife was out. And Robert Stigwood called up and said, 'I have two wonderful new songs by John Farrar called ‘Hopelessly Devoted to You’ and ‘You’re the One that I Want.’ But we don’t have a song for the film's title. Could you come up with a song called ‘Grease’?” I said, “How do you write a song called ‘Grease’? I don’t understand what direction I would take to do that.' And Robert said, 'Just Grease duh-duh-duh-duh-duh, Grease duh-duh-duh-duh-duh.' So he wasn’t very helpful. But I understood that they really wanted something that was positive and sunny. It really all happened in that afternoon. I walked on the dock for a bit…."

Grease was a box-office smash and became the highest-grossing film of 1978. Unfortunately for Stigwood, his follow-up film, Sgt. Pepper’s Lonely Hearts Club Band, starring the Bee Gees, would be one of the biggest flops of the decade.

To celebrate the 40th anniversary of “Grease” in 2018, Barry Gibb released the demo he originally recorded of the song accompanied by piano. Take a listen and chill out for a few minutes.

- YouTubewww.youtube.com

This story originally appeared last year.

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