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country music

A mom mentioned she played the fiddle so the bar band handed her one. She totally shredded.
- YouTube

The devil may have gone down to Georgia, but it appears he took a detour to a bar in Nashville and possessed a middle-aged mom along the way.

In a TikTok video that's been viewed 5.5 million times, Olivia Reeths shared that her family had gone to the Whiskey Bent Saloon in Nashville and was watching the Moonshine Outlaw Band perform. Her mom, Sue, told the band she played the fiddle, and mid-song, the fiddle player decided to hand his instrument over to her.

You kind of have to wonder what the guy was thinking. Did he imagine she'd be able to keep up with the band? Did he figure she'd play a few bars and then hand it back?



Whatever he was picturing, it almost certainly wasn't what she ended up laying down.


Mom might as well have said, "I'll bet a fiddle of gold against your soul, dude," because she came prepared. In hindsight, her whipping off her scarf was the sign it was all over, but who'd have known?

Watch her shred that man's fiddle and see how he reacts:

@skootbutt123

#nashville #whiskeybentsaloon #fiddle

The best part is when the guy pretends to boot the band's fiddler out of the bar. Then, Mama got sassy with it! She was an absolute legend, making her skills appear effortless as she walked around the room. Didn't even take her coat off. She looked like she walked in off the street, which she basically did.

The woman's daughter shared that her mom is classically trained and that her dad was the one who introduced her to country and bluegrass music. They both play in two bands, Coconut Radio Band and Barney’s Bullet.

Seriously impressive talent. And you've got to love the respect the band's fiddle player gave her, despite her basically stealing his soul. What a fun exchange between musicians who clearly love what they do and love to share it with others.


This article originally appeared two years ago.

David from Washington, DC (left) Josef Just (right)

Patti LaBelle and Dolly Parton created the genre-busting duet we didn’t know we needed.

If you were to choose two female artists on the opposite ends of the musical spectrum, it wouldn't be a reach to say Dolly Parton and Patti LaBelle. Parton made a name for herself in the country music world long before "crossover artists" diluted the twangy sound of country music to more resemble pop. And Patti LaBelle has long been an R & B, soul and gospel legend, without nary a banjo or yeehaw in sight.

But talent is talent and both of these women have musical talent oozing out of their (highly manicured) fingertips.

A video from 1987 has re-emerged showing the two women talking on Parton's variety show, "Dolly." Parton was explaining to LaBelle how she often uses her fingernails as instruments.


“I write a lot of songs when I don’t have my guitar,” Parton said. “I beat around the dashboard of my car when I’m riding around writing songs, but then I have a little rhythm that we can do with these acrylic nails.”

Then she and LaBelle launched into a nail duet, which morphed into a gorgeous two-part harmony, of the folk classic "Shortnin' Bread."

Watch:

Dolly Parton & Patti LaBelle play 'Shortnin' Bread' on their Acrylic Nails

People loved seeing these big stars' big 80s hair, big nails and big vocal talent.

"Two women who hold a special place in my heart. Probably everyone’s heart," wrote one person.

"I luv how Patty just came right on in with that TIGHT harmony," wrote another. "That's a true vocalist with natural, God given abilities."

"I've always liked Dolly Parton's music, energy, country accent, just her whole vibe. And Patti Labelle is auntie who can shatter crystal with her vocal range," added another.

"Divas. Pure unadulterated talent and joy. God, don't they sound great together? Love you Miss Patti, love you Miss Dolly," shared another.

And by the way, Parton wasn't making a joke when she said she wrote songs with her nails. She literally used them while writing and recording her 1980 hit "9 to 5."

“When I actually wrote ["9 to 5"] I used my acrylic nails on the set when I was writing it. I did because they make noise and it sounded like a typewriter to me,” she told Jimmy Fallon on "The Tonight Show." “I played it on the actual record, it says 'Nails by Dolly' on the album!” she added.

@fallontonight

@Dolly Parton’s nails are credited in #9to5 💅 #FallonFlashback #DollyParton

When musicians have true talent, they can make just about any kind of music sound magical, anywhere, any time, with any instrument—even when all they have are their voices and some fancy fingernails.

It's been nearly 40 years since this clip aired, and both of these rockstar women are still going strong. Dolly Parton has become a beloved national treasure not only for her music and sunny disposition but for her efforts to increase literacy with her Imagination Library book donation program. And "Godmother of Soul" Patti LaBelle has expanded her talents to the business world, launching Patti's Good Life food company in 2007 and growing it into a $200 million venture.

Pop Culture

A new viral R&B version of Dolly Parton's 'Jolene' is such a beautiful mood setter

It's like a completely new, equally good version of the all-time classic.

Representative Image from Canva, Dolly Parton/Youtube

Brb, listening to this 100x on repeat

As Rolling Stone announced that Beyoncé just became the first Black woman artist to have a song hit No. 1 on Billboard's Hot Country Songs chart, let’s keep the celebration of Black women busting through barriers in the genre going, why not?

Singer/songwriter and producer NYA, aka @nya.w0rld on TikTok, has given her followers all kinds of R&B versions of well known songs from artists like Taylor Swift, Justin Bieber and Avril Lavine. She’s even R&B-ified theme songs from popular television shows like “Friends.”

But it’s her recent R&B ballad of Dolly Parton’s “Jolene” that’s so good, people are hoping it finds its way to the Queen of Country herself.


At the start of the clip, NYA asks her viewers if they’re familiar with the 70s hit, leading into “what would it be like if it was an R&B song?”

NYA proceeds to effortlessly glides through a flurry of high and low notes and a percussive beat plays in the background.

Suffice it to say, even in a sea of “Jolene” covers, NYA delivers a completely new version of the song.

Listen:

@nya.w0rld because not enough of you heard the first vrsn of JOLENE that i did #fypp #throwbacksongs #jolene #dollyparton ♬ original sound - NYA

Over 5 million people have watched the video, and that’s not taking into account the other social media platforms that it's been shared to, and many began plotting how this cover could be shared with Parton.

“Someone put this on a cassette player and send it to Dolly Parton,” one fan said.

Another joked “Does anyone have Dolly’s fax number?” referencing the country icon’s famous preference for old school communication.

Perhaps, besides just being a bona fide banger, what makes NYA’s cover resonate so much with listeners is that we are beginning to have a more mainstream conversation about how country music, despite it being rooted in multiple cultures, has predominantly been catered to a white audience.

Those lines are being rightfully blurred now, as more country songs by non-white artists make it into the spotlight, and through meaningful collaborations, such as the iconic Grammys duet of “Fast Car” by Tracy Chapman and Luke Combs.

That’s one of the many great things about music, isn’t it? A song means so much more than the story its lyrics tell. It encapsulates a moment in time. And what this “Jolene” cover seems to contain within it is a merging of new and old in a way that’s oh so timely and important.

Pop Culture

Tracy Chapman makes rare appearance to sing 'Fast Car' with Luke Combs at the Grammys

The late 80s hit is finding new life as a country song—and topping the charts.

Hans Hillewaeart, WIkipedia, David Bergman/Wikipedia

Tracy Chapman and Luke Combs performed an epic duet of "Fast Car" at the 2024 Grammys.

It had been rumored that Tracy Chapman might be making an appearance at the Grammys this year, after Luke Combs’ country version of her iconic song “Fast Car” earned a grammy nomination.

Combs' rendition of the late 80s classic, which won him Song of the Year at 2023 Country Music Awards, has been met with both great praise and great criticism.

Many applauded Combs for giving the tune a major resurgence and even bringing it to a whole new audience. At the same time, some took umbrage with the fact that Combs’ version had placed higher on the Billboard Hot 100 charts than Chapman’s original and argued that it was a symptom of long-endured racism within the country music genre.


Chapman eventually came out of her private life to endorse Combs’ cover, saying, “I’m happy for Luke and his success and grateful that new fans have found and embraced ‘Fast Car.’”

Which brings us to the opening half hour of the Grammy 2024 Awards, where both Chapman and Combs appeared on stage in matching all-black outfits to perform a moving duet. This made for a landmark appearance for Chapman, who hadn’t performed publicly in several years.

As they sang, audiences mouthed the words and clapped along. Some songs really do have the power to bring folks of all walks of life together.

Watch:

“Fast Car” has struck a chord with listeners since that seemingly fateful night at Wembley Stadium in 1988, when a few technical difficulties led Chapman to performing it as a backup plan, unwittingly stepping into musical history. Fans love the folk anthem for its raw simplicity and vivid depiction of yearning, brought to life by Chapman’s one-of-a-kind voice.

And even though there’s no replacing her original hit, the collaboration with Combs has led to some amazing genre-busting breakthroughs. Back in November of 2023, Chapman also reached No. 1 on Billboard‘s Country Songwriters chart and won song of the year for “Fast Car,” making her the first Black woman to win a Country Music Association award.

Then a mere moments after Chapman’s Grammy performance with Combs, “Fast Car” shot to No. 1 on iTunes Top Songs. Her debut album from 1988, titled “Tracy Chapman,” also shot to No. 1.

Art is subjective, but it stands to reason that a work of art can be considered great if it continues moving people time and time again. Chapman’s art certainly has this kind of staying power, and it’s wonderful anytime that achievement gets recognition.