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bohemian rhapsody

Angelina Jordan blew everyone away with her version of 'Bohemian Rhapsody."

At Upworthy, we've shared a lot of memorable "America's Got Talent" auditions, from physics-defying dance performances to jaw-dropping magic acts to heart-wrenching singer-songwriter stories. Now we're adding Angelina Jordan's "AGT: The Champions" audition to the list because wow.

Jordan came to "AGT: The Champions" in 2020 as the winner of Norway's Got Talent, which she won in 2014 at the mere age of 7 with her impressive ability to seemingly channel Billie Holiday. For the 2020 audition, she sang Queen's "Bohemian Rhapsody," but a version that no one had ever heard before.

With just her Amy Winehouse-ish voice, a guitar and a piano, Jordan brought the fan-favorite Queen anthem down to a smooth, melancholy ballad that's simply riveting to listen to.

Especially considering that Jordan was only 13 years old when she did this.

Watch:

What this video doesn't show is Heidi Klum hitting the Golden Buzzer faster than you can say, "Nothing really matters to me." The judges were blown away by Jordan's performance, as were the people in the comments.

"That's a ONE in A BILLION voice right there. Just amazing," wrote one commenter.

"I am typically not a fan of songs being redone particular to such a magnitude," shared another. "They almost always fall short of the original. But to completely rearrange a song in the manner that she has, from a legend, and then make you forget about how the original even sounded because her rendition is so good is utterly amazing."

"As Freddie once said, 'Do whatever you want with my music as long as you don't make it boring.' I think he'd really like this," shared another.

Though Queen's lead vocalist Freddie Mercury is no longer with us, the band did offer words of praise for Jordan's performance, retweeting her audition video with the comment, "Wow! What a rendition of #BohemianRhapsody."

"Bohemian Rhapsody" is such an iconic song, it's hard for anyone to do a cover of it justice. But 13-year-old Angelina Jordan managed it masterfully.

Jordan would move on to the Top 10 in "AGT: The Champions," and though she didn't take home the top prize, she did impress the audience with another classic rock tune, Elton John's "Goodbye Yellow Brick Road." You can enjoy that performance below, and you can follow Angelina Jordan—who is now 17 and still singing her heart out—on YouTube and TikTok.

Become Angelina's patron at Patreon! https://www.patreon.com/angelinajordanThis performance on Angelina Jordan's TikTok - https://www.tiktok.com/@angelinajor...


This article originally appeared two years ago.

Sandra Maria/Youtube, Official Lives & Music Videos/Youtube

You can't not sing this song.

The music of Queen has a profound visceral effect on everyone. Few pieces of art can cause complete strangers to put aside their differences and come together in song, but by golly, “Bohemian Rhapsody” is one of them. It would be cheesy if it weren’t so absolutely beautiful.

This pertains even to non-English-speaking countries, it appears. Recently, thousands of Harry Styles concertgoers in Warsaw, Poland, began cheering as those iconic beginning piano notes penetrated the air.

It wasn’t long before the entire stadium was singing along to that beloved tune and acing every single lyric. As one person commented on YouTube, even though most people in Warsaw don’t speak English, “they sing Queen.”

The passionate impromptu performance serves as a reminder of how special both Queen and the late Freddie Mercury remain today.

“No other band will ever come close to Queen. They were lightning in a bottle and Freddie was a whale in a teardrop. Once people keep singing his words, FM will live on forever,” another YouTube viewer wrote.

Indeed, seeing an entire stadium come alive with “Bohemian Rhapsody,” you can’t help but feel Mercury’s soul return to the mortal plane, as if we’ve all been transported back to that historic Live Aid concert in 1985 when he had the entirety of Wembley Stadium wrapped around his finger for 21 glorious minutes.

Watch below, and try not to sing along. Scratch that—sing your heart out.

This article originally appeared on 7.14.23

Queen in 1977, the year before their "Jazz" album featuring "Fat Bottomed Girls" was released

A new version of Queen's Greatest Hits has been released on Yoto, an audio streaming platform for children. The album includes favorites like "Bohemian Rhapsody," "Another One Bites the Dust," "We Are the Champions" and "We Will Rock You," but this release is missing one notable tune—"Fat Bottomed Girls."

The exclusion prompted a wave of speculation about why it wouldn't be included, which in turn prompted debate over whether the song is offensive and outdated or an inspiring ode to larger body types. One of the most common guesses for why they may have decided not to include it on a platform aimed at young children is this line:

“But I knew life before I left the nursery/ Left alone with big fat Fanny/ She was such a naughty nanny/ Hey, big woman, you made a bad boy out of me.”


A celebration of larger-bodied women? Sure. A reference that could be interpreted as a young boy being molested by his nanny? Maybe not so appropriate for a young audience.

(It's worth noting here that the lyrics of some songs that were not cut from the album include, "I'm a sex machine ready to reload" and Yoto does include the following disclaimer, which only mentions references to violence and drugs, not sex:

NOTE: Please note that the lyrics in some of these songs contain adult themes, including occasional references to violence and drugs. These are the original and unedited recordings. Whilst no swear words are used parental discretion is advised when playing this content to or around younger children.)

It appears the primary reaction to the song's exclusion spawned from complaints over political correctness—"woke cancel culture" as a writer for the U.K.'s Daily Mail referred to it—which has triggered a weird situation where online culture warriors can't seem to figure out what side they're arguing for.

Oddly, the same people who keep referring to LGBTQ people as "groomers" and "pedos" seem to be defending a song sung by a famous LGBTQ icon with lyrics that point to a sexualized relationship between a child and his nanny, simply because someone called the song's removal a "woke" move. And on the flip side, the same people who decry removing sexual material from the children's section of libraries seem to be defending the removal of this song from a child's audio platform for its adult-oriented theme and lyrics simply because the anti-woke crowd is complaining about it.

It's all just a little silly, really.

Popular music has long been a battleground for debates over what's appropriate or not for kids to be exposed to, and there are countless songs we could point to for lyrics that would be disturbing coming out of a child's mouth. I imagine few people would argue that nothing is off limits for children to hear or sing along to, but where does the line get drawn?

My parents were big Queen fans and I recall having "Fat Bottomed Girls" blaring on the stereo when I was a child. Musically, it's a great song—very catchy. And as a girl whose body did not align with the flat-bottomed models of the 1980s, I appreciated what felt like a personal shout-out. My fat bottom actually made the rockin' world go 'round? Sweet. (This was over a decade before "Baby Got Back" and the only time I recall a large butt being portrayed in a positive light in popular culture.)

On the other hand, some of the lyrics are definitely questionable for a child to be belting out, so I can see why it might not be included on an album specifically released for kids. However, the same could be said for some other song lyrics on the album, so why remove this one and not those?

To be fair, the reason why "Fat Bottomed Girls" wasn't included on Yoto's release of the Greatest Hits album is just speculation at this point. But it did get people talking about what's appropriate for kids and highlights the challenge of determining what should be included or excluded from platforms specifically aimed at children, and that's always a worthy discussion to have.