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What you should know about Banned Books Week, according to librarians

"Acts of censorship of any kind weaken our democracy."

Photo credit: Canva

Banned Books Weeks runs from Sept 22-28

It’s not every day that we think of librarians as heroes for democracy. But as they continue to show up on the frontlines against books bans—often at the risk of their own professional livelihood—the label is well earned.

Perhaps it should come as no surprise how passionately librarians are fighting to protect the free flow of information. They are, after all, natural “helpers in society,” says Cindy Hohl, president of the American Library Association (ALA), and a librarian herself for the past decade.

Hohl has seen firsthand how librarians have been essential advocates for literacy, access to accurate information and (especially now) anti-censorship. But those who have spoken up against book bans often get falsely accused of wrongdoing, which Hohl says is “harmful” for all Americans.

Photo courtesy of Cindy Hohl

“Americans have fought for and enjoy many freedoms guaranteed by the U.S. Constitution and the First Amendment is for everyone, from children to adults,” she told Upworthy. “It is not appropriate for anyone to tell anyone else what they should read, watch, listen to, or even believe. We can trust our neighbors to make informed decisions for themselves and acts of censorship of any kind weaken our democracy. We are empowered to seek out accurate information and make decisions for ourselves and our families, but not for anyone else.”

Besides censorship violating a fundamental American right, Hohl notes that it only serves as a “dehumanizing distraction.”

“The U.S. Government already has a lot to regulate…We don’t need distractions when everyone has a right to hear the truth. Censorship is causing a division among us and that behavior needs to stop. No voices should be silenced in America.”

And it’s with this emboldened sentiment that the librarians of the ALA are looking to celebrate Banned Books Week, running from Sept 22-28.

Banned Books Week was originally launched in 1982 in response to a sudden surge in the number of challenges to books in libraries, bookstores, and schools. The annual event highlights the value of free and open access to information and brings together the entire book community — librarians, educators, authors, publishers, booksellers, and readers of all types — in shared support of the freedom to seek and to express ideas.

However, with this year’s staggeringly high number of banned books—a large amount being LGBTQ titles—there is less cause for celebration, and more for urgent action. That’s why the ALA is spreading the word on what folks can do to keep books on the shelves.

First and foremost, they are urging people to join in on Freedom to Read Day on Oct 19th, when libraries, bookstores, readers, and other partners nationwide will be hosting rallies and community events to unite against book bans and demonstrate shared commitment to this fundamental freedom. Get information about a nearby event , or to host your own, here.

Second, you can share “book résumés,” which detail each title’s significance and educational value with administrators, book review committees, elected officials, and board members. Those can be found here.

And last, but certainly not least, Hohl urges everyone to support your local library and staff. Quite simply because “we need recognition of our good work.” Now, more than ever, that statement seems to ring true.

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These 'Wrinkle in Time' Barbies go on sale next month. And they look incredible.

The internet nearly broke when the trailer for "A Wrinkle in Time" went viral last summer.

And with good reason, too.

The cast list reads like a block on the Hollywood Walk of Fame, with Oprah Winfrey, Reese Witherspoon, Mindy Kaling, Storm Reid, Chris Pine, and Zach Galifianakis all starring in the film, which is based off the 1962 sci-fi novel of the same name.

Photo by Alberto E. Rodriguez/Getty Images for Disney.

And on January 24, 2018, the film gave fans another reason to celebrate: "A Wrinkle in Time" got the Barbie treatment.

Dolls made in the likes of Mrs. Who (Kaling), Mrs. Which (Winfrey), and Mrs. Whatsit (Witherspoon), seen respectively below, will go on sale beginning February 23, 2018.

Photo courtesy of Mattel, used with permission.

Obviously, they look marvelous.

Mrs. Whatsit? Perfection.

[rebelmouse-image 19533769 dam="1" original_size="1200x624" caption="Photos via "A Wrinkle in Time"; and courtesy of Mattel, used with permission." expand=1]Photos via "A Wrinkle in Time"; and courtesy of Mattel, used with permission.

Mrs. Who? YES.

And Mrs. Which? Nailed it.

Fans are loving the dolls.

Let's face it: The Barbie brand has been a bit ... problematic, historically speaking.

But Mattel has been trying to change that.

In recent years, the brand has launched new dolls that are more body positive and inclusive. It made waves in 2015 with its clever, progressive ad campaign encouraging girls to dream big, and the company has also made efforts to shatter gender norms that suggest that Barbies are for girls only.

Mattel's bold moves haven't been lost on Ava DuVernay, who directed "A Wrinkle in Time." She was loving the new looks modeled after the film's characters too, claiming in a tweet that while she had Barbies growing up, she's "never had any like these."

More of this, please, Mattel!

Check out the trailer for "A Wrinkle in Time" below:

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What do you do with wild commercial success? If you're Ava DuVernay, you pass it on.

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In 2010, director Ava DuVernay was not the Golden Globe-nominated success that she is today.

In fact, she had just finished her first narrative film, called "I Will Follow."

[rebelmouse-image 19481606 dam="1" original_size="640x427" caption="DuVernay on the red carpet at the 2017 Oscars. Photo via Tyler Golden/Disney | ABC Television Group/Flickr." expand=1]DuVernay on the red carpet at the 2017 Oscars. Photo via Tyler Golden/Disney | ABC Television Group/Flickr.

Inspired by DuVernay's own life experiences, the film tells the story of a young artist who moves in with her eccentric, ailing aunt and is then forced to contend with her death.

It was a labor of love for a filmmaker who had, until then, only worked in journalism or on documentary projects. After studying English and African American studies at UCLA, DuVernay made the film in between working in public relations in the film industry. Made on limited time and a limited budget — just $50,000 and 15 days — it was spectacular.

The only problem: DuVernay couldn’t find anyone to release it.

[rebelmouse-image 19481607 dam="1" original_size="750x420" caption="A still from the trailer for "I Will Follow."" expand=1]A still from the trailer for "I Will Follow."

She spent months pitching her film to production studios, meeting with distribution companies, and contacting representation. But no one believed the film could be commercially successful.

Like many women of color, she finally decided that if no one would give her the opportunity she needed, she would create that opportunity herself.

Since she couldn't get anyone to market her movie, she founded a distribution collective of her own: the African-American Film Festival Releasing Movement, or AFFRM.

With a team of just three people, DuVernay took on the project of distributing her film herself. She created marketing materials, launched a social media campaign, recruited volunteer photographers and videographers, and formed partnerships with theaters and small film collectives willing to give "I Will Follow"a screening.

[rebelmouse-image 19481608 dam="1" original_size="1040x1600" caption="A movie poster for a screening of "I Will Follow"in New York City." expand=1]A movie poster for a screening of "I Will Follow"in New York City.

Finally, in 2011, "I Will Follow" was released, and was met with rave reviews from audiences and critics alike.

Roger Ebert called it a "wonderful independent film." Though it never received a massive audience, it resonated with the people who saw it, and ultimately,it launched DuVernay’s career.

Just three years later, she was nominated for a Golden Globe for Best Director on the 2014 film "Selma."

[rebelmouse-image 19481609 dam="1" original_size="640x427" caption="DuVernay with stars Colman Domingo (left) and David Oyelowo at a screening of "Selma" in Berlin. Photo via U.S. Embassy/Flickr." expand=1]DuVernay with stars Colman Domingo (left) and David Oyelowo at a screening of "Selma" in Berlin. Photo via U.S. Embassy/Flickr.

Now, DuVernay no longer needs a grassroots effort to bring attention to her projects.

But rather than walking away from the collection she founded, she's repurposed it to help other budding filmmakers like herself find their first steps toward success.

[rebelmouse-image 19481610 dam="1" original_size="640x427" caption="DuVernay accepts a Peabody Award for her film "13th." Photo by Stephanie Moreno/Grady College of Journalism and Mass Communications for Peabody Awards/Flickr." expand=1]DuVernay accepts a Peabody Award for her film "13th." Photo by Stephanie Moreno/Grady College of Journalism and Mass Communications for Peabody Awards/Flickr.

"Ava really felt that there was a wider need for filmmakers of multiple ethnicities that didn’t have distribution options available for their works to be seen by larger audiences," says Mercedes Cooper, director of marketing for the film collective.

It's DuVernay's philosophy that she should use her success to bring others into the industry.  She calls it "lifting while she climbs" — in other words, using every possible opportunity to pass her success onto others.

"Ava often says that she doesn’t want to be alone in the room," Cooper says. "She doesn’t want to be the only person of color in the room. She doesn’t want to be the only woman in the room."

That's why DuVernay expanded the focus of her company, now called Array, to seek out talent and invite them into the room with her.  

"If you’re a person in the room that has an opportunity to let someone else in," Cooper says, "then it’s kind of important to do so."

Array works to identify independent films made by women and filmmakers of color, then acquires them and uses its resources to find places for those films to be seen.

An audience awaits a screening of Ousmane Sembène's "Black Girl," an independent film distributed by Array. Photo via Array/Twitter.

Today, Array has launched dozens of films, and, along with them, the careers of dozens of filmmakers who may never have gotten started without DuVernay's help. And it is always adding more films to its roster.

By distributing films, Array shines a light not just on the work, but on the directors and their lives.

Consider, for example, Array's recent release by up-and-coming filmmaker Heidi Saman.

"In March we released a film called 'Namour' from an Egyptian-American filmmaker. We don't get to see Egyptian-American families portrayed very much on U.S. screens," Cooper says.

[rebelmouse-image 19481612 dam="1" original_size="1440x812" caption="A still from "Namour," a film about a Los Angeles valet caught between the pressures of his job and of his Arab-American immigrant family. Photo via Array." expand=1]A still from "Namour," a film about a Los Angeles valet caught between the pressures of his job and of his Arab-American immigrant family. Photo via Array.

The film follows a Los Angeles postgrad struggling with common problems — motivation, his career, his relationships, and his future — but also showcases the added dynamic of what it's like to come from an Arab-American immigrant family.

"Everybody wants to see someone that looks like them, that has the same experiences," Cooper says. "To have that reflected on screen just makes you feel even more a part of this world."

And now, more people have the opportunity to see themselves on-screen: "Namour," along with a handful of other films distributed by Array, are now available on Netflix.

[rebelmouse-image 19481613 dam="1" original_size="500x372" caption="Photo via Array." expand=1]Photo via Array.

Ultimately, Array's goal is to expand people's perspectives by exposing them to works by people who are different from them.

"Take a chance," she says. "Hit that 'play' button on something small that you've never heard about, that may not have people in it that look like you."

Either way, you'll learn something new about someone who's different from you. But there's also a chance that you'll discover the first title from the next Ava DuVernay.

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A closer look at the black women making headlines and breaking barriers this week.

Black women are everything.

I say it without reservation or hesitation. I say it with personal experience and anecdotal knowledge. We. Are. Everything.

Need someone to replace your contaminated water pipes? We can do that. Need someone to tell off Paul Ryan? We can do that. Need someone to help you master a skateboard trick? We can do that too. Try to keep up.

Our talent, know-how, grace, and grit is unparalleled. There's only one problem: No one seems to care.

At least not visibly — not when it matters. In the spirit of intersectionality, black women cape for black men, we support women, other POC, people with disabilities, and our LGBTQ family. But who is championing, listening to, trusting, and promoting us? Fine, we can do that too.

[rebelmouse-image 19532556 dam="1" original_size="750x500" caption="Dropping knowledge about the awesomeness of black women. Photo by WOCinTech Chat/Flickr." expand=1]Dropping knowledge about the awesomeness of black women. Photo by WOCinTech Chat/Flickr.

This is the beginning of a weekly column dedicated to signal-boosting the black women who make the world spin.

From tastemakers and politicians, to women making a name for themselves in their communities, these are people whose stories merit attention and enthusiasm.

Let's go ahead and give them their roses. Here are the women I'm here for this week — support them, believe them, and celebrate them.

"We've Got Your Back": Janet Jackson and Lola Olufemi

Photo by Frank Micelotta/Getty Images.

  • Across the pond, Cambridge student Lola Olufemi joined together with other students to write an open letter about improving the university's English department. It included suggestions for creating a more inclusive canon and improving representation among the authors and viewpoints. (You can read the entire thing here.)  Soon after, Olufemi's simple, clear proposal was mischaracterized and demonized on the front page of The Daily Telegraph, who suggested she was trying to drop white authors, including Shakespeare, altogether. The paper has since printed a tiny apology, but the damage is done. We know the truth, sis.

"We Believe You": Myeshia Johnson and Kitti Jones

Photo by Joe Raedle/Getty Images.

"Go off, sis": Ava DuVernay

Ava DuVernay recently accepted Smithsonian magazine's American Ingenuity Award. The award honors great talents and contributions in eight categories: technology, performing arts, visual arts, life sciences, physical sciences, history, social progress, and youth. DuVernay picked up the honor for visual arts for her work in TV and film. And if that's not enough, check out this clip from "Finding Your Roots" when she discovers her genetic makeup is majority African. Her smile is like standing in a sunbeam.

Final thoughts: Robin Thede

Robin Thede, host of "The Rundown with Robin Thede" will deliver this week's final thoughts:

I'll be here next week with more women to celebrate, support, and signal boost. If you know a black woman that I should feature, send me some links.

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