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Wil Wheaton gave a perfect explanation of how to separate problematic artists from their art

A truly thoughtful response.

Gage Skidmore/Wikimedia Commons

Wil Wheaton speaking to an audience at 2019 Wondercon.

When you find out an actor whose work you enjoy is blatantly racist and anti-semitic in real life, does that realization ruin every movie they've been a part of?

What about an author who has expressed harmful opinions about a marginalized group? What about a smart, witty comedian who turns out to be a serial sexual assaulter? Where do you draw the line between a creator and their creation? As someone with his feet in both worlds, actor Wil Wheaton weighed in on that question and offered a refreshingly reasonable perspective.

"Question: I have more of an opinion question for you. When fans of things hear about misconduct happening on sets/behind-the-scenes are they allowed to still enjoy the thing? Or should it be boycotted completely? Example: I've been a major fan of Buffy the Vampire Slayer since I was a teenager and it was currently airing. I really nerded out on it and when I lost my Dad at age 16 'The Body' episode had me in such cathartic tears. Now we know about Joss Whedon. I haven't rewatched a single episode since his behavior came to light. As a fan, do I respectfully have to just box that away? Is it disrespectful of the actors that went through it to knowingly keep watching?"

And Wheaton offered this response, which he shared :

" Answer: I have been precisely where you are, right now. In fact, we were just talking about this a few days ago, as it relates to a guy who wrote a ton of music that was PROFOUND to me when I was a teenager. He wrote about being lonely and feeling unloved, and all the things I was feeling as a teenager.

He grew up to be a reprehensible bigot, and for years I couldn't listen to one of the most important bands in my life anymore.

But this week, someone pointed out that he was one member of a group that all worked together to make that thing that was so important to me. And the person he was when he wrote those lyrics is not the person he is today. And the person I was when I heard those lyrics doesn't deserve to be shoved into a box and put away, because that guy is a shit.

This is a long way of saying that Joss sure turned out to be garbage. Because of who my friends are, I know stuff that isn't in the public, and it's pretty horrible. He's just not a good person, and apparently never was a good person.

BUT! Buffy is more than him. It's all the actors and crew who made it. It's all the writers who aren't Joss. Joss is part of it, sure, and some of the episodes he wrote are terrific.

At least one of the episodes he wrote was deeply meaningful to you at a moment in your life when you'd experienced a loss I can only imagine. The person you are now, and the 16 year-old you were who just lost their dad, are more important than the piece of shit Joss Whedon revealed himself to be.

His bad behavior is on him. He has to live with it, and the consequences of it.


Wil Wheaton | Wil Wheaton speaking at the 2012 Phoenix Comic… | Flickrwww.flickr.com

16-year-old you, who just lost their dad, shouldn't have to think about what a shit Joss Whedon is for even a second. That kid, and you, deserve to have that place to revisit when you need to go there.

I can't speak for the other actors, even the ones I know. But I will tell you, as an abuse survivor myself who never wanted to be in front of the camera when he was a kid: it's really okay for you to enjoy the work. The work is good and meaningful, and if nobody is going to watch it because of what one piece of shit did two decades ago, what was it all for?

I'm not the pope of chilitown, so take this for what it's worth: I believe that when some piece of art is deeply meaningful to a person, for whatever reason, that art doesn't belong to the person who created it, if it ever did. It belongs to the person who found something meaningful in the art.

If it feels right to you to put it away and never look at it again, that's totally valid. But if it brings you comfort, or joy, or healing, or just warm familiarity to bring it out and spend some time with it, that's totally valid, too.

I've written a lot of words. I hope some of them make sense and are helpful to you."

upload.wikimedia.org



As with practically everything in this world, the question of whether art can or should be separated from the artist is complex. It involves philosophical questions about the nature of art—where it comes from and who it belongs to—as well as questions about how imperfect a person has to be for us to reject everything they create. Wheaton's response feels right, especially when we're regarding art that is collaboratively created.

This article originally appeared three years ago.

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culture
Identity

An artist replaced the men in these classic Westerns with women. The images are awesome.

She turned the "sexy cowgirl" trope on its head.

Felice House

When Felice House moved to Texas from Massachusetts, she quickly fell in love with "Western" culture.

Felice House stands in a hallway art galleryTimothy Douglas

House, a painter and artist, moved to Austin to study for her master's degree before becoming an assistant professor of painting at Texas A&M University.

At first, the culture shock was fun. House says she quickly became infatuated with the Western genre: the outfits, the cowboy boots, the music.

"But when I actually got around to watching Western movies," she adds, "I was horrified by the roles for ... anybody except white men basically."

The stoic renegades played by John Wayne, James Dean, and Clint Eastwood stood in stark contrast to the helpless damsels they shared the screen with. The empowered and the powerless.

House had spent much of her career painting women in ways that clashed with media representations, so she decided to tackle the male-dominated Western genre.

She put out a call for models and was quickly overwhelmed with women who wanted to participate.

Woman in cowboy gear with red bandanaFelice House

House says many of the models already knew which iconic cowboy they wanted to portray.

Woman in cowboy gear with pink shirt and red bandanaFelice House

Virginia Schmidt became "Virginia Eastwood."

Woman in old fashioned Western sceneFelice House

Then there was "Liakesha Dean."

Woman in cowboy hat and red bandanaFelice House

And "Rebekah Wayne."

Woman in cowboy hat with eye patch and yellow bandanaFelice House

House first photographed the models in Western getups, then painted from the images she captured.

Woman in cowboy hat riding a horse and reaching for holsterFelice House

She also says practicing the facial expressions and body language was the hardest part for the models.

Woman lounging cowboy gear and red bootsFelice House

"Women are kind of trained to make coy, approachable facial expressions," she says.

Woman in cowboy hat pointing pistolFelice House

Turning these women into iconic and powerful heroes meant stripping away any remnants of the "sexy cowgirl" trope.

Two women in cowboy hats and Western gear holding a rifleFelice House

The paintings themselves are larger than life. Roughly 1.25 times larger, to be specific.

Woman in cowboy hat and Sheriff star holding a pistolFelice House

"When you see them in person, people are surprised by the scale." People aren't used to women towering over them, House says.

Woman in old fashioned Western clothing with rifleFelice House

And that's exactly the point. House wanted to start a conversation about who is assigned power and how we view it.

Woman sitting in cowboy boots holding two pistolsFelice House

In that sense, the timing couldn't have been better. "Issues with gender and power in the U.S. are kind of in the forefront of people's minds, " she says.

Woman in old fashioned Western scene in cowboy gearFelice House

In the very beginning of the project, House says she simply digitally clipped one of the models heads and put it on John Wayne's body.

"It looked ridiculous," she says with a laugh. "But then I thought, what if I could find a way to give this same sense of power [that iconic male heroes have] to women?"

With a brush and a few massive canvases, she managed to do just that, and she hopes it'll make a few people think differently about how we define who can be a hero.

In the meantime, and despite her criticisms of the films of yesteryear, House says pop culture is getting better at representing women. Projects like this one definitely help.

After all, it was John Wayne himself who once said, "Tomorrow hopes we have learned something from yesterday."


This article originally appeared on 3.17.17

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art
Identity

6 beautiful drawings by LGBTQ inmates that illustrate life in prison

Their artwork shows their strength, resilience, and talent.

"Acceptance" by Stevie S.


Tatiana von Furstenberg laid out more than 4,000 works of art on the floor of her apartment and was immediately struck by what she saw.

The pieces of artwork were submitted from various prisons across the country in hopes of being featured in "On the Inside," an exhibition of artwork by currently incarcerated LGBTQ inmates, curated by von Furstenberg and Black and Pink, a nonprofit organization that supports the LGBTQ community behind bars. The exhibit was held at the Abrons Arts Center in Manhattan toward the end of 2016.

"I put all the submissions on the floor and I saw that there were all these loving ones, these signs of affection, all of these two-spirit expressions of gender identity, and fairies and mermaids," von Furstenberg said.

She noticed the recurring topics throughout the works of different artists — eye contact, desire, fighting back, alienation, and longing — and these shared struggles became the themes of the art exhibition.

"These artists feel really forgotten. They really did not think that anybody cared for them. And so for them to have a show in New York and to hear what the responses have been is huge, it's very uplifting," she said.

Plenty of people turn to art as a means of escape. But for the artists involved in On the Inside, the act of making art also put them at risk.

Gay, lesbian, and bisexual people are incarcerated at twice the rate of heterosexuals, and trans people are three times as likely to end up behind bars than cisgender people. During incarceration, they're also much more vulnerable than non-LGBTQ inmates to violence, sexual assault, and unusual punishments such as solitary confinement.

Not every prison makes art supplies readily available, either, which means that some of the artists who submitted to "On the Inside" had to find ways to make their work from contraband materials, such as envelopes and ink tubes. And of course, by drawing provocative images about their identities, they also risked being outed and threatened by other inmates around them.

But sometimes, the act of self-expression is worth that risk. Here are some of the remarkable examples of that from the exhibition.

(Content warning: some of the images include nudity.)

1."A Self Portrait" by B. Tony.

inmates, jail, sketching

“A Self Portrait” by B. Tony

2. "Rihanna" by Gabriel S.

relationships, identity, rehabilitation

“Rihanna” by Gabriel S.

"Rihanna is who I got the most pictures of," von Furstenburg said. "I think it's because she is relatable in both her strength and her vulnerability. She's real.”

3. "Acceptance" by Stevie S.

body art, tattoo, mental health

"Acceptance" by Stevie S.

"This series is sexy and loving and domestic," von Furstenberg said about these two portraits by Stevie S. "A different look at family values/family portrait.”

4. "Michael Jackson" by Jeremy M.

celebrity, art, paintings

“Michael Jackson” by Jeremy M.

assets.rebelmouse.io

This was another one of von Furstenberg's favorites, because of the way it depicts a struggle with identity. "[MJ] was different, he was such a unique being that struggled so much with his identity and his body image the way a lot of our artists, especially our trans artists, are struggling behind bars," she said.

5. "Unknown" by Tiffany W.

pixies, fairie, fantasy

“Unknown” by Tiffany W.

6. "Genotype" and "Life Study," by J.S.

anatomy, Michaelangelo, nudes

“Genotype” and “Life Study” by J.S.

"This is the Michelangelo of the group," von Furstenberg said. "To be able to draw this with pencil and basic prison lighting is astounding. One of the best drawings I've ever seen in my life.”

When the exhibition opened to the public on Nov. 4, 2016, visitors even had the chance to share their thoughts with the artists.

The exhibit included an interactive feature that allowed people to text their comments and responses to the artist, which von Furstenberg then converted to physical paper and mailed to inmates.

Some of the messages included:

"I have had many long looks in the mirror like in your piece the beauty within us. I'm glad you can see your beautiful self smiling out. I see her too. Thank you."
"I am so wowed by your talent. You used paper, kool aid and an inhaler to draw a masterpiece. I feel lucky to have been able to see your work, and I know that other New Yorkers will feel the same. Keep creating."
"I've dreamed the same dreams. The barriers in your way are wrong. We will tear them down some day. Stay strong Dear."

Many people were also surprised at how good the artwork was — but they shouldn't have been.

Just because someone's spent time in prison doesn't mean they can't be a good person — or a talented artist. They're also being compensated for their artwork. While business transactions with incarcerated people are technically illegal, $50 donations have been made to each artist's commissary accounts to help them purchase food and other supplies.

"We're led to believe that people behind bars are dangerous, that we're safer without them, but it's not true," von Furstenberg said. "The fact that anybody would assume that [the art] would be anything less than phenomenal shows that there's this hierarchy: The artist is up on this pedestal, and other people marginalized people are looked down upon.”

Art has always been about connecting people. And for these incarcerated LGBTQ artists, that human connection is more important than ever.

Perhaps the only thing harder than being in prison is trying to integrate back into society — something that most LGBTQ people struggle with anyway. These are people who have already had difficulty expressing who they are on the inside and who are now hidden away from the world behind walls.

On the Inside's art show provided them a unique opportunity to have their voices heard — and hopefully, their individual messages are loud enough to resonate when they're on the outside too.


This article originally appeared on 11.14.16

From Your Site Articles
Joy

Street artist creates delightful 3D scenes in walls and walkways for everyone to enjoy

David Zinn's characters bring joy to the lucky folks that happen to come upon them before they wash away.

TedxTalks/YouTube

David Zinn creates art from what he sees everywhere he goes.

Street artists are a special breed. While "the art world" can sometimes be a snooty, elite place for those with means, street art is made for everyone. Sometimes that means large public murals, but street art can be small, too. In fact, some of the best street art is so small you might miss it if you're not paying attention. But those who are can discover some delightful surprises.


Just imagine walking down a sidewalk and seeing this little fella at your feet:

Or this young lady:

Or this creature:

That would make your day, wouldn't it? Or at least bring a smile to your face for a while?

Public art is an act of love to strangers, a way of connecting to people without saying a word. It says, "Hey there, fellow human. Here's a little something to make you smile, just because."

That's the beauty of David Zinn's street art. It's meant for the public—just average passers-by—to enjoy, individually and collectively.

Zinn has created an entire world of characters who pop up in unexpected places. For instance, meet Gerald the otter, who is waiting for a blind date in this tree stump.

Zinn uses chalk and charcoal to make his cast of characters come to life in cracks and crevasses, sidewalks and tree trunks. His creations aren't meant to last forever; in fact, as Zinn points out, the temporary nature of them adds value to them.

"Famous works of art hanging in museums get seen by thousands of people every day. But this? You could be among the dozens of people who get to see this while it exists," he told CBS Mornings. "That's pretty special."

Watch how he takes something he finds in the sidewalk and transforms it into a sweet little duo.

Sometimes he uses natural things he finds as inspiration for a piece.

Other times, he uses something human-made, like this upside down terra cotta pot:

Or this manhole cover:

Sometimes the shape of a rock lends itself to a character, like Keith and his emotional support chick here:

Or the space itself serves as inspiration.

Nadine the mouse features in many of Zinn's pieces, probably due to her small size making it easy for her to fit into small spaces.

Usually his pieces use what's already there—like a crack in the sidewalk—to tell a story.

The 3D nature of his drawings make it feel as if his characters are truly there.

"Looks like another long day of things stubbornly refusing to be impossible," he writes in a caption of one of his "pigasuses."

(Speaking of having wings, Nadine found a pair for herself.)

Watch Zinn turn a simple pot into a character with personality in a matter of minutes:

His entire Instagram page, Facebook page and TikTok channel are filled with endless delight. It was nearly impossible to decide what to include in this article because I wanted to include everything.

This is all well and good, you might say to yourself, but how does Zinn make a living if he's not selling this art?

He sells books and prints of photos of his artwork on his online store. He also gets invited to schools and events. He has created a career for himself by rejecting blank canvases, putting his imagination out on the street for everyone to see for a while, then selling versions that will actually last. Pretty brilliant, really.

Zinn gave a fascinating TEDx Talk explaining how he found his own artistic niche. You'll never look at a parking meter or sidewalk the same way again.

This article originally appeared on 02.12.22

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