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Pop Culture

Video shows how Gummy Bears are made in reverse

You’ll never look at a gummy bear the same way again.

Photo by Amit Lahav on Unsplash

Another type go gummy... Gummy Bears.

The first gummy bears were created in the 1920s by Hans Riegel, owner of the Haribo candy company in Bonn, Germany. Since, gummy candies have become popular worldwide and evolved to take the shapes of fish, sour patch kids, frogs, worms, and just about anything a clever candy maker can imagine.

But unlike the popular Disney '80s "Gummi Bears" cartoon, these sweet little guys don't come from a hollow tree in the forest. Sadly, their creation is a bit more terrifying.


In the video below, Belgian filmmaker Alina Kneepkens shows how the colorful snacks you bought at the movie theater actually began as pigskin. Yes, an NFL football and a gummy bear have the same humble beginnings. But if you're a vegan or vegetarian, there's no need to worry; there are candy manufacturers that make gummy bears out of agar and pectin so you can enjoy these fruity delights minus the swine skin.

Now, you know you want to sing along to this tune.

This article originally appeared on 9.3.21

Pop Culture

'AGT' contestant tells an incredibly moving story with her unique sand art

Even among all the extraordinary acts on "America's Got Talent," Kseniya Simonova stands out.

America's Got Talent/YouTube

Kseniya Simonova tells a moving story using only the sand in her hands.

Usually, it’s singing, dancing and magic acts that take the lion’s share of applause on “America’s Got Talent.” But every once in a while, more out-of-the-box performances take the spotlight.

Kseniya Simonova, a Ukrainian sand animation artist, makes it onto that list.

Simonova, who won the title for “Ukraine's Got Talent” in 2009 and was a finalist for other “Got Talent” seasons, returned for the first ever “America's Got Talent: Fantasy League,” where fan favorite contestants form teams under each of the judges: Howie Mandel, Mel B, Heidi Klum and Simon Cowell.


For this performance, titled “Follow your Dreams,” Simonova told a sweeping, poignant and heartfelt story honoring the love between a mother and her son—using only the sand in her hands.

In only a couple of minutes, a phone turns into a house, then into two faces, then into two figures, then into a boy looking out of the window and into the sky, then a rocket and finally an astronaut in space. It’s pretty unreal.

Watch:

Not only did Simonova receive a standing ovation from the audience, but praises from three of the four judges, with Howie Mandel calling her work “an amazing, emotional work of artistry.” Simon Cowell also commended her, saying, "no one else in the world can do what you can do.”

Online viewers seemed to agree and found Simonova to be one-of-a-kind.

“I always love these types of acts. Something unique that you don’t often see but can clearly see the talent and skill that it takes to perform,” one person wrote on YouTube.

Another added, “An incredible talent. Such an original and unique form of artistry!”

Not only is sand animation a rare art form, it’s also a fairly new one. According to the site Animation Explainers, it’s only been around since 1968, when artist Caroline Leaf manipulated beach sand on a lightbox for each frame of her film, “Sand or Peter and the Wolf.”

Animation Explainers also has a great passage about why sand animation is intriguing, saying, “The beauty of sand animation lies in that it only lasts for a short moment. It is a fragile form and often evokes very impassioned responses in viewers.”

If that doesn’t sum up the raw beauty of Simonova’s art, I don’t know what does.

By the way, if you’d like to see even more of Simonova’s sand animations, check out her website. You can also find a full length version of “Follow Your Dreams” here.

Scenes from "The Lion King," "Toy Story 3" and "The Nightmare Before Christmas"

When we talk about beautiful images from the history of cinema, people often bring up the groundbreaking cinematography in Orson Welles’ “Citizen Kane,” the spectacle of David Lean’s “Lawrence of Arabia” or the majesty of Stanley Kubrick’s “Barry Lyndon.” But unfortunately, animated films are often overlooked in the conversation.

A YouTube creator named Sugar decided to give animated films their due, so they edited together what they consider to be the “Some of the Most Beautiful Shots in Animation History” and set them perfectly to Chopin's "Fantaisie Impromptu, Op. 66."

Chopin’s piece was composed in 1834 but only became known after the composer died in 1849.


The clips in the video are all breathtaking, but they take on a greater significance because of how Sugar synced them up to the music. The classical music mixed with the fantastical animated images makes it feel like Walt Disney’s 1940 classic, “Fantasia.”

Sugar clearly has excellent taste and a broad knowledge of animation because the compilation contains clips from mainstream films such as “Kung Fu Panda,” “Mulan” and "Ratatouille,” but it also includes shots from lesser-known films such as “Nausicaä of the Valley of the Wind,” "Neon Genesis Evangelion" and “Millennium Actress.”

The piece is a lovely celebration of animation and a great introduction to animated moves that people may want to learn about. Sugar provided a list of the clips they used so people could find the movies they hadn’t seen and give them a look.

Here are the movies in order:

"The Lion King" 0:00

"Treasure Planet" 0:09

"Spirited Away" 0:19

"The Wind Rises" 0:23

"Ratatouille" 0:26

"Hercules" 0:34

"Tarzan" 0:39

"The Hunchback of Notre Dame" 0:48

"Toy Story 3" 0:53

"Mulan" 0:59

"The End of Evangelion" 1:04

"Grave of the Fireflies" 1:08

"The Nightmare Before Christmas" 1:12

"Kung Fu Panda" 1:25

"The Road to El Dorado" 1:38

"Dragon Trainer 2" 1:42

"Nausicaä of the Valley of the Wind" 1:48

"Isle of Dogs" 1:58

"Princess Mononoke" 2:03

"Howl's Moving Castle" 2:09

"Monsters, Inc." 2:12

"Spirited Away" 2:22

"The Wind Rises" 2:29

"The Tale of the Princess Kaguya" 2:40

"The Iron Giant" 2:50

"Millennium Actress" 2:57

"Neon Genesis Evangelion" 3:00

"Cowboy Bebop" 3:05

"WALL•E" 3:12

"Redline" 3:18

"The Thief and the Cobbler" 3:27

"Spider-Man: Into the Spider-Verse" 3:35

"Dumbo" 3:41

"Alice in Wonderland" 3:47

"Atlantis" 3:51

"Who Framed Roger Rabbit" 3:57

"Akira" 4:04

"Toy Story 2" got deleted and backups weren't working. Whoops.

A newborn baby saving an entire animated film production from unprecedented disaster? Sounds a bit like the plot of a Pixar short, doesn't it?

Something (sort of) like that actually did happen during the making of "Toy Story 2." (There are a several retellings of the story out there, from an in-depth interview on The Next Web to the simplified, animated version in the "Toy Story 2" extras shown below.)

Here's a basic rundown of what happened:

The film was well underway when an unnamed Pixar employee who was trying to delete unneeded files accidentally applied the "remove" command to the root files of the film. Suddenly, things started disappearing. Woody's hat. Then his boots. Then Woody himself.

Pixar folks watched characters and sequences disappear in front of their eyes. Obviously, this was … not good.

Oren Jacob, the associate technical director of the film, got on the horn to the systems crew with a panicked "Pull the plug!" They did. Were they able to stop the bleed? Nope, 90% of the movie was gone. Surely there was a backup system, though, right?


Yes! But unfortunately, no one had been checking to make sure the backups were actually working. Oopsie. And as luck would have it, the backups were not working, and hadn't been for a month. Nearly all of "Toy Story 2" had gone bye-bye. Big honking oops.

Jacob called the film's supervising technical director, Galyn Susman, to deliver the bad news. Imagine making that phone call. No, thank you.

But this is where the story gets good.

Susman just happened to have been working from home because she'd recently had a baby. (That's right, she was directing one of the most iconic animated films to date while also creating and birthing human life. Respect.) And it just so happened that she had backed up the film on her home computer so she could work on it while taking care of her newborn, Eli.

"As a mother who wanted to see her children, I needed to have a computer at home," Susman says in the animated recreation of the mishap. "And so I would copy the entire film onto my computer."

Jacob and Susman wrapped the computer in blankets to protect it, seatbelted it in to the backseat of Susman's Volvo and drove it to the Pixar studios. (Remember, this was 1998—clearly this process would look much different today.)

"Eight people met us with a plywood sheet out in the parking lot and, like a sedan carrying the Pharaoh, walked it into the machine room," Jacob told The Next Web.

It worked. The film was recovered. (The simplified version makes it sound like this was an instant fix; however, the in-depth version clarifies that there were tens of thousands of technical files that employees had to pore through one by one in a lengthy, arduous process. But still, their bacon was saved.)

Babies and work-from-home moms for the win, am I right?

How Toy Story 2 Almost Got Deleted: Stories From Pixar Animation: ENTVwww.youtube.com

However, this story has a perfectly ironic ending, as the version of the film recovered from Susman's computer ended up being almost completely scrapped anyway. When the Pixar bigwigs took a look at the movie, they decided it simply wasn't good. The film ended up being rewritten and remade into the delightful movie we know and love today.

Bless the Pixar people for their dedication to greatness—and for learning their lesson about routinely checking backups the hard way.