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Peter Dinklage on "Game of Thrones?

When it comes to actors doing accents across the pond, some Americans are known for their great British accents, such as Natalie Portman ("The Other Boleyn Girl"), Robert Downey, Jr. ("Sherlock Homes"), and Meryl Streep ("The Iron Lady").

Some have taken a lot of heat for their cartoonish or just plain weird-sounding British accents, Dick Van Dyke ("Mary Poppins"), Kevin Costner ("Robin Hood: Prince of Thieves") and Keanu Reeves ("Bram Stoker's Dracula").

Some actors, such as Tom Hardy (“The Drop”) and Hugh Laurie (“House”), have American accents so good that people have no idea they are British.

Benedict Townsend, a London-based comedian and host of the “Scroll Deep” podcast, says there is one word that American actors playing characters with a British accent never get right. And no, it’s not the word “Schedule,” which British people pronounce the entire first 3 letters, and Americans boil down to 2. And it’s not “aluminum,” which British and American people seem to pronounce every stinking letter differently.

@benedicttown

The one word American actors aways get wrong when doing an English accent

What word do American actors always get wrong when they do British accents?

“There is one word that is a dead giveaway that an English character in a movie or a TV show is being played by an American. One word that always trips them up. And once you notice it, you can't stop noticing it,” Townsend says. “You would see this lot in ‘Game of Thrones’ and the word that would always trip them up was ‘daughter.’”

Townsend adds that when British people say “daughter,” they pronounce it like the word “door” or “door-tah.” Meanwhile, Americans, even when they are putting on a British accent, say it like “dah-ter.”

“So top tip if you are an actor trying to do an English accent, daughter like a door. Like you're opening a door,” Townsend says.



What word do British actors always get wrong when doing American accents?

Some American commenters returned the favor by sharing the word that British actors never get right when using American accents: “Anything.”

"I can always tell a Brit playing an American by the word anything. An American would say en-ee-thing. Brits say it ena-thing,” Dreaming_of_Gaea wrote. "The dead giveaway for English people playing Americans: ‘Anything.’ Brits always say ‘EH-nuh-thin,’” marliemagill added.

"I can always tell an actor is English playing an American when they say ‘anything.’ English people always say it like ‘enny-thin,’” mkmason wrote.



What is the cot-caught merger?

One commenter noted that the problem goes back to the cot-caught merger, when Americans in the western US and Canadians began to merge different sounds into one. People on the East Coast and in Britain pronounce them as different sounds.

“Depending on where you live, you might be thinking one of two things right now: Of course, ‘cot’ and ‘caught’ sound exactly the same! or There’s no way that ‘cot’ and ‘caught’ sound the same!” Laura McGrath writes at DoYouReadMe. “As a result, although the different spellings remain, the vowel sounds in the words cot/caught, nod/gnawed, stock/stalk are identical for some English speakers and not for others.”

American actors owe Townsend a debt of gratitude for pointing out the one thing that even the best can’t seem to get right. He should also give the commenters a tip of the cap for sharing the big word that British people have trouble with when doing an American accent. Now, if we could just get through to Ewan McGregor and tell him that even though he is fantastic in so many films, his American accent still needs a lot of work.

Joy

Impressionist transforms into 20 celebrities with deep fake technology and it's wild

Watch Jim Meskimen transform both his voice and his face as he recites a poem about impressionists.

Deep fake VFX make Jim Meskimen's impressions all the more believable.

Actor and comedian Jim Meskimen is one of those actors who may look familiar to many but could probably only be named by a few. He has acted in movies such as "Apollo 13" and "There Will Be Blood" and TV shows such as "Friends" and "Castle," and has also done a wide range of voiceover work.

Meskimen's voice is one of his most honed tools. A master impressionist, he can imitate dozens of famous actors, from George Clooney to Jack Nicholson to Morgan Freeman. In fact, he's created a series of impressionist tutorials on YouTube to help others figure out how to do their own impressions of famous people.

But one video of Meskimen's that has gotten viral attention goes beyond just voice impressions. Using deep fake video technology (courtesy of video effects editor Shamook), Meskimen transforms not just his voice and mannerisms, but his actual face, to impersonate celebrities.


As he recites a poem he wrote about doing impressions, Meskimen slips seamlessly from one famous voice to another—and as he does so, his face also morphs into whichever celebrity he's doing, almost like magic.

It's super trippy, really cool and slightly terrifying to watch. Check out Meskimen's "A Deeper Look Into the Life of an Impressionist":

Impressive, no?

Aside from showcasing Meskimen's enviable abilities, the video highlights how easy it can be to dupe people with modern technology. Confusion over what's real and true is a pervasive problem as it is, but the ability to create video that makes it look like a real person is really saying something they never said adds a whole new layer to people's levels of distrust of all media.

In fact, MIT reported in 2019 that the problem with deep fake videos isn't merely the impact that the creation of convincing video dupes might have. Just the mere possibility that a video could be faked causes people to question whether any video they see is real, and that kind of generalized confusion is exactly what disinformation pushers want.

Meskimen's video, of course, isn't meant to be a statement or warning on deep fake tech, but rather a showcase of what can be done with it. VFX creator Shamook shared a split-screen video showing how he used the celebrities' faces to transform Meskimen's face, and it's pretty cool to see.

(By the way, if you're struggling to figure out who any of the famous people are, here's the list in order: John Malkovich, Colin Firth, Robert De Niro, Tommy Lee Jones, Nick Offerman, George Clooney, Christopher Walken, Anthony Hopkins, Dr. Phil, Nicholas Cage, Arnold Schwarzenegger, Morgan Freeman, Bryan Cranston, Christoph Waltz, Joe Pesci, Jack Nicholson, George W. Bush, Ian McKellen, Ron Howard, Robin Williams.)

Absolutely amazing what humans have figured out how to do, isn't it? Here's hoping that this kind of deep fake technology stays in the realm of entertainment where it belongs.

File:TIFF 2019 kristen stewart (48701274962).jpg - Wikimedia Commons

Of the 25 actors that have been nominated for an Oscar for playing an LGBTQ character, a grand total of zero of them have been openly queer. The debate on whether or not only gay actors can play gay roles has many sides and nuances. After Darren Criss, who is straight, won an Emmy for playing Andrew Cunanan in The Assassination of Gianni Versace: American Crime Story, Criss vowed he would never play another gay man because he didn't want to be "another straight boy taking a gay man's role." Actor Ben Whishaw, who is gay, feels otherwise. "I really believe that actors can embody and portray anything, and we shouldn't be defined only by what we are," Whishaw said. Recently, Kristen Stewart also weighed in on some of the complexities around the issue.

Variety recently asked Stewart about the importance of gay actors playing gay characters. Stewart acknowledged the complexity of the issue. "I would never want to tell a story that really should be told by somebody who's lived that experience. Having said that, it's a slippery slope conversation because that means I could never play another straight character if I'm going to hold everyone to the letter of this particular law. I think it's such a gray area," Stewart told Variety.


Authenticity in storytelling is important, and there's normally a feeling of artificiality when someone tries to tell the story of a group in which they don't belong. However, it's not always the case. "There are ways for men to tell women's stories, or ways for women to tell men's stories. But we need to have our finger on the pulse and actually have to care," Stewart told Variety.

Stewart also pointed out that telling the story of a group you're not part of has to be done with love. "You kind of know where you're allowed. I mean, if you're telling a story about a community and they're not welcoming to you, then fuck off. But if they are, and you're becoming an ally and a part of it and there's something that drove you there in the first place that makes you uniquely endowed with a perspective that might be worthwhile, there's nothing wrong with learning about each other. And therefore helping each other tell stories," Stewart pointed out.

Stewart is currently starring in Happiest Season, an LGBTQ Christmas film directed by Clea DuVall. "Happiest Season" tells the story of Abby and Harper, a lesbian couple who spends the holidays at Harper's parents' house, despite Harper's family not knowing she's a lesbian. Mackenzie Davis, the actress who plays Harper, is straight, and Stewart doesn't see a problem with Davis taking the role. "She was the only person in my mind that could have played this with me. Sometimes, artfully speaking, you're just drawn to a certain group of people," Stewart explained to Variety.

But for all of the complexities around the issue, Stewart boiled it down to one simple, common sense solution. "So my answer is fucking think about what you're doing! And don't be an asshole," Stewart said.

She's got a point. Sometimes all it takes to figure out if you're "doing it right" or not is asking yourself if you're being an asshole.

via UniversalPicsSweden

Steven Spielberg's "E.T.: The Extra-Terrestrial" is one of the greatest films ever made but it could have easily been a disaster.

Director Steven Spielberg took huge risks with the film betting the house on the relationship between a young boy named Elliott and an oddly-shaped alien.


If the boy in the lead role of Elliott or the animatronic alien weren't convincing, the movie would have been nothing more than a bad children's fare.

Spielberg emphasized the children so much in the film that it was shot from a child's perspective and most of the adult faces are obscured.

Although Spielberg was taking a risk he must have been pretty confident walking onto the set on the first day because he chose an amazing young actor to be his Elliott, Henry Thomas.

In 1981, the nine-year-old actor flew to Los Angeles from Texas for a screen test with Spielberg. During his first reading he was so nervous that his performance fell flat. But on his send attempt, Thomas was so amazing that he got the role right there on the spot.

In the end, Spielberg simply says, "Okay kid, you got the job."

Henry Thomas audition för E.T. "Ok kid, you got the job".www.youtube.com

"The improvisation was so heartfelt and honest that I gave him the part right there," Spielberg told Premiere magazine in 1982. "I was blown away by this nine-year-old. Then I came to realize he's an adult actor, not a nine-year-old."

"He's a very controlled, methodical performer who measures what he does and feels what he does and yet broadcasts it in a totally subtle way. His performance is so controlled, unlike most kid performers, who seem to be giving you 150 percent on every shot," Spielberg continued.

After "E.T.," Thomas was so recognizable as Elliott that he had a hard time landing more work. However, unlike a lot of child stars, his career flourished as an adult, landing him roles in "Gangs of New York," Netflix's "The Haunting of Hill House," "Legends of the Fall," and as a young Norman Bates in "Psycho IV: The Beginning."