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My friend showed his daughter 'Jaws' and Gen Z's reaction to it changes the movie forever

It’s actually very similar to what the book’s author originally intended.

Photo Credit: Wikipedia, Canva, Universal Pictures

A teen girl watches the movie Jaws.

In 1975, oceans got a lot scarier for the average moviegoer. It was the summer Steven Spielberg's groundbreaking blockbuster Jaws was released — forever changing a day at the beach and the contents of our nightmares.

This year marks the 50th anniversary of that Oscar-winning film, and many theaters are re-releasing it just in time for Labor Day. But my friend Kyle, who has a 14-year-old daughter named Alexis, thought he'd get a jump on it and show it to her a bit earlier. "I wanted to take her to see it on the big screen, but she's very sensitive, so I thought in case she gets scared, we will watch it at home."

Snacks in bowls, PJs on, iPhones off — which is a hardcore rule Kyle, who is a screenwriter, has for movie watching - even on the couch.

The film opens with a casual group of friends, drinking and laughing at a beach bonfire in the fictional town of Amity Island, New York. One woman, with long ’70s flowing hair, stands up and begins to run toward the ocean — a man playfully running after her. "What's your name again?" he asks. "Chrissie!" "Where are we going?" "Swimming," she gleefully replies.

- YouTube www.youtube.com

Swimming is one way to put it. The tension builds, one of Spielberg's most genius directorial gifts, as she disrobes and frolics into the water. He's a tad too drunk to go in, despite her pleas to join her. Refreshing and beautiful, she's splashing around when…we get an underwater shot of her silhouette swimming above. (We later find out whose point of view that's from, and it's not a human.)

Suddenly, there's cacophonous music, as she seems to be nibbled on the leg. Then, with the most terrifying of screams, we watch as she appears to be carried on the back of a beast to and fro, all the while screeching as though she were wrestling a demon. Oblivious, her suitor remains intoxicated on the beach, while she goes silent, having surrendered to her fate as a big fish's meal.

(Fun fact: There were rumors that Susan Backlinie, who played "first victim Chrissie," accidentally had her ribs broken, as Spielberg yanked her underwater for her last shot. However, Backlinie has debunked the popular myth, though she did say the filming was "grueling.")

sharks, great white, jaws, Spielberg, movies Bruce AKA Jaws the shark attacks a boat. Giphy Universal Pictures

Kyle reports that Alexis was silent. Shocked. And yes, terrified. She grabbed a couch pillow and yelped, "Nope," as the infamous John Williams composition "Duh Nuh. Duh nuh. Duh nuh" begins to play. She is hooked, pun intended.

As the film goes on, however, and she's able to regain her breath — her attitude changes sharply. Kyle shares, "Around the time when marine biologist Matt Hooper (played by Richard Dreyfuss) appeared on screen, Alexis scrunched up her face. I asked her what was up and she said, 'I kinda feel like maybe the shark isn't the bad guy.'"

"You're gonna need a bigger boat" scene from the movie Jaws. www.youtube.com, Universal Pictures

She wouldn't be the first to have expressed this sentiment. Author Peter Benchley, on whose novel of the same name the film was based, had a complicated relationship with the movie. In an article for the Cape Cod Times, Kathi Scrizzi Driscoll recently writes how Benchley expressed remorse. "Benchley wanted to spotlight sharks' endangerment from modern fishing technology and an Asian taste for shark fin soup. What got more international attention, though, was this passage: '... considering the knowledge accumulated about Great Whites in the past 25 years, I couldn't possibly write Jaws today ... not in good conscience, anyway.'"

Benchley, having become an ocean conservationist before his death in 2006, even set the record straight on shark behavior. "They tend to spit people out," the piece reports Benchley claiming. (He had a lot of ideas for casting that clashed with Spielberg as well, including a wish for Paul Newman and Robert Redford to play the roles that wound up going to Roy Scheider and Dreyfuss.)

Alexis continued, "Just seems like they were in HIS house, ya know? Like what is a shark supposed to eat? If anyone is the villain, it's people who hunt sharks for sport. And the people who lie about them for movies." (Gauntlet dropped, Spielberg.)

Many marine biologists have spent decades trying to undo the shark myths proposed in Jaws. In the clip below for KATU Lifestyle, Dr. Alexandra McInturf says that not only are sharks not man-eating maniacs, "they are very discerning, thoughtful animals. The presence of sharks in an ecosystem is usually a really good sign that the ecosystem is healthy."

- YouTube www.youtube.com

That said, it was peak ’70s water-cooler talk and a deep bond for many Gen X-ers and Boomers. Gen Z, however, is seemingly not as interested. Natalie O'Neill writes in the New York Post that barely "half of Gen Z-ers" have even seen the film. She shares, "The film was such a hit with young people at the time, a whopping 40% of 18-to-29-year-olds said they’d seen it by the end of summer 1975, according to a Gallup poll taken that year." Adding, "At the time, 18% of viewers called it 'the most frightening movie' they had ever seen and 35% said the movie increased their fear of swimming in the ocean, according to the poll."

As part of the half who can now proudly claim they have seen it, Alexis is a fan. But she's team Benchley all the way when it comes to shark advocating. "Just leave them alone and they will leave you alone," she pleaded. True or not, she vows she will never miss an episode of National Geographic's "Shark Week" content moving forward.


The Princess Bride (left) Everything, Everywhere all at Once (center) The Godfather (right)

The 96th Academy Awards, better known as The Oscars, will be taking place in less than a week. Meaning some films will be recognized forever as the best of the best for 2024.

…But how many of us have sat down to watch an award winning, cult classic, incredibly popular movie, only to think…is everyone else watching what I'm watching? I don't get the hype!

You're not alone. Art, as we know, is subjective, and just because a movie is liked by many, it doesn't mean it will be liked by everyone.

When Reddit user u/imnachos asked: "What is a film you didn't really enjoy that everyone seemed to like?" their question got thousands of comments from less-than-enthused moviegoers. Some choices were to be expected, such as classics that maybe don't hold up so well with a modern lens. But then a few films that seem completely harmless and universally loved made the list.

Check out the titles below:


The Notebook

"I first watched this movie when I was like 15 and of course at that age you think it’s romantic and the most beautiful love story ever. As an adult that has now experienced young love and mature adult love…. If my high school boyfriend had ever shown up out of nowhere while I was with my fiancé/now husband he would have no hold over me lol. Like I get the premise is that their love is so strong and eternal and that they’re soulmates blah blah blah but they didn’t even give her a bad fiancé. The guy she was engaged to was handsome and super kind and successful lol but sure, go back to your grouchy hermit ex you haven’t spoken to in yearssss."

A Quiet Place

"'S'on, we can talk as loud as we want next to this waterfall. Now let’s go home to our creaky home with wood floors where we have to tiptoe and use sign language….' My guy… just move next to the waterfall!"

Avatar

"Unobtainium?? That’s the best name they could come up with?"

"You could argue that it's a story about how humans gathering natural resources are blind to the devastating effects of their greed... But no, that's just a literal description of the plot. Avatar takes the nuance and context and human characters out of real-world conflict and replaces everything with a one-dimensional min-max placeholder."

The Princess Bride

"Sorry folks, but 'The Princess Bride' blows. The only interesting thing about the movie was actually in the Andre the Giant documentary, detailing the pain Andre was in throughout the filming."

Everything Everywhere All at Once

One person lamented, "I had to take breaks to watch it because it was just too much going on."

To which someone quipped, "The title does warn you."

Saltburn

"I watched it last night and did not get the hype, just the ick."

Fast & Furious

"I find them all to be ridiculously stupid. Just awful."

The MCU

" I like comics but I despise the cinematic universe."

Barbie

"It was fine. I get it’s standing as a cultural phenomenon…But it’s not as great as what people were celebrating it as. But if people found enjoyment in it then that’s good for them."

The Godfather

"I think you would have had to see it when it came out. It paved the way for the modern mafia movies. Before it, there was nothing like it, and it was probably amazing at the time."

Oppenheimer

One person referenced a review of "Oppenheimer" by writer Sam Kriss, who called it:

“…bafflingly pointlessly soulless…Less an actual film than a three-hour-long trailer: just snapshots, stitched together, each scene lasting a few minutes at most, until you start to get something like motion sickness…You get the sense that Nolan isn’t really interested in much. Not nuclear physics, not the terrible responsibilities of the atomic age, or the romance of Communism, or the cruel machinery of the US government; in fact, he doesn’t even seem to care at all about J Robert Oppenheimer, as a man or a totem. What he cares about are the following: firstly, shoving as many scientists and politicians in front of our faces as possible, so we all appreciate how thoroughly he’s done his homework, and secondly, employing a Mirror-wannabe non-linear storytelling technique for no apparent reason whatsoever. It sucks.

Elf

"I hate 'Elf'. I can’t stand Will Ferrell. He’s not funny; he’s just loud."

Wonder Woman

"It was cool for a woman-led superhero film. But the plot was pretty mid."

You know what they say—everyone's a critic! But that's all the more reason why we need a variety of films, focusing on different perspectives, cultures, genres, you name it, so that there can be something for everyone.

Brendan Fraser emotionally cements his comeback.

Brendan Fraser has become everyone's favorite comeback story after his long break from Hollywood, which he attributed to being blacklisted after his 2018 interview with GQ. In the interview, he revealed that he was sexually assaulted by the former president of the Hollywood Foreign Press Association, Philip Berk, though Berk denies the claims.

Fraser also experienced a lot of personal setbacks during his time away from Hollywood, including losing his mother, getting divorced and living with depression. But since the release of his recent hit, "The Whale," in which he plays a morbidly obese, gay father attempting to reconnect with his teenage daughter, it seems the awards keep coming and people can't get enough. Fraser's most recent win is the coveted Oscar for Best Actor, his first nomination with the Academy, and his speech was full of emotion and gratitude.


After thanking the Academy for the award, Fraser hopped right into pulling out all of the nautical stops.

“I’m grateful to Darren for throwing me a creative lifeline and hauling me aboard the good ship 'The Whale,'" Fraser said. “It was written by Samuel D. Hunter, who is our lighthouse.”

Fraser told NBC that had this role come earlier in his career, he wouldn't have had the life experience or heartache to play the character authentically. While some people took issue with him portraying a 600-pound man by wearing a fat suit in "The Whale," he continues to receive accolades for his acting in the film as evidenced by the multiple awards he has won this season.

The Oscar winner has been acting for 30 years, and while this role is more serious with a lot of depth, Fraser may be better known for his corky roles. Most people instantly recognize his big blue eyes from "George of the Jungle," "Encino Man" or "The Mummy." By all accounts, he was the shirtless poster child of the 90s, though he did start taking on more serious roles like "Crash" and "Gods and Monsters." But the film that won him an Oscar and seemed to solidify not only his comeback but his range as an actor is "The Whale."

While he kept the speech focused on the theme, his emotional reaction was echoed on the faces of others in the audience. It's clear he has a lot of cheerleaders, both in Hollywood and out.

Catch his entire acceptance speech below:

Identity

Sacheen Littlefeather, who famously appeared in Marlon Brando's place at Oscars, has passed away

'It feels like the sacred circle is completing itself before I go in this life.'

Native American activist Sacheen Littlefeather.

A little more than two weeks after receiving a formal apology from the Academy of Motion Picture Arts and Sciences for the abuse she suffered at the 1973 Academy Awards, Native American rights activist Sacheen Littlefeather has died at age 75.

Littlefeather is a Native American civil rights activist born to an Apache and Yaqui father and a European American mother. Littlefeather made history at the 1973 Academy Awards by forcing Hollywood and America to confront its mistreatment of Native Americans by rejecting Brando's award on his behalf.

Dressed in traditional clothing, she explained that Brando "very regretfully cannot accept this generous award, the reasons for this being … the treatment of American Indians today by the film industry and on television in movie reruns, and also with recent happenings at Wounded Knee."


Littlefeather was courteous and nonconfrontational in her brief speech, but still wound up the target of jokes that night. “I don’t know if I should present this award on behalf of all the cowboys shot in all the John Ford westerns over the years,” Clint Eastwood said later in the evening while presenting the award for best picture. Presenting best actress, Raquel Welch cracked: “I hope they haven’t got a cause.”

Littlefeather later said that John Wayne attempted to assault her backstage.

"A lot of people were making money off of that racism of the Hollywood Indian," Littlefeather told KQED. "Of course, they’re going to boo. They don't want their evening interrupted."

Three months later, Brando explained his reasoning for rejecting the award on "The Dick Cavett Show."

"I felt there was an opportunity," Brando told Cavett. "Since the American Indian hasn't been able to have his voice heard anywhere in the history of the United States, I thought it was a marvelous opportunity to voice his opinion to 85 million people. I felt that he had a right to, in view of what Hollywood has done to him."

Nearly 50 years after the incident, the Academy issued a formal apology this past August.

"The abuse you endured because of this statement was unwarranted and unjustified," former Academy President David Rubin wrote in a letter to Littlefeather, CNN reported. "The emotional burden you have lived through and the cost to your own career in our industry are irreparable. For too long the courage you showed has been unacknowledged. For this, we offer both our deepest apologies and our sincere admiration."

On September 17, the Academy hosted an event honoring Littlefeather at the David Geffen Theater for more than 800 people, nearly half of which are Native American. Littlefeather asked them to stand before she formally accepted the apology.

“I am here accepting this apology, not only for me alone but as acknowledgment, knowing that it was not only for me, but for all of our nations that also need to hear and deserve this apology tonight,” she addressed the crowd. “Look at our people. Look at each other and be proud that we stand as survivors, all of us. Please, when I’m gone, always be reminded that whenever you stand for your truth, you will be keeping my voice, and the voices of our nations, and our people, alive.”

Littlefeather was also part of the Native American occupation of Alcatraz Island in 1969 and began acting with San Francisco’s American Conservatory Theater in the early ’70s. Her career in show business was derailed after the Oscars controversy and she claims she was “red-listed” from the business.

But that didn’t stop her from being a vocal activist for Native American rights throughout the rest of her life. She also worked with Greenpeace and served on the board of directors for the American Indian AIDS Institute of San Francisco.

Littlefeather’s niece confirmed that she died peacefully from breast cancer with her loved ones at her home in Marin County, California, on Sunday, October 2. The Academy’s apology in the final months of her life brought a sense of closure.

“It feels like the sacred circle is completing itself before I go in this life,” Littlefeather told the Academy. “It feels like a big cleanse, if you will, of mind, body, and spirit, and of heart. It feels that the truth will be known. And it feels like the creator is being good to me.”