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Therapist shares 11 gaslighting tactics Rapunzel's mom used in Disney's 'Tangled'

Mother Gothel is the mother of all gaslighters.

Image credit: Cinema Therapy/YouTube

Mother Gothel's gaslighting of Rapunzel badly messed with her head.

If you've never been a victim of serious gaslighting, count yourself fortunate. Few experiences are as confusing and disturbing as a narcissist making you doubt your reality, question your judgment, and believe you can't trust your own mind. Gaslighting messes with you psychologically, making you feel more and more dependent on the gaslighter, but all the while what they're doing is giving you their own version of reality.

For a perfect example of what gaslighting looks like, look no further than Mother Gothel, Rapunzel's mom (but not really) in "Tangled." In a popular episode of Cinema Therapy, licensed therapist Jonathan Decker and filmmaker Alan Seawright give examples of how Gothel gaslights Rapunzel throughout the film. Going through a list of 11 red flags of gaslighting from psychologist Dr. Stephanie Sarkis from psychologist Dr. Stephanie Sarkis, they explain how Mother Gothel hits the mark on each one.

Gothel may be an extreme case, but seeing examples from a well-known character helps us to see how these tactics might play out in a relationship in real life. "Her whole strategy is to get Rapunzel to question her own sanity, her own reason, her own judgment," says Decker, and that's exactly what gaslighting does to victims.

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Here are 11 tactics gaslighters use and how Mother Gothel exemplifies them.

1. Telling blatant lies.

From the get go, we see Mother Gothel telling Rapunzel things that are just objectively not true. For example, she greatly exaggerates the dangers of the outside world in the song "Mother Knows Best."

"Mother Gothel is constantly lying to Rapunzel, telling her she's worthless, telling her she can't do things, belittling her, making her feel like less than, like she won't be able to survive outside," says Seawright.

2. Denying that they lie, even if you have proof.

Gothel tells Rapunzel that she'll be able to leave the tower once she's old enough, smart enough, mature enough, but every time Rapunzel tries to bring it up, she puts her off. Ultimately, though, Gothel pronounces, "You are not leaving this tower, ever!" And Rapunzel isn't allowed to argue.

3. They use what is near and dear to you as ammunition.

"They will tell you'd be a worthy person if only you didn't have a long list of negative traits," writes Sarkis." They attack the very foundation of your being." Decker demonstrates how in "Mother Knows Best" Mother Gothel decimates Rapunzel's looks, intelligence, character—basically everything about her. Look how she describes Rapunzel in the song: "Sloppy, underdressed, immature, clumsy…gullible, naive, positively grubby, ditzy and a bit vague…plus, I believe, gettin' kind of chubby."

4. They wear you down over time.

Rapunzel has spent her entire life in a tower with no one to talk to but Mother Gothel, being fed nothing but Gothel's version of reality. "So no wonder when she actually leaves the tower she goes a little bonkers and questions her own sanity, her own reason, her own judgment," says Decker.

5. Their actions don't match their words.

Mother Gothel regularly tells Rapunzel that she loves her the most. "But what she actually means is 'I love controlling you the most,'" says Seawright. "She won't let her be reunited with her real family, and she keeps her from experiencing real love."

6. They use positive reinforcement to confuse you.

Few people would stay with a person who mistreated them all the time, so gaslighters mix it up with praise and love bombs. "The very person who is attacking you, just ripping into your identity, is now the person who's praising you, building you up. And it's confusing as heck." Mother Gothel will butter up and praise Rapunzel when it serves her, and then turn around and berate her.

7. They know that confusion weakens people.

"Our natural tendency is to try to find a person that makes us feel the most stable," says Seawright. "And in this case when it's the gaslighter, you're pretty much out of luck." He uses the example of when Rapunzel wants to go see the lanterns, not knowing what they are, and Mother Gothel says she's just talking about the stars. That and the "Mother Knows Best" song are meant to confuse and make her feel like she can't trust her own judgment so that she remains completely reliant upon Gothel.

8. They project.

Seawright points out that when she's denigrating Rapunzel in "Mother Knows Best," it's actually concerns about herself that she's just projecting onto Rapunzel. Gaslighters will often accuse you of things they are doing, which makes you feel like you need to defend yourself even if you didn't do anything wrong.

9. They try to turn people against you.

Mother Gothel didn't have direct access to Flynn Rider, so she couldn't really try to turn him against Rapunzel. Instead, she sweet-talked and convinced the Stabbington Brothers to help her with her diabolical plan to get Rapunzel back into her grip. She may not have gotten to Flynn, but she made Rapunzel believe that he had turned against her, which is good enough.

10. They paint you or others as crazy.

Sarkis calls this a gaslighter's "master technique." If they can get you to question your own sanity, it's less likely that others will believe you. Mother Gothel is constantly telling Rapunzel that she can't trust her own mind. ("Rapunzel, that's demented," she says dismissively when Rapunzel thinks Flynn likes her, which he does.)

11. They say everyone else is lying.

A gaslighter will tell you that people are talking about you or show you a text taken out of context to make it appear that other people can't be trusted and make you believe that no one is on your side but them. "They tell you, 'everyone else is a liar,'" says Seawright. "It makes people turn to the gaslighter for the correct information, which of course, isn’t correct information at all."

Thankfully, Rapunzel starts to figure out what Mother Gothel is doing when she makes it seem like Flynn has betrayed her.

Unfortunately, recovering from an entire childhood of narcissist gaslighting takes more time than the end of a Disney film to recover from, but such is the limitation of a children's film. Decker concludes the episode by sharing tips for dealing with gaslighting in real life, though—definitely worth checking out.

Find more analysis of movies, characters, and mental health on the Cinema Therapy channel on YouTube.

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5 ways John Hughes movies shaped every Gen X-er’s life

And it's in more ways than you think.

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Archivo:The breakfastclub.jpg - Wikipedia, la enciclopedia libre


There are filmmakers, and then there are TRENDSETTERS. John Hughes was both. He tapped into the cynical, yet secretly hopeful hearts of young Gen X-ers: the latchkey kids, the forgotten ones—the generation that started to notice the stitching was breaking apart, but we had skateboards to ride and malls to linger in. So, like, really? Who had time to make protest signs?

You could almost say that, if a spiritual movement could be applied to a generation, we were the Buddhists, letting the mistakes of our elders float right by, like literal trash in an ocean, without judgment. But most of all, we just wanted to have a good time in the midst of our angst.

John Hughes understood that better than almost any writer/director around. And one of the reasons he brought so much optimism to tweens and teens of the 80s is that he was a hopeless romantic himself. He lived in an affluent neighborhood, married his high school sweetheart, had two kids, and stayed with her until he passed in 2009. It seems he wanted to instill that optimism into every adorable, jaded kid he could find.

Curated Our Soundtracks

One of the most important elements in any John Hughes film was the music. You kind of can’t think of the movie Pretty in Pink without its counterpart song by The Psychedelic Furs. Or how can one hear OMD's If You Leave without it conjuring up images of Duckie and Blane competing at the prom?

John Hughes Pink GIF by IBTrav ArtworksGiphy

Hughes found the music and brought it to us. Songs like "(Don't You) Forget About Me" by Simple Minds, which was written for his film The Breakfast Club (though it was first offered to Bryan Ferry, Billy Idol, and Corey Hart before Jim Kerr decided to do it).

But those are just the top 40 hits that got tons of radio play. Kate Bush's This Woman's Work (She's Having a Baby), The Thompson Twins' If You Were Here (Sixteen Candles), Flesh for Lulu's I Go Crazy (Some Kind of Wonderful). He didn’t wait for us to decide if we were gonna like Echo and the Bunnymen, The Smiths, or New Order—he gave us reasons to like them.

Tore Down the Walls

The entire premise of The Breakfast Club is that a bunch of Gen-X kids from different walks of life and popularity statuses could be thrown together for a day and learn that they're really not all that different. These invisible walls that divide us are made-up constructs, and at the end of the day, yep... a jock, a rebel, a princess, a brain, a criminal, and a basket case could respect and even, (gasp) like one another.

This was far from the only time Hughes explored this theme. In Pretty in Pink, star-crossed lovers played by Molly Ringwald and Andrew McCarthy fall hard, despite living on (literal) opposite sides of the tracks. Even in cameos, Ferris Bueller's sister (played by Jennifer Grey) falls hard for rebel Charlie Sheen.

And it's not just the teens. In Planes, Trains and Automobiles, Hughes stuck snobby Steve Martin and lovable, goofy John Candy together, and in the end, they found a friendship never thought possible.

The Breakfast Club Allison GIF by IFCGiphy

Made Crushes Attainable

Move over, Taylor Swift. John Hughes was there first, writing about dreamy crushes who seemed just out of reach but really weren’t. The teenage crush anxiety was never better exemplified than it was in Sixteen Candles, Pretty in Pink, or even Some Kind of Wonderful. It usually involved a love triangle centered around our relatable "everyday" person (like the aforementioned Molly Ringwald or Eric Stoltz), an adorable alternative kid or nerd (like, say, Jon Cryer's Duckie or Anthony Michael Hall as Farmer Ted), and the object of desire, whomever that might have been.

Whether Blane, Jake Ryan, or Amanda Jones, what these characters had in common was their kindness. It would have been easy to vilify them, but John found that their humanity was just as important as any other character's. They were "so real," it maybe why a lot of Gen-Xers might find sitting at a table over birthday candles and/or kissing in the rain the only TRUE expression of romance.

molly ringwald 80s GIFGiphy

Cool to be Weird

Most of John Hughes's characters were the epitome of self-actualization. Ferris Bueller, as played by Matthew Broderick, had the soul of an 80-year-old trapped in the body of the coolest high school kid ever. (Many believe Hughes saw himself as more of a Cameron than a Ferris.) None of Ringwald's characters shied away from being unique, wearing funky hats, and standing up for what she believed in. And Duckie. If Duckie could slide into a record store singing "Try a Little Tenderness," there's nothing we high school freshmen couldn’t do either. It was cool to be weird. It was okay to be popular. And it was inspiring to redefine what being popular even meant.

Animated GIFGiphy

All Hail John Candy

And lastly—and maybe most importantly—John Hughes reminded us that John Candy was a national treasure and we should celebrate him daily!

planes trains and automobiles GIF by Hollywood SuiteGiphy

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Brit shares the one-word 'dead giveaway' that American actors are doing an English accent

There's one word they never get right.

via Warner Bros Discovery

Peter Dinklage on "Game of Thrones?

When it comes to actors doing accents across the pond, some Americans are known for their great British accents, such as Natalie Portman ("The Other Boleyn Girl"), Robert Downey, Jr. ("Sherlock Homes"), and Meryl Streep ("The Iron Lady").

Some have taken a lot of heat for their cartoonish or just plain weird-sounding British accents, Dick Van Dyke ("Mary Poppins"), Kevin Costner ("Robin Hood: Prince of Thieves") and Keanu Reeves ("Bram Stoker's Dracula").

Some actors, such as Tom Hardy (“The Drop”) and Hugh Laurie (“House”), have American accents so good that people have no idea they are British.

Benedict Townsend, a London-based comedian and host of the “Scroll Deep” podcast, says there is one word that American actors playing characters with a British accent never get right. And no, it’s not the word “Schedule,” which British people pronounce the entire first 3 letters, and Americans boil down to 2. And it’s not “aluminum,” which British and American people seem to pronounce every stinking letter differently.

@benedicttown

The one word American actors aways get wrong when doing an English accent

What word do American actors always get wrong when they do British accents?

“There is one word that is a dead giveaway that an English character in a movie or a TV show is being played by an American. One word that always trips them up. And once you notice it, you can't stop noticing it,” Townsend says. “You would see this lot in ‘Game of Thrones’ and the word that would always trip them up was ‘daughter.’”

Townsend adds that when British people say “daughter,” they pronounce it like the word “door” or “door-tah.” Meanwhile, Americans, even when they are putting on a British accent, say it like “dah-ter.”

“So top tip if you are an actor trying to do an English accent, daughter like a door. Like you're opening a door,” Townsend says.



What word do British actors always get wrong when doing American accents?

Some American commenters returned the favor by sharing the word that British actors never get right when using American accents: “Anything.”

"I can always tell a Brit playing an American by the word anything. An American would say en-ee-thing. Brits say it ena-thing,” Dreaming_of_Gaea wrote. "The dead giveaway for English people playing Americans: ‘Anything.’ Brits always say ‘EH-nuh-thin,’” marliemagill added.

"I can always tell an actor is English playing an American when they say ‘anything.’ English people always say it like ‘enny-thin,’” mkmason wrote.



What is the cot-caught merger?

One commenter noted that the problem goes back to the cot-caught merger, when Americans in the western US and Canadians began to merge different sounds into one. People on the East Coast and in Britain pronounce them as different sounds.

“Depending on where you live, you might be thinking one of two things right now: Of course, ‘cot’ and ‘caught’ sound exactly the same! or There’s no way that ‘cot’ and ‘caught’ sound the same!” Laura McGrath writes at DoYouReadMe. “As a result, although the different spellings remain, the vowel sounds in the words cot/caught, nod/gnawed, stock/stalk are identical for some English speakers and not for others.”

American actors owe Townsend a debt of gratitude for pointing out the one thing that even the best can’t seem to get right. He should also give the commenters a tip of the cap for sharing the big word that British people have trouble with when doing an American accent. Now, if we could just get through to Ewan McGregor and tell him that even though he is fantastic in so many films, his American accent still needs a lot of work.

This article originally appeared last year.

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Guy with a metal detector astonished to find a ring that belonged to the Sheriff of Nottingham

It was authenticated by experts from the British Museum.

via Unsplash

English metal detector hobbyist finds a real treasure near Nottingham.

A retired merchant navy engineer in England has found a treasure that would have made his country’s most popular folk hero proud. Graham Harrison, a 64-year-old metal detector enthusiast, discovered a gold signet ring that once belonged to the Sheriff of Nottingham.

The discovery was made on a farm in Rushcliffe, Nottinghamshire, 26.9 miles from Sherwood Forest. The forest is known worldwide for being the mythological home of Robin Hood and his band of Merry Men. A central road that traversed the forest was notorious in Medieval times for being an easy place for bandits to rob travelers going to and from London.

Today, the forest is a designated National Nature Reserve. It contains ancient oaks that date back thousands of years, making it an important conservation area.

“It was the first big dig after lockdown on a glorious day. We were searching two fields. Other detectorists kept finding hammered coins but I'd found nothing,” Harrison said according to the Daily Mail. “Then I suddenly got a signal. I dug up a clod of earth but couldn't see anything. I kept breaking up the clod and, on the last break, a gold ring was shining at me. I broke out into a gold dance.”

Harrison sent the ring to the British Museum's Portable Antiquities Scheme to have it authenticated.

After doing some research they found that it was once owned by Sir Matthew Jenison, who was the Sheriff of Nottingham between 1683 and 1684.

The first accounts of Robin Hood, then known as Robyn Hode, first appear in the 12th century, a few hundred years before Sir Matthew served as sheriff.

But there’s no doubt that the archer and leader of Merry Men would have been delighted to know that an everyday guy came into possession of the Sheriff of Nottingham’s ring.

Sir Matthew was knighted in 1683 and acted as a commissioner to examine decaying trees in Sherwood Forest. He was later elected to Parliament in 1701. However, a series of lawsuits over shady land dealings would eventually be his ruin and he’d die in prison in 1734.

The gold signet ring bears the coat of arms of the Jenison family, who were known for getting rich off a treasure trove of valuables left for safekeeping during the English Civil War. 

The valuables were never claimed, so the Jenisons took them for themselves.

Harrison decided that he would sell the ring to someone who appreciates its importance.

“There can't be many people who've found anything like that. I'm only selling it because it's been stuck in a drawer,” Harrison said. “I hope it will go to someone who will appreciate its historical value.” It was sold at auction by Hansons Auctions for £8,500 ($11,115).


Let’s hope that the man who sold the ring does what Robin Hood would have done with a piece of jewelry that adorned the hand of a nobleman whose family came into money by taking other people’s loot. Surely, he’d take the proceeds from the auction and give them to the poor.


This article originally appeared last year.

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