Molly Ringwald watched 'The Breakfast Club' with her daughter. Her thoughts were epic.
Molly Ringwald was basically the face of my adolescent years.
I was 10 years old when “The Breakfast Club” came out, and by the time I graduated from high school, I’d probably seen the film a dozen times.
“Pretty in Pink” was one of my go-to sleepover flicks with my girlfriends, to the point that we wore out our VHS copy of it (here's an explainer about VHS, for you young'uns).

John Hughes' films served as both a mirror and a map of the turbulent teen years for my generation. Many of us saw ourselves in his quirky, awkward characters and appreciated teen life being portrayed at least somewhat realistically.
But 30-something years later, as a full-on adult, the mother of two adolescent girls, and a human being in the age of #MeToo, I'm starting to view those movies through a different lens.
As it turns out, so is Molly Ringwald. She shared her thoughts on her roles in iconic '80s films in an essay published in the New Yorker, and it was epic.
After Ringwald watched “The Breakfast Club” with her tween daughter, she couldn’t get the sexual harassment scenes out of her head.
In the film, Ringwald plays the role of Claire, the popular girl. In her essay, she opens up about how a scene where Judd Nelson’s character, Bender, hides under Claire’s desk and looks under her skirt — and then presumably touches her inappropriately.

She also shared how some scenes from her other Hughes movies now strike her as "troubling":
“There is still so much that I love in them, but lately I have felt the need to examine the role that these movies have played in our cultural life: where they came from, and what they might mean now. When my daughter proposed watching “The Breakfast Club” together, I had hesitated, not knowing how she would react: if she would understand the film or if she would even like it. I worried that she would find aspects of it troubling, but I hadn’t anticipated that it would ultimately be most troubling to me.”
As an example from “Sixteen Candles,” Ringwald points out how “the dreamboat, Jake, essentially trades his drunk girlfriend, Caroline, to the Geek, to satisfy the latter’s sexual urges, in return for Samantha’s underwear.”
Yeah. Eek.

In the age of #MeToo, many of Hughes’ storylines come across as normalizing unhealthy sexual dynamics at best and condoning flat-out misogyny at worst.
Perhaps Hughes was simply a product of his time. But that doesn’t make his films immune to scrutiny.
As Ringwald points out, one of the major issues with Bender and Claire’s storyline in “The Breakfast Club” is that Bender basically verbally abuses Claire throughout the film, calling her names, yelling at her, intimidating her — in addition to sexually harassing her.

And yet, in the end, he still gets the girl.
What message does that convey to young audiences? That depends on who you ask, but reading through Ringwald’s essay, Hughes appears to have had quite a history of misogynistic expression — far deeper and darker than the teen movie scenes we’re talking about and far more than what we might expect for a "product of his time."
“It’s hard for me to understand how John was able to write with so much sensitivity,” Ringwald wrote, “and also have such a glaring blind spot.”

I think she was being kind. Seriously, if you’re feeling protective of your favorite teen film or defensive on Hughes’ behalf, read her essay in full. It's an eye-opener.
Ringwald’s mixed feelings about her films reflect the tension we all feel when we realize things we love are also problematic.
“I’m not thinking about the man right now but of the films that he left behind," Ringwald wrote. "Films that I am proud of in so many ways. Films that, like his earlier writing, though to a much lesser extent, could also be considered racist, misogynistic, and, at times, homophobic.”

In the simplistic narratives that define our age, that last sentence alone might be enough for many to abandon Hughes’ films altogether.
But, as Ringwald points out, it’s not that simple. She has heard from countless fans over the years that Hughes’ films helped them feel less alone as teens. She shared a story of a black, gay man who told her that “The Breakfast Club” saved his life. He said the film showed him “that there were other people like me who were struggling with their identities."
As much as we might want to make it so, this is not an easily defined issue.
Ultimately, Molly Ringwald reminds us that our views on art and culture should be ever-evolving.
It’s easy to brush off "troubling" elements of music, film, art, and other creative works as products of their time. But we need to remain aware of how ongoing enjoyment of such works affects our culture as well as our subconscious.

Toxic ideas about women, race, sexuality, and other identity elements are always toxic, even if we don’t recognize them as such at the time. And when we do recognize those things in hindsight, it's important to give them the analysis they are due.
The good news is that we are recognizing and analyzing those things as a smarter and more sensitive society. That's progress.
We can still enjoy a film like “The Breakfast Club" — we just need to be honest about its flaws. And I, for one, am really glad Molly Ringwald was the one to go there.



A Generation Jones teenager poses in her room.Image via Wikmedia Commons
An office kitchen.via
An angry man eating spaghetti.via 



An Irish woman went to the doctor for a routine eye exam. She left with bright neon green eyes.
It's not easy seeing green.
Did she get superpowers?
Going to the eye doctor can be a hassle and a pain. It's not just the routine issues and inconveniences that come along when making a doctor appointment, but sometimes the various devices being used to check your eyes' health feel invasive and uncomfortable. But at least at the end of the appointment, most of us don't look like we're turning into The Incredible Hulk. That wasn't the case for one Irish woman.
Photographer Margerita B. Wargola was just going in for a routine eye exam at the hospital but ended up leaving with her eyes a shocking, bright neon green.
At the doctor's office, the nurse practitioner was prepping Wargola for a test with a machine that Wargola had experienced before. Before the test started, Wargola presumed the nurse had dropped some saline into her eyes, as they were feeling dry. After she blinked, everything went yellow.
Wargola and the nurse initially panicked. Neither knew what was going on as Wargola suddenly had yellow vision and radioactive-looking green eyes. After the initial shock, both realized the issue: the nurse forgot to ask Wargola to remove her contact lenses before putting contrast drops in her eyes for the exam. Wargola and the nurse quickly removed the lenses from her eyes and washed them thoroughly with saline. Fortunately, Wargola's eyes were unharmed. Unfortunately, her contacts were permanently stained and she didn't bring a spare pair.
- YouTube youtube.com
Since she has poor vision, Wargola was forced to drive herself home after the eye exam wearing the neon-green contact lenses that make her look like a member of the Green Lantern Corps. She couldn't help but laugh at her predicament and recorded a video explaining it all on social media. Since then, her video has sparked a couple Reddit threads and collected a bunch of comments on Instagram:
“But the REAL question is: do you now have X-Ray vision?”
“You can just say you're a superhero.”
“I would make a few stops on the way home just to freak some people out!”
“I would have lived it up! Grab a coffee, do grocery shopping, walk around a shopping center.”
“This one would pair well with that girl who ate something with turmeric with her invisalign on and walked around Paris smiling at people with seemingly BRIGHT YELLOW TEETH.”
“I would save those for fancy special occasions! WOW!”
“Every time I'd stop I'd turn slowly and stare at the person in the car next to me.”
“Keep them. Tell people what to do. They’ll do your bidding.”
In a follow-up Instagram video, Wargola showed her followers that she was safe at home with normal eyes, showing that the damaged contact lenses were so stained that they turned the saline solution in her contacts case into a bright Gatorade yellow. She wasn't mad at the nurse and, in fact, plans on keeping the lenses to wear on St. Patrick's Day or some other special occasion.
While no harm was done and a good laugh was had, it's still best for doctors, nurses, and patients alike to double-check and ask or tell if contact lenses are being worn before each eye test. If not, there might be more than ultra-green eyes to worry about.