'Lady Bird' director commits to never working with Woody Allen again in a firm statement.
After sidestepping questions about past work with Allen, the 'Lady Bird' director makes her position clear.
Greta Gerwig and her film "Lady Bird" had a big night the Golden Globe Awards.
The film landed the award for Best Motion Picture (Musical or Comedy), and star Saoirse Ronan nabbed that category's Best Actress designation. Though Gerwig, who wrote and directed the film, was snubbed when it came to Best Director honors — somehow, she wasn't even nominated — it was a great night for her work.

Like many in Hollywood, Gerwig wore black to the awards in solidarity with others pushing back on sexual harassment and assault in the entertainment industry — which made one of the post-awards questions she received a bit awkward.
Backstage at the awards, BuzzFeed reporter Susan Cheng asked Gerwig a question about her past decision to work with Woody Allen, who has been accused of molesting his adoptive daughter Dylan Farrow when she was just 7 years old. Gerwig and Allen both worked on 2012's "To Rome With Love." Her answer to Cheng's question left a lot to be desired.
"It’s something that I have thought deeply about, and I care deeply about ... and I haven’t had the opportunity to have an in-depth discussion where I come down on one side or the other, but it’s something that I’ve definitely taken to heart," she told Cheng.
It echoed a similar response she delivered in a November interview with NPR's Terry Gross, in which she deflected a bit from the question at hand.
Before the show, Farrow wondered why Time's Up and the #MeToo movement had spared her father.
"I thought it would make a difference," she wrote, referring to a 2014 post detailing the abuse Allen had inflicted on her. "I thought things would change. I learned quickly (and painfully) that my optimism was misplaced. His time wasn’t up."
"The people who join this movement without taking any kind of personal accountability for the ways in which their own words and decisions have helped to perpetuate the culture they are fighting against, that’s hard for me to reconcile," she told BuzzFeed, a nod to many of the actors who've continued to work alongside her father.

On Jan. 9, Gerwig finally addressed the issue head-on in an interview with The New York Times, acknowledging the cognitive dissonance involved in some of her past statements.
Asked whether people who've been outed as sexual predators — such as Allen, Kevin Spacey, and Roman Polanski — should ever work again, Gerwig seized the opportunity to issue a firm, unambiguous statement on her personal employment history with Allen.
"I would like to speak specifically to the Woody Allen question, which I have been asked about a couple of times recently, as I worked for him on a film that came out in 2012. It is something that I take very seriously and have been thinking deeply about, and it has taken me time to gather my thoughts and say what I mean to say. I can only speak for myself and what I’ve come to is this: If I had known then what I know now, I would not have acted in the film. I have not worked for him again, and I will not work for him again. Dylan Farrow’s two different pieces made me realize that I increased another woman’s pain, and I was heartbroken by that realization. I grew up on his movies, and they have informed me as an artist, and I cannot change that fact now, but I can make different decisions moving forward."
Gerwig speaks on stage after winning Best Picture, Comedy or Musical, at the Golden Globe Awards. Photo by Paul Drinkwater/NBCUniversal via Getty Images.
Compared to what usually passes for a statement of clarification or apology in the entertainment industry, this was really, really good. A lot has changed in the world since 2012, and even since November 2017, and it's fair to say that Gerwig has grown a lot in the years after "To Rome With Love" came out. She can't change her decision to work with Allen in the past, but she can commit to using what she now knows to inform what she does in the future.






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Resurfaced video of French skier's groin incident has people giving the announcer a gold medal
"The boys took a beating on that one."
Downhill skiing is a sport rife with injuries, but not usually this kind.
A good commentator can make all the difference when watching sports, even when an event goes smoothly. But it's when something goes wrong that great announcers rise to the top. There's no better example of a great announcer in a surprise moment than when French skier Yannick Bertrand took a gate to the groin in a 2007 super-G race.
Competitive skiers fly down runs at incredible speeds, often exceeding 60 mph. Hitting something hard at that speed would definitely hurt, but hitting something hard with a particularly sensitive part of your body would be excruciating. So when Bertrand slammed right into a gate family-jewels-first, his high-pitched scream was unsurprising. What was surprising was the perfect commentary that immediately followed.
This is a clip you really just have to see and hear to fully appreciate:
- YouTube youtu.be
It's unclear who the announcer is, even after multiple Google inquiries, which is unfortunate because that gentleman deserves a medal. The commentary gets better with each repeated viewing, with highlights like:
"The gate the groin for Yannick Bertrand, and you could hear it. And if you're a man, you could feel it."
"Oh, the Frenchman. Oh-ho, monsieurrrrrr."
"The boys took a beating on that one."
"That guy needs a hug."
"Those are the moments that change your life if you're a man, I tell you what."
"When you crash through a gate, when you do it at high rate of speed, it's gonna hurt and it's going to leave a mark in most cases. And in this particular case, not the area where you want to leave a mark."
Imagine watching a man take a hit to the privates at 60 mph and having to make impromptu commentary straddling the line between professionalism and acknowledging the universal reality of what just happened. There are certain things you can't say on network television that you might feel compelled to say. There's a visceral element to this scenario that could easily be taken too far in the commentary, and the inherent humor element could be seen as insensitive and offensive if not handled just right.
The announcer nailed it. 10/10. No notes.
The clip frequently resurfaces during the Winter Olympic Games, though the incident didn't happen during an Olympic event. Yannick Bertrand was competing at the FIS World Cup super-G race in Kvitfjell, Norway in 2007, when the unfortunate accident occurred. Bertrand had competed at the Turin Olympics the year before, however, coming in 24th in the downhill and super-G events.
As painful as the gate to the groin clearly as, Bertrand did not appear to suffer any damage that kept him from the sport. In fact, he continued competing in international downhill and super-G races until 2014.
According to a 2018 study, Alpine skiing is a notoriously dangerous sport with a reported injury rate of 36.7 per 100 World Cup athletes per season. Of course, it's the knees and not the coin purse that are the most common casualty of ski racing, which we saw clearly in U.S. skier Lindsey Vonn's harrowing experiences at the 2026 Olympics. Vonn was competing with a torn ACL and ended up being helicoptered off of the mountain after an ugly crash that did additional damage to her legs, requiring multiple surgeries (though what caused the crash was reportedly unrelated to her ACL tear). Still, she says she has no regrets.
As Bertrand's return to the slopes shows, the risk of injury doesn't stop those who live for the thrill of victory, even when the agony of defeat hits them right in the rocks.