Young female artist has sold $7 million worth of paintings before she was even 14-years-old
You can see her talent in her very first painting.
Autumn de Forest stands before a sign with her name on it
When Autumn de Forest was 5, she picked up a paintbrush for the first time. It wasn't long before she was ready to show the world what she could do.
After a year of practice, the then-6-year-old asked her father if he could get her a booth at a local art-in-the-park program. "People would come up to the booth, and they would talk to my father, and they'd say, 'This is great!'" she said. "Apparently they thought it was Take Your Daughter to Work Day."
Almost everyone thought the artwork was her father's. And when they found out that tiny Autumn was the artist, people couldn't believe their eyes.
Autumn created this piece when she was just 5 years old.
Autumn de Forest
Soon, Autumn rose to national fame.
When Autumn was 8, she was featured on the Discovery Health Channel. There was a slew of media attention in the years that followed. There was Disney. There was The Today Show. There was Wendy Williams. She was called a child genius, a prodigy, and an expert painter.
Soon, Autumn rose to national fame.Autumn Deforest
Suddenly, Autumn de Forest was everywhere.
But not everyone was so accepting of the young artist and her work. Some people in the art world had ... questions. Sure, she was good for a kid. But was her art actually good? Others wondered if the whole thing might be an elaborate hoax.
Autumn decided not to listen.
By 14 she developed a startlingly organized daily routine that went far beyond a 9 to 5.
Somehow, as the focus on her age begins to wear off, Autumn's work ethic and art only grow stronger. She said that most days, she'd wake up in her parents' Las Vegas home at 7:30 a.m. After breakfast, she'd break out her supplies for a one- or two-hour painting session. From there, she dove into her school work. Most brick-and-mortar schools can't accommodate her travel schedule, so she did the majority of her schooling online.
Before dinner, it's back into the studio.
"That session can last much longer, that can be three or four hours when I really get into it," she said. "Then I probably have dinner and go to bed."
Autumn de Forest paints
Autumn de Forest
The results? They speak for themselves.
An Autumn de Forest painting
Autumn de Forest
Her work has been displayed in galleries and exhibitions all over the world.
Autumn held a public demonstration before a showing at The Butler Institute of American Art.
An Autumn de Forest painting
Autumn de Forest
In 2015, Autumn received the International Giuseppe Sciacca Award in Painting and Art.
The award took her to the Vatican for a private showing of her artwork with the pope.
She's also worked with the President's Committee on the Arts and the Humanities, headed up by former First Lady Michelle Obama.
Autumn de Forest stands with the Pope who looks at one of her paintings
Autumn de Forest
As part of the program, de Forest traveled to underprivileged schools around the country and led painting workshops. Oh, and if you're looking for some hard numbers to attach to Autumn's talent, she's got those, too.
Her paintings raked in over $7 million at auctions by the time she was a teenager — fetching as much as $25,000 each — much of which has gone directly to charities and disaster relief funds.
At 23-years-old now, what's Autumn de Forest up to lately?
Autumn de Forest works with other young painters
Autumn de Forest
A lot!
The transition from child prodigy to respected artist has kept her busy.
In 2017, the Monthaven Arts and Cultural Center in Hendersonville, Tennessee hosted a major solo exhibition for de Forest titled "Her White Room: The Art of Autumn de Forest."
That same year, de Forest was listed as one of Teen Vogue's "21 Under 21." In her profile she was praised for her talent as well as her commitment to art education.
"In disadvantaged schools, they consider the arts an extracurricular activity," she told Teen Vogue. "It's devastating, as there could be child prodigies in these schools, but they don't know that they have this God-given gift because they're not given the opportunity because there's nearly no art programs in schools."
In 2018, de Forest was featured in the music video for the song "Youth" by best-selling recording artists Shawn Mendes and Khalid. The video highlights exceptional young people working to change the world, including de Forest, Emma González, and Elias and Zion Phoenix.
The video has over 17 million plays on YouTube.
And of course, Autumn continues to share her absolutely incredible artwork on Instagram and in shows and exhibitions around the globe.
The Autumn de Forest Foundation, helps her keep track of the kids she's met throughout the years and to continue to help them with their art careers.
A portion of the foundation's money goes to a 529 account set up for the students while 10% goes to them directly.
"A lot of these kids that I work with, they're not very old, they're in second grade, third grade, fourth grade. Maybe in 10 years, they may only have four or five thousand dollars but that could be the difference between them going to college or not," Autumn told Teen Vogue.
Autumn's incredible rise in the art world is an astonishing feat for someone who's still in her teens. But that accomplishment is easily matched by her generosity and commitment to helping develop tomorrow's prodigies as well.
For more information, visit the Autumn de Forest Foundation.
This article originally appeared nine years ago.
It's hard to date when you're fat, but not for the reasons you might think.
"You know what I like about you? You’ve got fat pride. I felt that way, too, until I realized I wanted anyone to fuck me ever."
We’d been talking online for weeks — he was funny, erudite, nerdy, kind. He’d told me he’d lost weight in the past. I’d done my due diligence of telling him how fat I was, working hard to avoid repeats of past hurt and disappointment. I’d weeded through dozens of profiles about wanting to meet "healthy," "active" women and several that pointedly instructed that fat women weren’t welcome. Many men had sent graphic, sexual messages, and when I politely declined or didn’t respond, they issued lengthy screeds. "U SHOULD BE GRATEFUL." "I wouldn’t even rape you."
In amongst all of that, I’d found someone who seemed like a gem. And then, on our first real date, this. It was frustrating, isolating, and made me feel so big and so small, all at the same time.
I gently pushed back. "You know you’re saying that about me, too, right?"
"What?"
"When you talk about no one wanting to fuck fat people, you’re talking about me, too."
He shook his head. "Don’t take it personally. It’s not personal."
I got quiet then asked for the check. He said he’d walk me out. When we got outside, he tried to kiss me then asked if I wanted to go back to his place.
Years later, I was falling for a new partner.
We’d been dating for several months, and she was extraordinary: full of life, wildly intelligent, absurdly beautiful. I’d tell her often — maybe too often — how stunning I thought she was. With equal frequency, she’d talk about my body. "You’re so brave to dress the way you do." "I want you to feel empowered."
At first, her responses sounded like reciprocity, but they always seemed to sting. I felt deflated every time she said it. Like that first date, she couldn’t see past my body. She valued me, but she didn’t desire me. When she spoke, she never spoke about my body — only about my relationship to it. She was amazed that I wasn’t sucked into the undertow of self-loathing and isolation that she expected from fat women. Those comments were a reminder of how frequently she thought of my body, not as an object of desire, but as an obstacle to overcome. She was impressed that I could. She could not.
When you and I talk about dating, dear friend, we have a lot of overlapping experiences because dating can be difficult and awkward for anyone.
It’s a strange auditioning process: all artifice to find someone who can respect your uncrossable lines, and failed auditions usually mean those lines get crossed. It’s easy to feel judged, stalled, alone in the process. It can get exhausting, exciting, frustrating, exhilarating.
But dating as a fat person means contending with so many added layers of challenge.
You told me once you imagined it was impossible to date as a fat person. It’s not; it’s just a lot of work. Lots of people are willing to sleep with fat people. Many are willing to date a fat person.
Few are willing to truly embrace a fat person. Almost no one, it seems, really knows what that means.
That first date, dear friend, is such a frequent moment.
My sweet, funny date was abruptly overthrown, overtaken by years of the same anti-fat messages all of us hear. He couldn’t reconcile being fat and being loved. All of that, suddenly, was visited upon me, as it so often is.
I only bring up my feelings about being a fat person after knowing someone for some time. But, with startling regularity, new acquaintances, dates, and strangers offer diet advice, trial gym memberships, and, even once, a recommendation for a surgeon. My life as a fat person is a barrage of weekly, daily, and hourly offers of unsolicited advice. At first, the detailed answers, the constant defense, the explanation of my daily diet and medical history are ineffective — no answer is sufficient. Over time, it becomes burdensome, then exhausting, then frustrating. And it doesn’t seem to cross the minds of most people I meet that I’ve heard what they’ve said before — not just once, but over and over again, in great detail. I have a forced expertise in diets, exercise regimens, miracle pills, and the science of weight loss.
That may not be your experience, dear friend, because people may approach you differently.
You might not know what it’s like to feel your face flush or your heart race when your body so reliably becomes a topic of conversation during dinner parties, work events, first dates. There’s a familiar wave of frustration, hurt, and exhaustion. It’s all the visceral, invisible consequence of unintended harm because few of us — even you, my darling — have unlearned the scripts we’re expected to recite when we see a body like mine.
As a fat woman, I just want what anyone else wants: to be seen, to be loved, to be supported for who I am. To be challenged and adored. To be worth the effort for who I am.
When I meet people whose first response to me is about my fat body, I learn something important about that person. Whether their opening salvo is "Fat bitch" or "I’m concerned about your health" or "Have you tried this diet?" or "I think you’re beautiful," they all send the same message: that I am invisible. Rather than seeing me or getting to know who I am, they can only see my fat body.
It’s true of so many people I meet. They’ve got this deep-seated block: They can’t see fat people as individual people with individual stories because no one expects them to. Nothing in our culture indicates that fat people might have individual experiences, different stories, life experiences as rich and varied as anyone else. Instead, we’re met with diagnosis, prognosis, quarantine: an anthropological impulse to demand to know why we are the way we are and to figure out how to stop us from having the bodies we have. We’re reduced to figures in an equation, a puzzle to solve. But truthfully, we’re so much messier than that. We’re just as contradictory, real, and human as anyone else you know, and loving us is just as complicated.
When we have conversations like this, you often say, "I had no idea."
It’s heartening, dear friend, and it’s also hard to hear. It’s a harsh reminder that even those closest to me are subject to all those same influences and impulses.
There’s so much work in just working up the mettle to date at all. Building your own confidence and battling your own doubt enough to date at all can be difficult, in part because there’s no template. Media representation is seriously lacking for many communities; seeing thriving fat people in media is nearly nonexistent. Being fat means not seeing yourself reflected anywhere as being happy, healthy, or affirmed.
Being fat means taking on the Sisyphean task of creating your own world, one in which you can declare a truce with yourself and learn to feel OK or feel nothing at all about yourself when the entire world seems to be telling you that is not possible.
It means finding whatever you can scavenge to build yourself some makeshift shelter of thatch and driftwood. It’s brittle and dry, and it’s something. You try to build something that can withstand the gale-force winds of seeing an episode of "The Biggest Loser" or hearing a stranger offer unsolicited diet advice that you’re already taking. You build it slowly, painstakingly — testing methods and gathering rare, essential materials over time. It’s precious and fragile, a labor of love and a means of survival.
And finding a partner means opening that hard-fought home to someone else, over and over again, knowing that person might destroy it.
Usually, they do.
You’ve mourned it a hundred times. Your skin has thickened. Sometimes that person burns it to the ground, setting a fire to watch it burn. But more often, they just forget to extinguish their cigarette. Yes, when we look for love, some of us are hurt intentionally, cruelly, because of our bodies and because of overt fatphobia. But usually, we’re hurt without malice, through rote scripts about who we’re allowed to be and an expectation that we’ll devote our lives to meeting those expectations.
Often, when looking for friends and partners, I search for those who will be gentle with the home I’ve built, ramshackle though it is.
What made such an impression on my partner from years ago was that I didn’t stop there: I wanted someone who would help build that home, someone who would protect it, someone who would call it their home, too. Because a lack of harm isn’t love.
I want love. And as a fat person, there’s audacity in that.