'Brokeback Mountain' director wrote a moving tribute to Heath Ledger 15 years after his death
Hard to believe he's been gone that long.

Heath Ledger in 2006.
“Brokeback Mountain,” Ang Lee’s beautiful film about love and repression, was a turning point for LGBTQ cinema in 2005 because it was one of the few mainstream Hollywood films to put a love story between two men front and center.
These days, such a film would hardly raise eyebrows, but 17 years ago it was the subject of scorn from conservative circles for pushing the “gay agenda.” Its stars, Heath Ledger and Jake Gyllenhaal, took considerable risks making the film because it could have jeopardized their status as leading men. But their pitch-perfect performances helped make the edgy material relatable to the general public.
Film critic Roger Ebert perfectly explained why the story resonated with people in his 2005 review. "'Brokeback Mountain' has been described as 'a gay cowboy movie,' which is a cruel simplification,” he wrote.
"It is the story of a time and place where two men are forced to deny the only great passion either one will ever feel,” he added. “Their tragedy is universal. It could be about two women, or lovers from different religious or ethnic groups—any 'forbidden' love."
Fifteen years after Ledger’s death, Lee praised his performance in Empire magazine’s Greatest Actors issue. As a director, Lee was able to explain why his subtle performance as Ennis, a repressed cowboy, worked perfectly in the film in ways that the general public may have missed.
“Heath Ledger was a brilliant young actor. God only knows what he would have achieved later in life. He had so much talent—I’m sure he would have been a great director,” Lee wrote in Empire.
“Brokeback Mountain has the elegiac mood of a Western and an inner-twisted repression—Ennis is a very repressed character, macho but gay, gay but homophobic—and often there is no vocabulary to express his feelings," Lee continued. "So Heath’s aura powers the whole story. He did a lot of preparation, mostly on his own. And he often surprised me with what he brought to his work.”
Any actor can “go big” and chew up the scenery with a flashy performance, but portraying a character with nuance is a lot harder.
“What stays with me is the nuance, the quieter moments,” Lee wrote. “The trick is to know how to turn a performance down and still shape it. There is a scene I remember very clearly, where an old girlfriend [Linda Cardellini] runs into Ennis at a diner. Ennis is alone, eating a slice of apple pie. Linda is acting her heart out, she’s in tears, confronting Ennis: ‘Why did you do this?’ But she doesn’t get a word from him. Throughout the whole scene, Heath does nothing: he just eats the apple pie. But watching the dailies, the crew were all crying too, saying, ‘Just leave the guy alone!’ I both understood, and cherished, Heath’s quietness, the subtlety of the moment, and how he carried himself in that scene. We are all very lucky we were able to make movies with an actor of that calibre. He had a God-given gift.”
It is sad to contemplate the incredible talent taken from the world when Ledger died at the young age of 28. But by creating a character that helped mainstream America understand that heterosexual love isn’t the only type worth fighting for, he helped to create a better world for so many who didn't have a voice.
Ledger had the perfect response to a reporter who said people may be disgusted by the film.
“It's obviously about two men in love and it's obviously gay-themed and it's very easily labeled, but unfortunately, people are quick in life to label something that they're uncomfortable with,” Ledger said at a press conference. “The pure fact of it is that it transcends a label. It's human. It's a story of two human beings, two souls who are in love. Get over the fact it's two men. That's the point…
"And if you can't understand that, just don't go see the movie," Ledger concluded.
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Resurfaced video of French skier's groin incident has people giving the announcer a gold medal
"The boys took a beating on that one."
Downhill skiing is a sport rife with injuries, but not usually this kind.
A good commentator can make all the difference when watching sports, even when an event goes smoothly. But it's when something goes wrong that great announcers rise to the top. There's no better example of a great announcer in a surprise moment than when French skier Yannick Bertrand took a gate to the groin in a 2007 super-G race.
Competitive skiers fly down runs at incredible speeds, often exceeding 60 mph. Hitting something hard at that speed would definitely hurt, but hitting something hard with a particularly sensitive part of your body would be excruciating. So when Bertrand slammed right into a gate family-jewels-first, his high-pitched scream was unsurprising. What was surprising was the perfect commentary that immediately followed.
This is a clip you really just have to see and hear to fully appreciate:
- YouTube youtu.be
It's unclear who the announcer is, even after multiple Google inquiries, which is unfortunate because that gentleman deserves a medal. The commentary gets better with each repeated viewing, with highlights like:
"The gate the groin for Yannick Bertrand, and you could hear it. And if you're a man, you could feel it."
"Oh, the Frenchman. Oh-ho, monsieurrrrrr."
"The boys took a beating on that one."
"That guy needs a hug."
"Those are the moments that change your life if you're a man, I tell you what."
"When you crash through a gate, when you do it at high rate of speed, it's gonna hurt and it's going to leave a mark in most cases. And in this particular case, not the area where you want to leave a mark."
Imagine watching a man take a hit to the privates at 60 mph and having to make impromptu commentary straddling the line between professionalism and acknowledging the universal reality of what just happened. There are certain things you can't say on network television that you might feel compelled to say. There's a visceral element to this scenario that could easily be taken too far in the commentary, and the inherent humor element could be seen as insensitive and offensive if not handled just right.
The announcer nailed it. 10/10. No notes.
The clip frequently resurfaces during the Winter Olympic Games, though the incident didn't happen during an Olympic event. Yannick Bertrand was competing at the FIS World Cup super-G race in Kvitfjell, Norway in 2007, when the unfortunate accident occurred. Bertrand had competed at the Turin Olympics the year before, however, coming in 24th in the downhill and super-G events.
As painful as the gate to the groin clearly as, Bertrand did not appear to suffer any damage that kept him from the sport. In fact, he continued competing in international downhill and super-G races until 2014.
According to a 2018 study, Alpine skiing is a notoriously dangerous sport with a reported injury rate of 36.7 per 100 World Cup athletes per season. Of course, it's the knees and not the coin purse that are the most common casualty of ski racing, which we saw clearly in U.S. skier Lindsey Vonn's harrowing experiences at the 2026 Olympics. Vonn was competing with a torn ACL and ended up being helicoptered off of the mountain after an ugly crash that did additional damage to her legs, requiring multiple surgeries (though what caused the crash was reportedly unrelated to her ACL tear). Still, she says she has no regrets.
As Bertrand's return to the slopes shows, the risk of injury doesn't stop those who live for the thrill of victory, even when the agony of defeat hits them right in the rocks.