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100 homeless people were given cameras. This is what they saw.

What is it like to experience homelessness? What do people see when they're living on the street?

Those are the questions that Jason Williamson, an amateur photographer (who also happens to be a pastor at Anderson Mill Road Baptist Church in Spartanburg, South Carolina) found himself asking one day.

Williamson's church spends a lot of time working to combat homelessness in the local community. And after hearing about a recent homelessness photography expo at London's Cafe Art, Williamson realized the idea was just what his community needed to take bigger steps forward.


"[It was] a perfect way to combine photography, a passion I've had for a long time, with outreach in the community," he said.

“This man is homeless. He didn’t want his face in the picture. He was just hangin’ out because that’s what homeless people do. They hang out and wait for food or for a place to open. They wait for something to happen.” — "Hangin' Out" by Ray Kelly. All images used with permission.

Williamson passed out 100 disposable cameras to homeless folks around his city, hoping to "give them a voice where normally they wouldn't have one."

As part of the Through Our Eyes project, ministry volunteers went to shelters, libraries, and soup kitchens to recruit a variety of homeless individuals, ranging in age from 7 to 75. Each person was handed a camera and told to take photos of whatever they wanted — where they hung out, where they stayed, what they ate, who their friends were — and then to return them to a designated shelter five days later.

"I've been doing photography as a hobby for over 18 years, and I knew the satisfaction that I got when I created something. I wanted these people who are on the streets to feel something different, to be inspired and feel that joy," Williamson explained.

As an added incentive, the shelter threw a little party for everyone who came back with a camera on that last day and provided each of them with a meal, a hygiene kit, and a nice new T-shirt with the word "Photographer" emblazoned in big block letters across the back.

“I took it for the simple fact that if he saw his own picture, he’d have to stay out of trouble.” — "Trouble Free" by Donald Edwards.

46 cameras got returned on Day 5, and folks took more than 700 pictures.

Some of the photos were stunning and, yes, some of them weren't so great. But it was the content of the photos that really stood out.

Sure, there were plenty of photos of overpasses, trash, and the burnt-out husks of buildings where groups have gathered for shelter.

“Someone set this place on fire because they got jealous that someone else stayed in there.” — "Hatred" by Ray Kelly.

But more importantly, Williamson and his ministry were overwhelmed by the hope and optimism they saw in some of the pictures.

“He’s my friend and he will talk to anyone and help anyone out. I asked him if he would help me with the project and he wanted to help other people see what’s going on too.” — "Cool Cat" by Donald Edwards.

There were shots of fathers with their daughters...

“She’s my world. She’s everything. And she’s how I got through a dismal situation. She kept me going when I didn’t necessarily think I should.” — "The Light of my Daughter" by David Minch.

...of friends posed together with peace signs and love…

“We had a prayer time out back at the mission one night and I came up with the idea for the photo. We are all family here. I don’t see colors or nationalities; we are all equal. And the love. The love is good.” — "The Love is Good" by Annette Barnett.

...of things that the photographers themselves loved, ranging from the beautiful to the mundane…

“I love that white dress. It reminded me of when my sister got married.” — "Beautiful Dresses" by Bobbie Nesbitt.

...of murals and church signs that inspired them on their daily treks…

“I go to the Journey church every Sunday. I get what I need there. I love Pastor Chris and he really loves the people. The Journey feeds me spiritually and I always feel so good after I leave. Chris always has exactly the message I need to hear each week.” — "Journey" by Leslie Broome.

...and there were even carefully set up still life portraits of meaningful personal possessions.

"I was trying to take pictures of things I see on a daily basis and I really value him. It was a gift. Prayer is a big part of my life. He has a button that says, ‘now I lay me down to sleep,’ when you push it. I know my prayers are being answered. Anything outside of God’s will isn’t going to work anyway.” — "Prayer Bear" by Leslie Broome.

In short, the photos humanized the epidemic of homelessness in a way we don't often see.

“My friend was having a problem and was on the phone, I just happened to catch it. We’re here at the shelter, but it ain’t the end. We’re just going through it. We’ve got a purpose, you just have to go for it and it will come for you.” — "The Struggle" by Allen Johnson.

All 700 of the photographs were then featured in an art show at the Chapman Cultural Center, which also served as a fundraiser for the ministries working to fight homelessness in the area.

Visitors to the exhibit could "vote" on their favorites by putting coins or bills into the "spare change" lockboxes that accompanied each picture. Williamson and a team of judges selected the "Top 20" photographs to sell off at a live auction, with the proceeds split between five different charitable groups for homelessness.

"It gave [these individuals] an opportunity to be a part of the solution [to homelessness], instead of just the problem that other people are trying to fix."

“I knew her from another shelter. I was going to help her get her clothes out and thought I’d take her picture first. I was excited to have a friend here, but I felt bad because she didn’t have a choice but to come to the shelter.” — "Moving In" by Mildred Johnson.

And the photographers whose work fetched the highest bids in the auction? They each received a personalized prize package to help them get back on their feet.

Each package was unique to the winner, providing them with goods and/or services to help them on their own unique journeys.

If nothing else, the other photographers got to enjoy a meal and the brief sense of elation and fame that comes with having people pay attention to something you created. "They told us that, for a moment in time, it made them feel important," Williamson said. "They had a voice and could tell their story in a way they never could before."

“He was sitting under a tree in the shade and I saw the light coming in from behind him. He was in a good posture. The pictures says that you can just relax and be free.” — "Doug" by Rumchanh Park.

While Through Our Eyes didn't bring a sudden end to homelessness in Spartanburg, it did have a powerful impact on the lives of a few fortunate people.

Williamson shared one story of a Through Our Eyes participant who just began working full-time for one of the parishioners at The Mill. This man still lives in a shelter for the time being, but this turn is a positive step forward in his life.

There was also a woman who was so moved by the ministry's embrace of her photography work that she sought out her baptism and became a Christian.

Another boy reconnected with his grandmother Nevada, after she heard about the project on the news. He's still homeless for now, but a local ministry was able to find him and deliver a care package from his grandma.

Of course, even these inspiring stories only account for a fraction of the people in the Through Our Eyes project, and not every story was as successful. But for these individuals, it made a tangible difference.

"Every day, more people are coming into homelessness and out of homelessness than I would have expected," Williamson said. "But I think the cross-section we have here has done a lot to help people in our community understand, and in providing real things."

“This represented the pain and the bad decisions I used to make in the past. This photo means a lot because it reminds me that if I get in a good place, I want to help people. I never cared about if someone saw me laying there, there were no rules. I respect myself a lot more now. There’s help out there, you just have to go to it.” — "Pain" by Allen Johnson.

Through Our Eyes made homelessness visible to the people of Spartanburg in an inspiring new way.

And more importantly, it made those people who live on the street feel like people again, even if it was just for a little while.

As Williamson said, "The cameras that we used were disposable. But the people behind them were not."

Conservation

A juice company dumped orange peels in a national park. This is what it looks like today.

12,000 tons of food waste and 28 years later, this forest looks totally different.

Image via Dan Jansen

A before and after view of the experiment

In 1997, ecologists Daniel Janzen and Winnie Hallwachs approached an orange juice company in Costa Rica with an off-the-wall idea. In exchange for donating a portion of unspoiled, forested land to the Área de Conservación Guanacaste — a nature preserve in the country's northwest — the park would allow the company to dump its discarded orange peels and pulp, free of charge, in a heavily grazed, largely deforested area nearby.

One year later, one thousand trucks poured into the national park, offloading over 12,000 metric tons of sticky, mealy, orange compost onto the worn-out plot. The site was left untouched and largely unexamined for over a decade. A sign was placed to ensure future researchers could locate and study it.

16 years later, Janzen dispatched graduate student Timothy Treuer to look for the site where the food waste was dumped.

Treuer initially set out to locate the large placard that marked the plot — and failed.


natural wonders, nature, recycling, conservation, environment, oranges, orange peels, dumpsThe first deposit of orange peels in 1996.Photo by Dan Janzen.


"It's a huge sign, bright yellow lettering. We should have been able to see it," Treuer says. After wandering around for half an hour with no luck, he consulted Janzen, who gave him more detailed instructions on how to find the plot.

When he returned a week later and confirmed he was in the right place, Treuer was floored. Compared to the adjacent barren former pastureland, the site of the food waste deposit was "like night and day."


Environment, natural wonder, natural miracles, nature, oranges, planet, conservation The site of the orange peel deposit (L) and adjacent pastureland (R).Photo by Leland Werden.


"It was just hard to believe that the only difference between the two areas was a bunch of orange peels. They look like completely different ecosystems," he explains.

The area was so thick with vegetation he still could not find the sign.

Treuer and a team of researchers from Princeton University studied the site over the course of the following three years.

The results, published in the journal "Restoration Ecology," highlight just how completely the discarded fruit parts assisted the area's turnaround.

According to the Princeton School of International Public Affairs, the experiment resulted in a "176 percent increase in aboveground biomass — or the wood in the trees — within the 3-hectare area (7 acres) studied."

The ecologists measured various qualities of the site against an area of former pastureland immediately across the access road used to dump the orange peels two decades prior. Compared to the adjacent plot, which was dominated by a single species of tree, the site of the orange peel deposit featured two dozen species of vegetation, most thriving.


natural wonder, nature, environment, conservation, oranges, orange peelsLab technician Erik Schilling explores the newly overgrown orange peel plot.Photo by Tim Treuer.


In addition to greater biodiversity, richer soil, and a better-developed canopy, researchers discovered a tayra (a dog-sized weasel) and a giant fig tree three feet in diameter, on the plot.

"You could have had 20 people climbing in that tree at once and it would have supported the weight no problem," says Jon Choi, co-author of the paper, who conducted much of the soil analysis. "That thing was massive."

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Recent evidence suggests that secondary tropical forests — those that grow after the original inhabitants are torn down — are essential to helping slow climate change.

In a 2016 study published in Nature, researchers found that such forests absorb and store atmospheric carbon at roughly 11 times the rate of old-growth forests.

Treuer believes better management of discarded produce — like orange peels — could be key to helping these forests regrow.

In many parts of the world, rates of deforestation are increasing dramatically, sapping local soil of much-needed nutrients and, with them, the ability of ecosystems to restore themselves.

Meanwhile, much of the world is awash in nutrient-rich food waste. In the United States, up to half of all produce in the United States is discarded. Most currently ends up in landfills.


natural wonder, nature, conservation, environment, planet, oranges, orange peelsThe site after a deposit of orange peels in 1998.Photo by Dan Janzen.


"We don't want companies to go out there will-nilly just dumping their waste all over the place, but if it's scientifically driven and restorationists are involved in addition to companies, this is something I think has really high potential," Treuer says.

The next step, he believes, is to examine whether other ecosystems — dry forests, cloud forests, tropical savannas — react the same way to similar deposits.

Two years after his initial survey, Treuer returned to once again try to locate the sign marking the site.

Since his first scouting mission in 2013, Treuer had visited the plot more than 15 times. Choi had visited more than 50. Neither had spotted the original sign.

In 2015, when Treuer, with the help of the paper's senior author, David Wilcove, and Princeton Professor Rob Pringle, finally found it under a thicket of vines, the scope of the area's transformation became truly clear.



natural wonder, nature, environment, environmental miracle, planet, oranges, orange peelsThe sign after clearing away the vines.Photo by Tim Treuer.


"It's a big honking sign," Choi emphasizes.

19 years of waiting with crossed fingers had buried it, thanks to two scientists, a flash of inspiration, and the rind of an unassuming fruit.

This article originally appeared eight years ago.

A nasty note gets a strong response.

We've all seen it while cruising for spots in a busy parking lot: A person parks their whip in a disabled spot, then they walk out of their car and look totally fine. It's enough to make you want to vomit out of anger, especially because you've been driving around for what feels like a million years trying to find a parking spot.

You're obviously not going to confront them about it because that's all sorts of uncomfortable, so you think of a better, way less ballsy approach: leaving a passive aggressive note on their car's windshield.

Satisfied, you walk back to your car feeling proud of yourself for telling that liar off and even more satisfied as you walk the additional 100 steps to get to the store from your lame parking spot all the way at the back of the lot. But did you ever stop and wonder if you told off the wrong person?

respect, community, disabilities, visible disabilityEmma Doherty and her son Bobby.Image via Facebook

What if that person on the receiving end of the note had a perfectly good explanation for why they're driving car with a disabled sticker and tag?

That's exactly what happened to Emma Doherty, who was surprised to see someone pen such vitriolic words to her in this letter she found on her car.

The language in the note is pretty harsh:

"You lazy conning b-tch. You did not have a disabled person with you! These spaces are reserved for people who need them!!!"

I get that avoiding conflict is something that's been trained into us, but maybe if whoever wrote this note decided to say something to Emma, this entire thing could've been cleared up entirely.

Instead, she had to take to Facebook to pick apart the anonymous grouch and explain her situation to the rest of us. And hopefully whoever wrote the note (if they see her post) understands why they were terribly wrong.



In her post, she delineates the severity of Bobby's illness, which has put the young man through multiple surgeries and procedures that are no walks in the park.

"He's had 2 strokes and was paralyzed, brain damaged and has a spine and hip condition as well as a massive heart condition. The reason I didn't get his wheelchair out was because I was running late because my son, who had a MRI scan, CTSCAN and a dye for heart function yesterday, only got discharged late and was back in this morning so carried him in."

"But for your information not everyone who holds a blue badge needs to have a wheelchair! I've told ... security and broke down, I've sat through things nobody should see but why did your note break me? Because it's your pure ignorance towards others. I'm a single mom trying my best to hold it together for my son who's in and out if hospital. NOT ALL DISABILITIES ARE VISIBLE and I hope you regret doing this and learn your lesson!”

disability, public shaming, handicap, parenting, family, parenting advice Handicapped parking spacesImage via Canva

Throughout her post, Emma simultaneously castigates the person and drives one important point home: Just because someone isn't in a wheelchair or crutches, doesn't mean they aren't disabled or in need of physical care or assistance.

I knew something would be said one day as every day I get looks and stares and see people whispering to each other about me and Bobby walking from the car. Everyone needs to stop and think before acting. I hardly ever let anything upset me but this did. How aggressive as well, and as for conning my son's disabled pass... [It] is not a con, he's actually seriously ill. I've added a picture of him to prove not everyone looks ill or disabled but can be seriously ill.

The mother clarifies at the end of the message that she's sure it wouldn't be a hospital staff member who wrote the message, because those who work in healthcare are well aware of the various reasons someone would have a disabled tag on their vehicle.

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"I'd like to point out this has nothing to do with the hospital itself. They were lovely with me when I was upset and they treat us with every respect, always have [in our] 3 long years with them. They've saved my son's life many times. It [was] just somebody who was parked [there].”

Her post quickly went viral, with many people echoing her sentiments and thanking her for helping to clear up that tons of people suffer from different disabilities and that not all of them are so readily apparent.



Facebook


And as it turns out, Emma isn't the only parent who's dealt with judgmental individuals who gave them flack for having a disabled sticker on their car. As if having to deal with a sick child isn't enough, they also have to suffer through getting guff from randos on the street over a measly parking spot.




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Bobby's condition has left him without pulmonary artery function, which means that blood will not pump throughout his body. As you can imagine, walking long distances — or performing many physical tasks otherwise healthy individuals take for granted — are out of the question for the 3-year-old.

As a result of her son's condition, Emma has to take him to the hospital for treatments throughout the week, and seeing the note on her car while having to deal with that ultimately set her off. Thankfully, she used her anger to send a positive message.

Floored by the positive response to her message, Emma went back online to thank people for being so receptive and helping to spread awareness that disabilities come in many forms.

"My inbox is full of people who have told me they have been stared at or even spat at. This is a serious problem and I just want it to change. I am hoping by sharing what I went through people will start to think before acting."

This article first appeared five years ago.

Jan Langer's incredible photos are timeless.

Czech photographer Jan Langer's portrait series "Faces of Century" shows them in a different light: as human beings aged by years of experience, but at their deepest level, unchanged by the passing of time. In the series, Langer juxtaposes his portraits with another portrait of the subject from decades earlier. He recreates the original pose and lighting as closely as he can — he wants us to see them not just as they are now, but how they have and haven't changed over time. That is the key to the series.

These are the rare faces of people who have lived through two world wars, a cavalcade of regimes, and the rush of advancements in modern life. These photos, and the stories of the lives lived by the people in them, show not only the beauty of aging, but how even as we age, we still remain essentially ourselves.


All photos by Jan Langer.


1. Prokop Vejdělek, at age 22 and 101


aging, photos, older people with their younger selves, aging process, 100 years oldProkop Vejdělek, at age 22 and 101via Jan Langer/Aktualne

Vejdělek is a former metallurgical engineer who will never forget the taste of warm fresh goat's milk.


2. Bedřiška Köhlerová, at age 26 and 103



via Jan Langer/Aktualne

Originally born in Merano, Italy, Köhlerová wishes to visit Italy one more time.


3. Ludvík Chybík, at age 20 and 102


via Jan Langer/Aktualne

Chybík is a former postal carrier and says he will never forget the route he worked every day.


4. Vincenc Jetelina, at age 30 and 105


via Jan Langer/Aktualne

Jetelina spent eight years in prison after World War II. Now, he just wants to live the rest of his life in peace.


5. Antonín Kovář, at age 25 and 102


via Jan Langer/Aktualne

Kovář is a former musician whose daughter comes to visit him every day. He wishes to play the clarinet once more.


6. Anna Vašinová, at age 22 and 102


via Jan Langer/Aktualne

Vašinová will always remember the day her husband was taken away by the Nazis. She wishes to be reunited with him after death.

7. Stanislav Spáčil, at age 17 and 102


via Jan Langer/Aktualne

Spáčil was an electrical engineer throughout his life and thinks that it's too early in his life to think about the past.


8. Anna Pochobradská, at age 30 and 100

via Jan Langer/Aktualne

Pochobradská was a farmer. She now lives a quiet life and is thankful that her daughter visits her every weekend.


9. Antonín Baldrman, at age 17 and 101


via Jan Langer/Aktualne

Baldrman was a clerk early in life and keeps up with current events by reading the newspaper.


10. Marie Burešová, at age 23 and 101


via Jan Langer/Aktualne

Burešová loves talking to her family and wishes to have them all together again.


11. Vlasta Čížková, at age 23 and 101


aging, photos, older people with their younger selves, aging process, 100 years oldvia Jan Langer/Aktualne

Čížková cooked in the dining room at the airport in the small village of Vodochody. She'll never forget reciting her own poetry at wedding ceremonies.


12. Ludmila Vysloužilová, at age 23 and 101


aging, photos, older people with their younger selves, aging process, 100 years oldvia Jan Langer/Aktualne

Vysloužilová stays active every day by chopping wood, shoveling snow, and doing work around her house.


The photographer Langer was initially inspired to document the lives of elderly people because of what he saw as the media's lack of coverage of them. He decided to focus on people over the age of 100 — a very rare demographic indeed. The 2020 U.S. Census recorded 80,139 people aged 100 or older, a 50.2% increase from the 53,364 centenarians counted in 2010. As our aging population continues to increase, and technology evolves along with it, it's likely these incredibly photo essays will become far more common. But for now, they are an incredible reminder of how precious and valuable life is, sometimes especially when we reach our golden years.

“One should live every single moment according to their best knowledge and conscience because one day we will see clearly what has a real value," Langer says of what he learned from his subjects while photographing them.

The series was originally part of a story that Langer did for the Czech news outlet aktuálně.cz. You can see more photos from the portrait sessions by following the link.

This article originally appeared seven years ago.

Community

The one reason Americans can't build quaint, walk-up apartments like they have in Europe

The stairs themselves are the problem in North America, though that's starting to change.

Why North America can't build European-style apartments.

One of the most beautiful features of old European neighborhoods are the rows of quaint, walk-up apartments that are the backbone of walkable neighborhoods. They help create a community where people can exit their front door and walk to a local café or market without getting in their car.

Unfortunately, these neighborhoods are hard to find in the United States, where these types of apartment buildings are exceedingly rare. Why is that? In the video below, About Here’s founder, Uytae Lee, explains why regulations in North America have made these quaint walk-up apartments, known by architects as point access blocks, nearly impossible to build.

apartment buildings, quaint walk-upWho doesn't love a quaint apartment building?Giphy

Uytae Lee is an urban planner and videographer passionate about sharing stories about our cities.

“Quaint walk-up apartments … are a beloved feature in cities around the world,” Lee says in his video entitled “Why North Americans Can’t Have Nice Apartments.” “They’re inviting and full of character. But, here in North America, they are not allowed to be built today. Instead, our apartments are big and imposing, often stretching across the entire block and the reason why it really comes down to one reason: staircases.”

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The problem is that one stairway in a point access block allows access to all apartments. This became a problem in the late 1800s when fires were commonplace in urban areas worldwide and people were more likely to die in a fire with only one exit route. So, in the U.S. and Canada, they created new regulations that made it so all buildings over two to three stories had to have two staircases to allow them to exit during a fire.

“Staircases take up a lot of space and fitting two of them in a small building means that there is much less usable floor space on every floor,” Lee says in the video. “As a result, developers here construct much larger buildings so that the staircases and hallways take up a much smaller proportion of the overall building. It's why apartments in North America, in general, are much bigger and wider than their European counterparts.”

staircase in tall buildingRegulations on staircases limit housing possibilities in the U.S and Canada.Giphy

But there are fires in Europe, too. Why did they stop short of requiring multiple staircases in apartment buildings on the other side of the Atlantic Ocean? Instead of changing the floorplans on new buildings, Europeans opted to require fireproof materials in new building construction. A big reason why the U.S. and Canada opted for larger buildings over fireproofing was because they had better access to materials and the new direction aligned with the move towards suburban sprawl.

The two-staircase regulations in the U.S also made it harder to build units greater than one bedroom because the buildings needed long hallways which reduced the number of layout options.

The current housing crisis has many rethinking the regulations that require apartment buildings to have two stairways in North America. Many urban planners believe that modern-day demands mean we should return to building more point access block buildings, but this time with modern fire-retardant materials.

In some cities, such as Seattle, Washington, lawmakers have repealed staircase mandates and begun building point access block housing to ease the crisis. And more appear to be joining the movement.

“Now, if all this makes you a bit nervous, I get it. After all, these codes are about our safety. But I do want to mention that these codes do change over time as our technology and our understanding of safety evolves,” Lee finishes the video. “It’s important that we discuss and update these rules as our world changes.”

Pew Charitable Trust reports that small, single-stairway apartments actually have a strong safety record, sharing that those kinds of buildings as tall as six stories are "at least as safe as other types of housing." As we gather data and learn more, we should be able to adjust our regulations. So maybe, hopefully, there are more quaint apartment buildings in our future.

This article originally appeared two years ago.

Tom jones singing on 'This is Tom jones" (left) Crosby, Stills, Nash and Young performing in 1970 (right)

Nineteen-sixty-nine was a pivotal year in American culture. The hippies and the counterculture were ascendant, and everything that came before in entertainment was as square as can be.

In cinema, there was the world before and after 1969’s “Easy Rider.” In music, the Woodstock Music and Arts Fair was a defining moment for the new era, and on television, the anti-establishment “Smothers Brothers Comedy Hour” divided households over its anti-war stance.

In September of that year, Crosby, Stills, Nash and Young (CSN&Y) were asked to play a duet with Welsh singer Tom Jones on his television show and the pairing was a perfect example of the culture clash. Jones was famous for his hit songs “It’s Not Unusual” and “What’s New Pussycat?” and was adept at dodging panties being thrown at him by the adoring ladies in the audience.

CSN&Y had just played Woodstock and were known for the anti-war anthem “Wooden Ships” and “Long Time Gone” about the assassination of Robert Kennedy.

For the performance, Jones and CSN&Y played a rendition of “Long Time Gone,” and what’s impressive is that Jones does not hold back and forced the rest of the band to keep up. Steven Stills, on electric piano, tries his best to match Jones’ bravado on his lines but falls short.

David Crosby has a look on his face of pure awe when he looks at Jones (although he was known for being in "awe" quite often in the days).

Throughout the performance, the hard-to-impress Neil Young seemingly goes from a look of pure disdain to “This rocks.” The performance is an excellent example of music's ability to bridge cultural divides and bring people together.

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Down in the comments, people had nothing but love for Tom Jones' soulful voice. And for the musical prowess of the whole gang, really.

"Everything about it is so perfect, Neil’s stanky guitar face at the beginning while he’s soloing, David staring at Tom while he’s busting out the high notes, Stephen getting the falsetto, graham nailing the harmonies, not to mention Dallas and Greg killing it in the rhythm section. God I love this band so much."

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"I feel like some people don’t really understand what an absolute beast of a vocalist Tom Jones was in his prime! He could literally sing anything and everything! Nothing was out of the realm of possibility with that voice!!! Just look at CSN&Y! It’s rare that you have a group of such an amazing musicians all sitting back just awestruck!!! Truly one of the greatest voices of our time!!!"

And this of course isn't the only time Tom Jones has brought the house down during a collaboration. Below is a powerhouse duet between Jones and the iconic Aretha Franklin, who did a “See Saw”/“Spirit in the Dark" medley for his This Is Tom Jones show. It’s pure magic.

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If these videos have got your jonesin' for even more Jones (and you happen to live in the UK) you're in luck. The singer recently announced he would be part of the Colchester Castle Summer Series, which is expected to be the one of the largest music events the city has seen in years.

And for CSN&Y fans, their first tour is set to be released on a new live album. Pretty good year for classic rock lovers.

This article originally appeared last year